Fleshgod Apocalypse

Depressed Mode – Decade of Silence Review

Depressed Mode – Decade of Silence Review

“When I first saw the name, “Depressed Mode,” I assumed it was an homage to synth-rock icons, Depeche Mode. Nope. Turns out, these Fins are being literal. That’s their thing. Even their album names are literal. Decade of Silence is the third album after 2009’s For Death and follows a decade(ish) of… er… silence. Depressed Mode plays symphonic doom in the vein of… well… it’s complicated.” Silence is deadening.

Miseration – Black Miracles and Dark Wonders Review

Miseration – Black Miracles and Dark Wonders Review

“When it comes to versatile metal vocalists, few people pop into my head faster than Christian Älvestam. I loved his work with Scar Symmetry, and I followed his career after his departure. I was overjoyed when he joined Jani Stefanović (Renascent and DivineFire) in both Solution .45 and Miseration, and I especially enjoyed the latter’s output. Miseration‘s 2006 debut Your Demons – Their Angels didn’t stray too far from Älvestam’s work in Scar Symmetry, opting for a highly melodic death metal sound and utilizing both death vocals and clean singing. I lost track of these guys after that, and I was utterly shocked—and delighted—to find that they were going to be releasing their fourth record here in 2022.” Misery love melodeath.

The Devils of Loudun – Escaping Eternity Review

The Devils of Loudun – Escaping Eternity Review

“Hailing from Seattle, and featuring members of Aethereus—who themselves released a stellar album just a few weeks back—The Devils of Loudun specialize in death metal of the melodic and symphonic variety. The band’s debut full-length Escaping Eternity finds neoclassical guitar leads and keys soaring over a foundation of thick, grooving riffs, while the powerful vocals of Aethereus‘ Vance Bratcher dial the heaviness quotient up to critical levels.” Devil be Loud(un).

The Design Abstract – Metemtechnosis Review

The Design Abstract – Metemtechnosis Review

“Science fiction in heavy metal has absolutely no business being as cool as it somehow is. What is it about thick, heavy synths and thicker, heavier guitars that feels like such a strong match? I don’t really like science fiction in general, but as a musical concept? It works. I don’t know what to tell you, it just does. The Design Abstract hail from the Canadian province of Ontario, and seem to understand the game, as Metemtechnosis is their third full-length release under this moniker—and their second this year. The group plays melodic death metal to tell their futuristic stories.” Designing the future.

The Breathing Process – Labyrinthian Review

The Breathing Process – Labyrinthian Review

“A phenomenon risen in the last decade is the concept of “blackened deathcore.” While Winds of Plague‘s cheesy keyboard licks copied and pasted atop chug-happy deathcore is business as usual, it wasn’t until bands like Make Them Suffer and Abigail Williams cranked up the moody -core brutality with black metal tropes in songwriting, drumming, and keys. More recently represented by bands like Lorna Shore or Mental Cruelty, blackened deathcore (if you accept it as a style) has become one of those quasi-sub-genres that fuses the oft-maligned “scene-core” and those of the “trve” style – a trve clvsterfvkk if you will. Quietly riding the wave is collective The Breathing Process, whose string of releases have contributed in small ways to this weird-ass style.” I see a mall kid and I want to paint him black.

Seven Spires – Gods of Debauchery Review

Seven Spires – Gods of Debauchery Review

Seven Spires released their second full-length album Emerald Seas, the prequel to their debut album Solveig, in February 2020. In tragic fashion, the four Berklee College of Music graduates scrapped their tour because of the global pandemic. Instead of wallowing in sorrow, the band wrote nearly 80 minutes of glorious new music, a true testament to their fervent love for the crafts of songwriting and musicianship. I raved about Emerald Seas in TYMHM last year, and let’s just say that my expectations were high for Gods of Debauchery.” Gluttony of goods.

Thyrfing – Vanagandr Review

Thyrfing – Vanagandr Review

“Unless you only got into metal recently, you are sure to have an array of bands that you’ve listened to in the past and enjoyed, but for whatever reason you didn’t delve any deeper or keep up with their new releases. Occasionally you might see a namedrop somewhere and go “huh, yeah, I liked that band.” Sometimes you might even pick the thread back up. It’s how I got back into Madder Mortem, for instance. Other times, you shrug and move on, pursuing new thrills instead, making a solemn oath that you never fulfill, to one day get back to that enjoyable echo from the past. Such a moment of recognition struck me when I saw the name Thyrfing pop up in the promo box. “Thyrfing!” I said. “They were cool! Vansinnesvisor was a good album, I recall. They were kinda sorta big at the time, right?” Norse whisperers.

Sun of the Suns – TIIT Review

Sun of the Suns – TIIT Review

“There is all sorts of weirdness going on with this release. It’s a debut album by a band that by all means does not seem to have existed until late May this year. Sun of the Suns have no Metal Archives page and their only social media channels, Facebook and Instagram, both dropped out of the sky one day with the album announcement as the first post. Yet the Italians helming the project have sufficient pedigree in their national death metal scene, enough to pull session participation from Fleshgod Apocalypse drummer Francesca Paoli and DGM bass player Simone Mularoni. Not to mention this sounds absolute leagues away from the exploratory, not-quite-sure-where-we’re-going-with-this tentativity you might expect from a debut.” First Sun of the first Sun.

The Circle – Metamorphosis Review

The Circle – Metamorphosis Review

“The phrase “avant-garde” spliced with “metal” is so confusing. Much like similar descriptors “extreme” and “modern,”[1. *shudder*] it’s an extremely broad term that implies much and is much abused. Describing the Children of Bodom-esque Messora to the weird-as-shit Maudlin of the Well, overuse quickly becomes Inigo Montoya’s second most-famous quote: “You keep using that word. I do not think it means what you think it means.” So, what does “avant-garde” actually mean? Beats me! Nevertheless, the newest crew to throw their avant-garde hat into the ring is Germany’s The Circle.” Larva-core.