Jul23

A Dark Halo – Omnibus One Review

A Dark Halo – Omnibus One Review

“What is cyber metal? That’s the question that I got stuck on as I was snorkeling through the dregs of the promo bin and came across A Dark Halo’s sophomore album, Omnibus One. I had never heard of this band (billed as cyber metal) before but maybe they were all robots or some sick shit like that. A quick scan of the liner notes further whetted my curiosity with mention of “a fierce display of ludicrously heavy guitars.” Since I love anything that’s ludicrous and I love heavy guitar, it seemed like I had found a golden nugget in a sea of turds.” Cyber warriors.

Eternal Rot – Moribound Review

Eternal Rot – Moribound Review

Eternal Rot are new to me but they’ve been slowly honing a truly repulsive death-doom sounds since way back in 2013. With two albums (that are really more like EPs) to their credit, this English/Polish collective took great pains to create some of the wettest, more caustic sewage spew out there. Third platter Moribound keeps the putrid times going with grisly, grotesque sub-sub-basement level filth suitable for a mass grave or Super Fund site.” Stepping in a rotpile.

Somnuri – Desiderium Review

Somnuri – Desiderium Review

“Those familiar with Somnuri’s previous work can expect a similar Cobb salad of influences from early Mastodon to Helmet to savage NYHC. Somnuri and Nefarious Wave occasionally added passages of straight sludge doom in the vein of YOB, and the removal of these marks the largest shift in sound evident in Desiderium.” Sludge as a lifestyle choice?

The Zenith Passage – Datalysium Review

The Zenith Passage – Datalysium Review

The Zenith Passage’s debut effort Solipsist crackled with a flame stoked by the identity that The Faceless set ablaze with dry and percussive pick spittings, alien-warble soloing, and sneakily grooving rhythm, but it wasn’t all so cut from the same cloth. Main mind McKinney even then seemed to have thoughts a touch more mechanical firing in his brain chamber.” Man vs. machine.

Gateway – Galgendood Review

Gateway – Galgendood Review

“I greatly like Gateway’s vibe on the project’s second full-length, Galgendood. That murky, disgusting, viscous feel that one compares to the questionable liquid running out of a pierced trash bag is a tough thing to replicate. Sure, bands like Coffins and Sepulcros make that shit look like cake, but one small fuck-up and the whole thing goes to pot.” Gateways to goop.

Mizmor – Prosaic Review

Mizmor – Prosaic Review

“Lacking imagination or originality is not a charge that I have seen directed at Mizmor, and certainly Prosaic launches out of the blocks in an onslaught of blackened doom, with even some sludgy nods thrown in. Fast, bludgeoning, and furious, initially it feels like a cleaner version of Mizmor’s self-titled debut, with more than a bit of Yellow Eyes and Primitive Man thrown into the mix.” Mizmor or Mizless?

Eternity – Mundicide Review

Eternity – Mundicide Review

“I invite you to observe the album artwork for Eternity’s third record, Mundicide. I was immediately struck by its painfully and laughably literal depiction of humanity’s interaction with its planet, especially with the cute little arms physically sticking out the earth. In fact, it was for the reason of the art that one of my esteemed colleagues chose this record for my review. Eternity proffer Norwegian black metal with roots intertwined with black metal’s innovators,” Malaise is kvlt.

Fen – Monuments to Absence Review

Fen – Monuments to Absence Review

“Most 70-minute albums don’t justify their own existence. In the past, UK band Fen have both succeeded and failed at that task. Doom_Et_Al fanboi’d all over hour-long The Dead Light while elegant Lady of the Night Madam X found the 75-minute Winter entirely too much Fen. The atmoblack outfit now return with the 68-minute Monuments to Absence.” Everlong?