French Metal

The Ridiculous Year o’ Death Metal, Part 1 [Things You Might Have Missed 2020]

The Ridiculous Year o’ Death Metal, Part 1 [Things You Might Have Missed 2020]

“We can all agree it has been a horrific year. Fortunately for the metal community, our lexicon is inverted. Rest assured that, when I say death metal has been absolutely disgusting in 2020, it can only be a good thing. While we at Angry Metal Guy have done our best to cover as much calamity as possible, it was inevitable that some releases would go unrecognized. To that end, this round-up exists solely to shed unholy light on those atrocities that didn’t quite make the cut, but still warrant your attention.” Become death.

Twisted Mist – Orbios Review

Twisted Mist – Orbios Review

“From the twisted mists of France rise Twisted Mist, of France. This duo has been around since 2017, under a variety of setups, delivering folk metal in two full-length offerings. Orbios, their third album, promises traditional instrumentation and blistering heavy metal in a convenient forty-minute package.” Folking in the mist.

Skelethal – Unveiling the Threshold Review

Skelethal – Unveiling the Threshold Review

“Though a combative Al Kikuras rightfully panned the group’s debut, this sophomore record introduces a more fleshed-out Skelethal offering something beyond buzzsaw revivalism. After the departure of founding drummer/bassist Jon Whiplash, the band’s other half, Guillaume Zeller, pieced Skelethal back together at twice the size.” Bone collecting.

Ecclesia – De Ecclesiæ Universalis Review

Ecclesia – De Ecclesiæ Universalis Review

“The good old Inquisition was not humanity’s finest hour. I guess it’s all well and good to take religion seriously, if that’s one’s thing but it’s a bit presumptuous, I would suggest – perhaps with the benefit of hindsight – to go about torturing and burning thousands of people at the stake for either being insufficiently religious, not the right kind of religious or, in many cases, simply a woman. Still, putting the very real horrors of this extended folly to one side, the Inquisition does make for bloody good source material for a metal concept album. And so say French six-piece Ecclesia.” No one expects the Doom Inquisition.

Déluge – Ægo Templo Review

Déluge – Ægo Templo Review

Déluge is a French black metal/post-hardcore quintet, a demo and debut full-length Æther under their belt since their 2013 formation. Perhaps most similar to acts Downfall of Gaia or Celeste, Déluge‘s sophomore effort Ægo Templo is content channeling the worship of hyper-melodic post-rock-influenced post-hardcore or screamo acts like Envy, So Hideous, or Suffocate for Fuck Sake.” After France comes the flood.

Nightmare – Aeternam Review

Nightmare – Aeternam Review

“France’s Nightmare are no strangers to the heavy metal scene. The band’s origins go back four decades to their foundation as a punk outfit in 1979. Over the next few years, the punk stylings gave way to the burgeoning heavy metal sound of the early 80s and the band released a couple of full-lengths before going on hiatus in 1988. But Nightmare‘s best work was yet to come.” Dream warriors.

Vous Autres – Sel de Pierre Review

Vous Autres – Sel de Pierre Review

“Well, it’s been… a year? Seriously…? Wtf? It’s only been a fucking year since Vous AutresChamp du Sang landed in the cold, dark corner of my existence? I go back to that debut record like it was a genre-defying piece! A record washed away and only now rescued the forgotten past. Maybe it’s the fact that it feels aged yet relevant. Or because it has an energy and spontaneity of a band not held back by anyone or anything. A band that put it all out there, regardless of the consequences. A band that… OK, so that might be a bit dramatic. But, Champ du Sang is a fantastic record and one that still gets much praise from Madam X and myself to this day. So, when the French duo treaded through a cemetery of thick, black mud—its headstones, broken from the bright, industrial cracks of lightning—to hand-deliver Sel de Pierre into my cold hands, I… wept.” Gods of pain.

Mercyless – The Mother of All Plagues Review

Mercyless – The Mother of All Plagues Review

“Few death metal bands had as stark a rise and fall as Mercyless did in the 90s. Coming off 1993s excellent Coloured Funeral, an all time great death platter, they made an ill-advised grab at mainstream acceptance on utterly disastrous followup C.O.L.D..  So bad was the album that legions of fans promptly decamped, myself among them, leaving the band to slowly rot.” Up with the sickness.