Fleshgod Apocalypse

The Circle – Metamorphosis Review

The Circle – Metamorphosis Review

“The phrase “avant-garde” spliced with “metal” is so confusing. Much like similar descriptors “extreme” and “modern,”[1. *shudder*] it’s an extremely broad term that implies much and is much abused. Describing the Children of Bodom-esque Messora to the weird-as-shit Maudlin of the Well, overuse quickly becomes Inigo Montoya’s second most-famous quote: “You keep using that word. I do not think it means what you think it means.” So, what does “avant-garde” actually mean? Beats me! Nevertheless, the newest crew to throw their avant-garde hat into the ring is Germany’s The Circle.” Larva-core.

Scolopendra – Those of the Catacombs [Things You Might Have Missed 2020]

Scolopendra – Those of the Catacombs [Things You Might Have Missed 2020]

“If you frequent these parts, you may have been aware that 2020 has been death metal’s year. What you may not have been aware of is that some of the year’s best come from Italy. While you may think of ancient empires, Renaissance classicism or pizza when Italy comes to mind, Padua’s Scolopendra adopts a rather different approach on their debut called Those of the Catacombs.” Death in Venice.

Hell:on – Scythian Stamm Review

Hell:on – Scythian Stamm Review

“I was initially unimpressed by the band’s name — specifically that tricksy colon — and subsequently passed over the promo during my perusal of the bin. But when I saw this simultaneously exciting and terrifying art while scoping out the competition at another blog, my interest was renewed. After conducting some research, I learned that Hell:on is a stylized — and search engine optimized — version of “Hellion,” and that Hell:on have been peddling their wares since 2005. Their base sound has always been a heavily thrash-infused style of death metal, but over time they’ve incorporated more and more traditional folk instruments, ritualistic textures, and symphonic arrangements to evolve into what feels like a different beast entirely.” Hell: on Earth.

Almanac – A Discographic Review [Tsar (2016), Kingslayer (2017) and Rush of Death (2020)]

Almanac – A Discographic Review [Tsar (2016), Kingslayer (2017) and Rush of Death (2020)]

“For the last four years, I have been neglecting—and you have been denied my Very Important Opinion™ about—one of the most idiosyncratic voices in metal: Victor Smolski. And so, in a Swallow the Sun-sized act of hubris, I’m writing a discographic review of Victor Smolski’s Almanac.” You can’t spell “Almanac” without MAN!

Valgrind – Condemnation Review

Valgrind – Condemnation Review

“Most of us know someone who doesn’t speak often, but when they do, we listen. Case in point: Not long ago, I received a cryptic message from Ferrous Beuller that simply said, “You should pick up the new Valgrind for review.” And that’s all it took.” Iron commands.

The Lightbringer – From The Void To Existence EP Review

The Lightbringer – From The Void To Existence EP Review

From The Void To Existence, like Devil With No Name‘s self-titled, is a conniving little EP that snuck through our Jericho-esque walls to fraternize with the big boys. It also manages to offend two camps in its blend of black metal and power metal: a commute, if you will, between the Realm of Obscurely Kvlt Black Metal and the Vault of Powery Cheese,” Power black attack.

Killitorous – The Afterparty Review

Killitorous – The Afterparty Review

“Yep. That’s a band name. Killitorous. Say it a couple times and soon you’ll see what they did there. Tasteful, right? I’ll be honest, it took me way too long to find it (ayyyy), but by that point I was already four listens into the Canadian supergroup’s sophomore record The Afterparty and was having too much fun to care about the silly double-entendre anymore. After all, we did give high marks to bands with such respectable names as Fvneral Fvkk and Shitfucker, right? So who am I to judge?” Tech-deathicus for the rest of us.