Fleshgod Apocalypse

Scolopendra – Those of the Catacombs [Things You Might Have Missed 2020]

Scolopendra – Those of the Catacombs [Things You Might Have Missed 2020]

“If you frequent these parts, you may have been aware that 2020 has been death metal’s year. What you may not have been aware of is that some of the year’s best come from Italy. While you may think of ancient empires, Renaissance classicism or pizza when Italy comes to mind, Padua’s Scolopendra adopts a rather different approach on their debut called Those of the Catacombs.” Death in Venice.

Hell:on – Scythian Stamm Review

Hell:on – Scythian Stamm Review

“I was initially unimpressed by the band’s name — specifically that tricksy colon — and subsequently passed over the promo during my perusal of the bin. But when I saw this simultaneously exciting and terrifying art while scoping out the competition at another blog, my interest was renewed. After conducting some research, I learned that Hell:on is a stylized — and search engine optimized — version of “Hellion,” and that Hell:on have been peddling their wares since 2005. Their base sound has always been a heavily thrash-infused style of death metal, but over time they’ve incorporated more and more traditional folk instruments, ritualistic textures, and symphonic arrangements to evolve into what feels like a different beast entirely.” Hell: on Earth.

Almanac – A Discographic Review [Tsar (2016), Kingslayer (2017) and Rush of Death (2020)]

Almanac – A Discographic Review [Tsar (2016), Kingslayer (2017) and Rush of Death (2020)]

“For the last four years, I have been neglecting—and you have been denied my Very Important Opinion™ about—one of the most idiosyncratic voices in metal: Victor Smolski. And so, in a Swallow the Sun-sized act of hubris, I’m writing a discographic review of Victor Smolski’s Almanac.” You can’t spell “Almanac” without MAN!

Valgrind – Condemnation Review

Valgrind – Condemnation Review

“Most of us know someone who doesn’t speak often, but when they do, we listen. Case in point: Not long ago, I received a cryptic message from Ferrous Beuller that simply said, “You should pick up the new Valgrind for review.” And that’s all it took.” Iron commands.

The Lightbringer – From The Void To Existence EP Review

The Lightbringer – From The Void To Existence EP Review

From The Void To Existence, like Devil With No Name‘s self-titled, is a conniving little EP that snuck through our Jericho-esque walls to fraternize with the big boys. It also manages to offend two camps in its blend of black metal and power metal: a commute, if you will, between the Realm of Obscurely Kvlt Black Metal and the Vault of Powery Cheese,” Power black attack.

Killitorous – The Afterparty Review

Killitorous – The Afterparty Review

“Yep. That’s a band name. Killitorous. Say it a couple times and soon you’ll see what they did there. Tasteful, right? I’ll be honest, it took me way too long to find it (ayyyy), but by that point I was already four listens into the Canadian supergroup’s sophomore record The Afterparty and was having too much fun to care about the silly double-entendre anymore. After all, we did give high marks to bands with such respectable names as Fvneral Fvkk and Shitfucker, right? So who am I to judge?” Tech-deathicus for the rest of us.

Golden Ashes – In the Lugubrious Silence of Eternal Night Review

Golden Ashes – In the Lugubrious Silence of Eternal Night Review

“Black metal is great at it, as its entire purpose is to conjure blasphemous and decrepit images of icy forests and iconoclastic rituals, but there are twists to your snow-crusted Norwegian fjords and the sounds of Hail Satans: Austere‘s desolate Australian deserts, Blut Aus Nord‘s hellish industrial landscapes, and Saor‘s Scottish highlands, to name a few. While images painted are up for grabs, the general consensus is one of darkness, bleakness, and spiritual desolation. But what happens when the black metal is, ya know, not that?” Bright darkness.

No Raza – Transcending Material Sins Review

No Raza – Transcending Material Sins Review

“The moral of the story is that, even at ass-o’-clock in the morning, Colombian death metal quartet No Raza were able to keep not only themselves, but also their audience, awake and fairly hyped for an hour and twenty minutes. That’s nearly twice the span they had allotted. So you can bet your bottom dollar I was going to snag promo for their fourth and latest outing, Transcending Material Sins.” MOOAR Raza.

Gorgon – Elegy [Things You Might Have Missed 2019]

Gorgon – Elegy [Things You Might Have Missed 2019]

“Unlike the other Gorgon from France that released a 43-minute album in January, this Gorgon plays an opulent brand of symphonic death metal—a personal favorite subgenre of mine. That their second full-length Elegy released two weeks into the year and is still kicking my posterior like the absolute badass it is should tell you all you need to know.” Gorgon will eat you.