French Metal

Decasia – An Endless Feast for Hyenas Review

By Twelve on April 4, 2022 in Reviews, Stoner Rock, 8 comments

“As a reviewer who largely gets to pick my own assignments, I face a desire to branch out once in a while. Most of us like discovering new things, but it can be a little off-putting to follow up the discovery with a review, knowing that you may not be “getting” the concepts. For myself, I like the idea of stoner doom, rock, metal, or whatever you’d like to call it. The hazy, laid-back, ambient-but-not-quite music appeals to me. I’m not a particular fan of the genre—but every once in a while, I want to try. That is how I find myself here, reviewing An Endless Feast for Hyenas, the debut full-length release from France’s Decasia.” Mellow mauling.

Véhémence – Ordalies Review

By Twelve on March 7, 2022 in Reviews, Black Metal, Folk Metal, 49 comments

“When last Véhémence appeared around these parts, they were an unexpected discovery I made—with some much-appreciated help—at the end of 2019. Par le sang versé was a gem of a release, with all the right black metal bits, just enough folk bits, and an awesome medieval vibe that set it apart from its contemporaries. So you can imagine my thrill when I learned that the French group had actually read that article and that I’d get to review their third full-length release, Ordalies.” Getting medieval on your arse.

Sylvaine – Nova Review

By Grymm on March 1, 2022 in Reviews, Ambient Metal, Black Metal, 96 comments

“I’ve become a jaded man-cat over the last few years or so. I can blame Covid, or humanity’s lack of… well, humanity towards one another, or a myriad of other reasons. The fact of the matter is whenever I turn on the news or see yet another impossibly bad hot-take on Twitter, the anger that begins to well up inside me can power my home city for months. So, what’s a grouchy man-cat to do? Listen to Nova, the fourth full-length by Norwegian/French multi-instrumentalist/vocalist Kathrine Shepard, aka Sylvaine, that’s what. Having reviewed not one, but two, albums of hers, I knew what to expect. Or so I thought.” Prime Nova.

Deathbell – A Nocturnal Crossing Review

By Grymm on February 25, 2022 in Reviews, Doom Metal, 20 comments

“I’m not going to lie here; when I first saw A Nocturnal Crossing, the second album by French doommakers Deathbell, listed in our promo pick-up software, my brain autocorrected the title into Animal Crossing. From that moment, I wondered to myself what it would be like to have a concept doom album where our hapless main (unnamed) character would strike a deal with The Devil, selling his soul for bells while interacting with damned-but-adorable lost animal souls while trying to cross the River Styx on a dragon boat powered by Blathers the Owl.” Hell bells.

Celeste – Assassine(s) Review

By Dear Hollow on January 27, 2022 in Reviews, Black Metal, Doom Metal, Hardcore, Post-Hardcore, Post-Metal, Sludge Metal, 40 comments

“If you’ve never heard of Celeste, the name and the aesthetic can be misleading. Gorgeous and contemplative black and white photographs of artistic poses and strange characters greet the eyes with a moniker that points to the heavens. If you were to guess the style, you might say post-black or prog, maybe an indie acoustic troubadour, or a bedroom jazz project. However, you’d be hard-pressed to find another act as suffocating and pissed off as Celeste. A visceral fusion of black metal, hardcore, and the filthiest outskirts of extreme subgenres, these Frenchmen are the epitome of scathing consistency, releasing album after album of hypnotic tunes.” Assassin’s breed.

Bullet Ride – At the Gates of Hell Review

By Ferox on January 16, 2022 in Reviews, Power Metal, 37 comments

“Can heavy music make you a better person? France’s Bullet Ride seems determined to answer that question on At the Gates of Hell, which may just pioneer the sub-genre of “self-help metal.” Here are ten thrash-adjacent tunes that lean heavily into their themes of overcoming an ever-shifting combination of adversity, despair, and shitty exes. These veterans of regional acts like Methadol and Divine Punishment have crafted a bright, melodic debut that was not at all what I expected when I requested a blackened thrash promo from Dr. Overlord Himself.” Handling the unknown is an important part of successful n00bery.

Celestial Swarm – Gateways to the Necroverse [Things You Might Have Missed 2021]

By Kenstrosity on December 6, 2021 in Things You Might Have Missed 2021, Black Metal, Death Metal, Slam, 10 comments

“It seems like I routinely encounter one album within the first week of the year that sticks with me to the end. In 2021, that honor belongs to Celestial Swarm’s immense debut, Gateways to the Necroverse. The international four-piece claim to innovate a novel subset of br00tality: “slamming black metal.” Given what I’ve spent an entire year absorbing, I think a better moniker is “brutal black metal,” but I suppose that’s splitting hairs.” At the Gateways.

Aephanemer – A Dream of Wilderness Review

By Dr. Wvrm on November 19, 2021 in Reviews, Melodic Death Metal, 103 comments

“It shouldn’t be a surprise that following up the best thing you’ve ever done is a tough task; no wonder some bands go in a different direction entirely. Aephanemer, freshly signed to Napalm Records, are not running from that legacy.” Boars before swine.

Plebeian Grandstand – Rien ne suffit Review

By Kronos on November 16, 2021 in Reviews, Black Metal, Post-Metal, 120 comments

“Rien ne suffit: nothing is enough. For Plebeian Grandstand, it might as well be a motto. The Toulouse have made their career defying categorization, and pushing each release to be something new, something more. How Hate is Hard to Define set a bar for blackened mathcore that no other record has come close to clearing, only for the band to sink into sludgy, dissonant black metal with Lowgazers. That muddy reek was fired with death metal oppression to make the gleaming False Highs, True Lows, and now, with Rien ne Suffit, it is shattered.” Enough is never MOAR.

Autokrator – Persecution Review

By Dear Hollow on November 14, 2021 in Reviews, Death Metal, Doom Metal, Noise, 9 comments

“I think it’s in my job description to just steal promos from Kronos for the rest of my writing career. Autokrator is no exception, as a casual perusal through the promo bin revealed this little gem, one that elicited a reaction not unlike from beloved Christmas movie Elf: “I know them!”” Thieving in the house of death.