Iron Maiden

Fatal Embrace – The Empires of Inhumanity Review

Fatal Embrace – The Empires of Inhumanity Review

Trends often start off with a good idea or at least a respectable inspiration. However, through imitation and copying, that original idea becomes a trend and the trend gets boring, overdone and ultimately becomes a joke. The retro 80’s power metal trend is in full bloom and many would say the 80’s retro thrash movement has been overdone for years already. As someone who grew up in the 80’s metal era, I may possess more tolerance for this whole “retro” thing since it does this old heart good to hear a quality metal album that truly captures the sound, energy and spirit of a time long gone. Therefore, my review of The Empires of Inhumanity, the new release by German thrashers Fatal Embrace will be more charitable than what it would have received from other angry metal guys. In all fairness, these Teutonic shredders have been around since 1993 so they could rightfully be considered part of the original thrash movement rather than a retro band. Either way though, over four albums Fatal Embrace have demonstrated an unwavering dedication to the 80’s thrash style of Slayer and Sodom while foregoing all modern styles and current trends completely.

Blaze Videos in Stockholm

The Swedish blogger (and ridiculously fucking metal) Demonia has posted some pictures and videos (in Swedish, though, she’s got Google translator embedded for the foreigners) from Blaze Bayley’s show in Stockholm. I, being Poor Metal Guy, managed to miss this one, but hopefully they’ll be back soon (though, what with shedding their manager and drummer in the last few days I’m not sure when that’ll actually be). Anyway, the turnout seems like it was actually pretty damn good and the band is on. I have to say that their bassist (David Bermudez) is one of the best heavy metal performers I’ve ever seen. I commented on it from the live DVD, the dude is just a fucking beast. Los hermanos Bermúdez are pretty awesome in general, I’d say. I’ll post four here, but she’s got others on her blog and some on YouTube as well.

Stormzone – Death Dealer Review

Stormzone – Death Dealer Review

Neal Kay, for those who don’t know, is widely credited with discovering and championing Iron Maiden way back in the day. Well, if that wasn’t service enough to the metal world, now he has helped bring us Northern Ireland’s classic metal masters Stormzone and their new album Death Dealer. This is no small accomplishment because, quite simply, this album is an absolute masterpiece of classic metal and full to the brim with top quality metal anthems. Stormzone is a band deeply entrenched in the early NWOBHM style and composed of musicians like vocalist John “Harv” Harbinson, with ties to bands of that era (Sweet Savage, Fastway). All the trappings of the British metal invasion are here and fans of that sound and seminal masters like of Saxon and Grim Reaper will immediately hear it in the sound and attitude exhibited on Death Dealer.

Old Dudes Talk About Getting Old

Old Dudes Talk About Getting Old

Doc Coyle from God Forbid posted a really interesting blog over at Metal Sucks which I recommend everyone go and read right now. Now sure, Doc isn’t a modern day philosopher, but what he is is about one year older than I am. And he’s also someone that this Angry Metal Guy can really agree with on several points. I, too, have recently gone through this “I’m getting old,” thing, when I realize that I’m meeting people who were born in years I remember, Oh, 1988, huh? Yeah, well, shit Seventh Son of a Seventh Son came out that year! My brother got it for Christmas!” I get added on MySpace by people who were born the year that I was an angsty teenager who listening to Life of Agony and Type O Negative and pretending I was miserable. Or really being miserable I guess.

Steelwing – Lord of the Wasteland Review

Steelwing – Lord of the Wasteland Review

Steelwing? Never heard of them. I toss in Lord of the Wasteland to see what I am dealing with and POW!! I get punched right in the face by an angry, metal spiked fist from 1982! This Stockholm, Sweden based band may be young and only formed in 2009, but man can they bring the pure, unadulterated NWOBHM power to the party. On this, their debut album, they shamelessly steal the best recipes from Iron Maiden, Saxon, Grim Reaper and Warlord and cook up a surprisingly fresh sounding, if utterly unoriginal metal meatloaf of riffs and attitude with enough cheese coating to choke a mastodon. Steelwing gives you eight fast and furious traditional metal anthems played by musicians who clearly worship at the altar of early 80’s metal and know exactly how that epoch of metal should sound.

