Iron Maiden

Jag Panzer – The Scourge of the Light Review

Jag Panzer – The Scourge of the Light Review

Jag Panzer has been an American metal institution since the early 80’s and they’ve always been a band that you could rely on to clobber you with enormous, powerful, top-notch heavy metal of the traditional school. They’re also the original American power metal act. Their take on power metal being far different than the textbook European approach, Jag Panzer were always much heavier, tougher and had more balls than the Helloweens, Gamma Rays and such of the Euro-school. Built around the mammoth, masculine and powerhouse vocals of Harry “the Tyrant” Conklin, the Panzer sound was always hard-edged, large and much closer to the NWOBHM style of Iron Maiden or Judas Priest. After a wait of nearly seven years since 2004’s Casting the Stones, The Panzer finally rolls again and we get album eight (nine if you count the long shelved Chain of Command opus), The Scourge of the Light. Was it worth the long wait? Does Moonsorrow piss in the snow? [Was the Pope a Nazi? – AMG] Of course it was worth it! Scourge is a welcome and mighty return to the metal throne by Jag Panzer and they brings us ten new slices of old school metal glory.

Deadlock – Bizarro World Review

Deadlock – Bizarro World Review

Heavy metal was once the most popular music in the world. Sure, it was glam rock, but bands that were genuinely cool were doing really well even if they weren’t getting radio play. Think about the success of Metallica pre-black album, or Iron Maiden selling out the Long Beach Arena 4 nights running on the tour for Powerslave. The music was technical, but it was still accessible and the mass appeal was still synonymous with good bands. But since the 1980s the quality of pop music has declined dramatically, and popular rock with it. We have now landed in a bizarro world, where bad, fundamentally not very catchy or interesting bands that lack all content are popular, and where innovators and interesting bands have trouble getting any recognition. But there’s an even more terrible place, and that’s the ill-advised attempts of people to try to blend these two things. No good can come of this.

Turisas – Stand Up and Fight Review

Turisas – Stand Up and Fight Review

Few bands have ever generated the kind of excitement that Turisas generated among my friends in 2004 when we first got wind of Battle Metal, the debut record from this Finnish viking metal group. Stylistically it really was like nothing we had ever heard. Over the top orchestrations ruled the disc with nary a guitar solo in sight. Instead, the music was largely good for beer swilling and chanting at our drunken parties (which were usually followed up by everyone putting their hair in a certain type of ponytail and running around screaming “Riders of Rohan!”). Hard hitting tracks like “Battle Metal” and “The Land of Hope and Glory” excited us to no end. This band was something unique and special.

Dawnbringer – Nucleus Review

Dawnbringer – Nucleus Review

Interesting release we have right here folks. For those unaware, Dawnbringer is a project band of sorts for Chris Black (Pharaoh, Nachtmystium, Superchrist) and his guitar playing buddies and together they create something like a mix of NWOBHM, straight up American metal, black metal, thrash and doom (there’s even moments of quasi-southern rock). Tell me that doesn’t sound intriguing, I dare you! Nucleus is their fourth full-length and yep, it’s one humdinger of a rickety metal contraption. At times sounding like a weird mash-up of Iron Maiden, Slough Feg, Motorhead and Black Sabbath, this thing rumbles and rambles all over the place and always seems ready to come unhinged but it just screams METAL! From the production, riffs and vocals, there’s an ever present rough and tough vibe and despite the myriad of styles and influences Dawnbringer tries to squish together, they somehow managed to craft some great metal songs that will stick in your head for a long time.

Slough Feg – The Animal Spirits Review

Slough Feg – The Animal Spirits Review

Slough Feg (formerly The Lord Weird Slough Feg) have always existed in their own little musical bubble (technically called a “sloubble”). Inside their little sloubble, they remain happily oblivious to musical styles, trends and changing tastes in metal. To them it’s always sometime between 1978 and 1983, where their odd amalgam of NWOBHM, Thin Lizzy and Celtic folk/pub rock would seem timely and current. Here on album eight The Animal Spirits, the sloubble remains intact as Slough Feg churns out more of their unique, oddball proto-metal for a small but loyal cult following. If you’ve followed this San Francisco based unit, you know what to expect. If not, well, it’s strange but fun and truly a love or hate type proposition.

Playlist v. 34

Playlist v. 34

So I created a playlist on Spotify (unfortunately all y’all that don’t have it are going to have to cope, I’ll figure out a way to do an iTunes version, but that means buying a bunch of tracks, that’s pretty lame). You can check it out here: Veckans Spellista v. 34. If you have a […]

Iron Maiden – The Final Frontier Review

Iron Maiden – The Final Frontier Review

Iron Maiden is the greatest heavy metal band to ever live. Thirty years after the release of their self-titled album, they are arguably just as relevant as they ever have been, not resting on their laurels and imitating a hits jukebox, but instead touring the world playing their new material to the joy of fans everywhere. After what was a rousing success with their most recent record, the 2006 release of A Matter of Life and Death, there is actually maybe a bit more pressure on the band to produce something that is quality, memorable and, frankly, classic. Especially with the rumors floating around that this is Maiden’s final album, spurred even further on by the fact that Steve Harris helped write every song on the record, the pressure cooker of fan scrutiny is reaching fever pitch. And so it falls to this Angry Metal Guy to try to put all of this into some sort of context; to try to listen to my favorite band with fresh ears, and I’ve come to some realizations about the band in the process.

Angelus Apatrida – Clockwork Review

Angelus Apatrida – Clockwork Review

Angelus Apatrida is a Spanish thrash metal band founded in the early 2000s, that is now putting out it’s third record, but Clockwork is the first for one of metal’s biggest labels: Century Media. So when I got this record, I just kinda went “who?” and went on with my day not thinking much of it. The name, which roughly translates to “fallen angels”, means nothing to me and has been sorta flitting in and out of my brain and while I was surprised to stick this in and hear thrash metal screaming at me (that’ll teach me to not read the bio first), I wasn’t really sure that there was anything here that would stick.

Iron Maiden Moons the US

Iron Maiden Moons the US

In an attempt to not re-post Blabbermouth’s news like many of the blogs out there (since yes, I, too am unfortunately tied to Blabbermouth for my news), I try to do a bit more analysis and opinion on certain things. Think of me as the pundit to your regular news hour. Anyway, I have often given Iron Maiden shit about their American tours. Now once again they’re skipping the midwest in the US for the most part, and unfortunately they’re not coming to Sweden except for the stupid Sonisphere festival which costs way too much to just see Maiden (RIP Dio.). But one of the things I’ve often complained about is Maiden’s reluctance to do new tours in the US or to play deep cuts on tours (can’t you play Alexander the Great JUST ONCE!?).

The Final Frontier Revealed!

The Final Frontier Revealed!

Well, it’s on us again. Iron Maiden fever. I have no idea whether or not there will be promo for this. I’ve already been bugging my local EMI people about this stuff, but they’ve been hiding behind a website and pretty much no contact whatsoever. But I can promise that I’ll be keeping you up to date on this whole thing. And fuck. August 16th starts Maiden-mania again. Man, this is going to be a rockin’ summer for me.