“Maelstrom is a pretty popular handle, but the one we are looking at today has quite a bit of history. Formed in 1988 in West Hempstead, New York, they share their birth year with Iced Earth as well as yours truly. The Iced Earth part is more important, as Maelstrom released a few demos in a similar style, mixing thrash and power metal with a symphonic flair before dropping off the face of the planet.” Fire, ice and shitstorms.
“But Franckensteina Strataemontanus is not a true retelling of Frankenstein; or, The Modern Prometheus by Mary Shelley. If any of you know the myths and legends surrounding the creation of this story, you know that there’re a lot of tales that involve Johann Konrad Dippel. There’s no proof that Shelley was ever inspired by this strange individual, but the connection is hard to ignore. An individual who reportedly invented nitroglycerin, experimented on dead animals and human cadavers, and created an elixir that would allow him to live until the age of 135. Here, Carach Angren provides us with a slight reinvention of the classic Frankenstein story. One that uses artistic license to make Dippel the psychotic creator of an unloved monster.” Frank n’ frowners.
“At last week’s regular AMG staff shaming re-education session, TheKenWord and I stood in the center of the writers’ circle and explained that our problem with thrash, despite all the riffage, had always been the vocals. Our Steely overseer prescribed a crash course in early Destruction, with the more unusual vocal delivery of Marcel Schirmer, aka Schmier. Having taken my medicine—and enjoyed both Infernal Overkill and Eternal Devastation, it should be said—I was stoked to find that the thrash promo I’d picked up on a whim actually included at least one member of Destruction.” A scorching case of Gomorra.
“Metalcore is controversial term with a broad meaning as evidenced by the fact that it can accurately be applied to any/all of Killswitch Engage, Converge, and The Dillinger Escape Plan. The meaning is so broad, in fact, that it’s essentially meaningless when used as a standalone genre tag.” Warcore.
“Though I’ve known these guys for damn-near twenty years, Leaves of Yesteryear is not what I expected. I guess I don’t know what I expected, but this isn’t it. Gone is the rocking character of A Blessing in Disguise and The Quiet Offspring. Gone is the absolute darkness of Journey and Light.” Flower power.
“Absolva, the act entirely composed of the touring band for Blaze Bayley, have returned with their fifth album of slightly modernized NWoBHM. I first stumbled on these gents back in 2017 when their Defiance platter wound up on my desk, and found their style easy to like and as familiar as a favorite pair of socks. This is a crew of seasoned veterans from the U.K. traditional metal scene, and guitarist Luke Appleton even finds time to play bass for Iced Earth when not touring with Blaze.” Blazing new trails.
“When Cypriot band Solitary Sabred entered my schedule, I looked back in the site’s archives and saw that their 2014 release Redemption Through Force had not only been covered, but highly recommended. Naturally, I was intrigued and I sampled. What I found was a heavy/power metal concept album with absolutely insane vocals. Sounding like a mixture of Manowar and Sanctuary due in no small part to singer Petros Leptos’ delivery consisting of three parts Eric Adams and one part early Warrel Dane, I immediately fell in love and ordered a physical copy of the release.” Steel thyself.
“Ross the Boss is one of those bands I can’t help rooting for, being as it’s the outfit of Ross Friedman, the man behind the guitar on all the classic Manowar albums. Those platters were a huge part of my early metal education and I still cherish them dearly, as all trve metal fans should. Ross’ post-Manowar projects have been somewhat hit or miss, and 2018s By Blood Sworn was very disappointing despite some major league talent coming on board to help out. Because of this, I majorly tempered expectations coming into their 4th album, Born of Fire.” Who’s the Boss?
“Blind Guardian has always fed my fantastical appetite through the years—providing me with stories and full concept records at a pace and with a passion that is pure fun. Then, there’s Iced Earth. A band that has given me plenty of headbangable moments and vivid imagery through their own concepts—even crushing my spirit at times with heartbreaking ballads and war/lost-love themes. When I first heard Demons & Wizards, I realized it was no different. In a single band, I could experience the storytelling nature of Blind Guardian and the crushing, yet crippling character of Iced Earth. For two—now three—records, this has been the goal of this power-metal duo. But, fifteen years is a long time to go without your partner-in-crime. Even identical twins can lose a connection after a decade-and-a-half of separation. So, what’s that mean for Kürsch and Schaffer and their precious III?” Two Demons, one Triwizard Cup.
“Back in 2007, I ran across the Myspace page of a band called Mystic Prophecy. My fire for trve heavy metal was still in its incipient stage at the time—a time that saw Manowar, Iron Maiden, and Iced Earth as my favorite bands—so when I heard “Demon’s Blood” and its immense bottom-end power metal attack on that soon-to-be-obsolete social media platform, I was giddy.” MySpace prophecies.