Skyforger – Kurbads Review

Skyforger – Kurbads Review

Skyforger is Latvia’s answer to folk metal and they’ve been giving it a go for quite a while. Despite having been around since 1995, however, they’ve not produced a terribly huge discography. In fact, Kurbads is the first Skyforger album since 2003, when they self-released a folk album that was mightily well-received by their fanbase, even, apparently, more so their metal album from the same year Thunderforge. The band, for the record, has also been involved in a bit of controversy surrounding the use of, what the band calls a thundercross, and what the rest of us call a swastika in their logo. But it seems the band has worked very hard to distance themselves from any of the controversy surrounding this and should be approached from a non-political stance.

Rhapsody of Fire – The Frozen Tears of Angels Review

Rhapsody of Fire – The Frozen Tears of Angels Review

It seems forever since Italian power metallers, and just generally over-the-top crafters of Symphonic Hollywood Metal (or as I called it in one of my very earliest reviews “Sword Swinging Elf Metal”) produced an album. And really, in terms of the modern music industry it has been a very long time. Rhapsody of Fire’s last album, Triumph or Agony, was released in 2006 to almost no fanfare. I didn’t see a single advertisement for the album, I never knew that it was being released and I had no idea that they had even been working on a new album at all. One day I just walked into my local record store and saw it on the shelf there. The total lack of build-up foreshadowed how I felt about the album, and frankly the record that had gone before it: it lacked what I was looking for in a Rhapsody of Fire album. The guitar orientation was gone, the songs were not as huge, the guitar not as bombastic and the feel was generally one that I just could never really get into. Both Symphony of Enchanted Lands pt. II and Triumph or Agony, while technically filling the standards set by the band, certainly didn’t live up to what I see as the band’s crowning jewel Power of the Dragonflame.

Angry Metal Guy’s Classics #3: Seventh Son of a Seventh Son

Angry Metal Guy’s Classics #3: Seventh Son of a Seventh Son

“Seven deadly sins, seven ways to win, seven holy paths to hell and your trip begins. Seven downward slopes, seven bloodied hopes, seven are your burning fires. Seven your desires…” Cue the keyboards and the power chords. Anyone who knows this album and loves it knows exactly what I’m talking about. Possibly the coolest album intro of all time, to the best heavy metal record ever written: Iron Maiden – Seventh Son of a Seventh Son.

Poisonblack – Of Rust and Bones Review

Poisonblack – Of Rust and Bones Review

In the wake of Sentenced it’s no surprise that Poisonblack has continued strong, with support from fans of the previous band and has become bigger and bigger in Finland and throughout the world. Many miss the tongue-in-cheek depression that went hand-in-hand with later Sentenced records, at the same time as missing the band that once was. Of Rust and Bones, the new Poisonblack record (the band that features former Sentenced vocalist Ville Laihiala) basically continues on with the Sentenced legacy of mid-paced heavy metal with depressing lyrics, but doesn’t do it with the same kind of conviction or freshness that was embodied by the former band.

Audrey Horne – Audrey Horne Review

Audrey Horne – Audrey Horne Review

It’s been a long time since a sort of standard modern rock or traditional metal band really showed off anything that this Angry Metal Guy appreciated. For the most part, modern rock has been rehashed BS and overrated post-Seattle scene leftovers. The bands that have tried to convert their sounds (see: the remnants of Guns N’ Roses meets STP or Europe’s latest incarnation) have really failed at it because the sound is, at its root, boring as hell. Rehashing rock again with thicker guitar tone and a vocalist who will never live up to the classics is pretty much a good way to guarantee that your vocalist buddy goes to rehab, but not much more. Whatever happened to Buckcherry again? Oh right. Flash in the effing pan.