International Metal

VoidCeremony – Threads of Unknowing Review

By Dolphin Whisperer on April 13, 2023 in Reviews, Death Metal, Melodic Black Metal, Technical Death Metal, 29 comments

“The ghost of Kronos past summarized on the previous word count abusing outing Entropic Reflections Continuum: Dimensional Unravel that “the parts are all there, but they’re not strung together in a sensible way.” So the real question for VoidCeremony is what’s changed? Certainly, it’s not the adherence to the progressive death metal laid out by our forefathers of late Death, Domination-era Morbid Angel, or Pestilence—though the production here is spacious yet modern, but the sound is as dusty and indulgent as you would assume.” When you noodle into the void…

Sermon – Of Golden Verse Review

By Saunders on March 28, 2023 in Reviews, Progressive Metal, 129 comments

“UK’s mysterious Sermon burst from out of nowhere on phenomenal 2019 debut album, Birth of the Marvellous. The debut was an incredibly accomplished, polished jewel of intense and emotive progressive metal, boasting excellent production and top-shelf writing and performances from the duo. Sermon bided their time crafting the follow-up to an unexpected underground hit, with combined efforts and careful craftmanship resulting in another triumphant release.” Preaching to the choir.

Omega Infinity – The Anticurrent Review

By Dear Hollow on March 4, 2023 in Reviews, Ambient, Atmospheric Black Metal, Black Metal, 15 comments

“The infinite expanse. Oceans above. Stars whose light is a glimpse into the ancient past. Physics. Astrophysics. Space: the Final Frontier. Space odysseys are great unless you’re beaten to death with a bone by your ape bud or gaslit by your own computer – super awkward. Plenty of black metal has ventured beyond the firmament for some ethereal goodness, but do any of them chronicle creation?” Omega men.

MMXX – Sacred Cargo Review

By Twelve on November 23, 2022 in Reviews, Doom Metal, 21 comments

“MMXX is a very short name for a band, but it still says a lot about its story. During periods of isolation and lockdown in the titular year, Andrea Chiodetti (ex-The Foreshadowing), Jesse Haff (Daylight Dies), and Egan O’Rourke (Daylight Dies) formed something of a doom metal supergroup, based in the United States and Italy, and began writing music inspired by the events happening around them. From there, the project has grown ambitiously—now signed with Candlelight Records, the band brought on guest musician after guest musician to form something of a dark Avantasia-like project.” Sacred cargo or suspicious package?

Obsidious – Iconic Review

By Kenstrosity on October 31, 2022 in Reviews, Death Metal, Melodic Death Metal, Progressive Metal, Technical Death Metal, 39 comments

“There’s been an incredible amount of hype roiling behind international supergroup Obsidious’s upcoming debut record Iconic. Having lived under a rock for the past two years, I missed literally all of that hype, only first becoming aware of Obsidious late this past summer. Nevertheless, once I heard all of the numerous advance singles, I was convinced that this would be my Album o’ the Year by the time I got to hear the whole thing. Technical death metal meets post-apocalyptic space opera meets musical theater? It’s quite possibly the most me thing to fall into my lap during my entire four-year tenure at AMG to date. Needless to say, I generated plenty of my own hype. The question remains, did Obsidious live up to it?” Hype and reality.

Them – Fear City Review

By Dr. A.N. Grier on October 31, 2022 in Reviews, Heavy Metal, 51 comments

“It’s with great trepidation that I come to you this day. It’s 1980-something, and the world is coming apart. The Reagan administration has begun, John Lennon is dead, crime riddles the streets, and, by a freak toxic waste accident, KK Fossor is back. And back with a vengeance. After the death of his family and the destruction of the villainous Peter Thompson, we arrive at a new chapter of the story. On a mission to rid the world of Thompson’s bloodline, KK travels to the cesspool that is Fear City.” Pizza rats and baseball bats.

Putrescine/Kosmogyr – Desolate Tides [Split] Review

By Eldritch Elitist on October 9, 2022 in Reviews, Black Metal, Death Metal, 17 comments

“Desolate Tides should not make sense. The concept of the split record is one born of shared musical ideals, a joint undertaking made with inherent crossover appeal in mind. The pairing of the melting pot of OSDM worship that is California’s Putrescine, and the modern melodic black metal of international duo Kosmogyr, doesn’t exactly scream “crossover appeal” on paper. While the two acts don’t find a firm sonic middle ground within Desolate Tides, each uses this record to explore the boundaries of their respective sounds in a way that feels thematically aligned with the other. The resulting experience is one of the most intriguing split releases I’ve heard.” Tides bring strange flotsom.

Philosophobia – Philosophobia Review

By Dolphin Whisperer on July 11, 2022 in Reviews, Progressive Metal, Progressive Rock, 19 comments

“Philosophobia: fear of the study of knowledge, right or wrong, values—an idea so very counter to the typical academic prog attitude, yet it also plays right into certain stagnant streams of progressive metal. Philosophobia does not question or push the boundaries of the question “what is prog?” Instead, it wholeheartedly embraces older ideas, leaning into the namesake phobia to make the past the present definition. No doubt conceived in earnest, this international crew of talented musicians has finally emerged with their debut outing, long after guitarist Andreas Ballnus (Perzonal War) and drummer Alex Landenburg (Mekong Delta) first conceived these ideas over a decade ago.” Olde progressions.

Final Light – Final Light Review

By Twelve on June 28, 2022 in Reviews, Post-Metal, Synthwave, 26 comments

“Something different. In two words, that’s how I can best describe Final Light, the eponymous debut full-length from Cult of Luna’s Johannes Persson and James Kent, better known as Perturbator. From the duo’s names alone, there’s expectation—both have been a part of some powerful releases lately, in the form of The Long Road North and Lustful Sacraments respectively, but their respective styles—post-metal and synthwave—don’t exactly lend themselves to being blended together, and, for my part, I’m not a huge fan of either one. But there’s the odd exception to every rule where opinions are concerned, and Final Light is certainly one such album.” Strange deadfellows.

Ianai – Sunir Review

By Dear Hollow on June 21, 2022 in Reviews, Ambient, Dark Neofolk, Folk, Neofolk, 30 comments

“Ianai is a “single-entity” project shrouded in mystery. Its secretive mastermind Trevenial offers twelve tracks influenced by folk music across the globe, equally evocative and primitive. With ties to England (mastered by Orgone Studios’ owner Jaime Gomez Arellano) and Finland (produced by Jaani Peuhu), and featuring a classical orchestra and world music artists, as well as a vast array of guests, from notable acts like HIM, Sisters of Mercy, Swallow the Sun, and The Rasmus, Sunir is a debut loaded with potential and questions in equal measure.” It takes a global village.