Kamelot

Nova Luna – Nova Vita Review

Nova Luna – Nova Vita Review

“”Prog metal” is a weird label. At times, it feels almost like a catch-all for music that isn’t quite rock and isn’t quite metal. At others, it feels like a way for bands and fans alike to tout minor stylistic differences between one group and the next closest thing. And other times, prog metal is weird. So it’s kind of a gamble, opting to review music under this moniker, as was the case when I first spun Nova Vita, the debut full-length from Italian prog metallers Nova Luna.” Super Nova?

Gladenfold – Nemesis Review

Gladenfold – Nemesis Review

“I feel like it’s been a while since I’ve enjoyed some solid Finnish metal. You know what I mean—the kind of metal that’s aggressive, adventurous, inspired by nature or history or something along those lines, with that je ne sais quoi that is the Finnish charm. I didn’t realize at the time that Gladenfold is a Finnish band though—mostly I just liked the album cover on Nemesis, and the promise of some solid melodeath helped too.” Race to the Finnish.

Abbath – Dread Reaver Review

Abbath – Dread Reaver Review

“As you can see from the atrocious cover art, Abbath continues to prove this is his band. And he’s starting to show that with the same absurd vigor that garners album covers from Yngwie Malmsteen. And when I saw that Abbath chose to mix Dread Reaver himself, my fear factor increased double-fold. And on first listen, I knew Dread Reaver was in trouble.” Bob and reave.

Seven Spires – Gods of Debauchery Review

Seven Spires – Gods of Debauchery Review

Seven Spires released their second full-length album Emerald Seas, the prequel to their debut album Solveig, in February 2020. In tragic fashion, the four Berklee College of Music graduates scrapped their tour because of the global pandemic. Instead of wallowing in sorrow, the band wrote nearly 80 minutes of glorious new music, a true testament to their fervent love for the crafts of songwriting and musicianship. I raved about Emerald Seas in TYMHM last year, and let’s just say that my expectations were high for Gods of Debauchery.” Gluttony of goods.

Nergard – Eternal White Review

Nergard – Eternal White Review

“We throw around the phrase “Nightwish clone” in here a lot (at least it seems like we do; I have no inclination to check my claims), but in this case it feels eerily accurate. With Eternal White, Nergard channel Century Child with some Winterheart’s Guild-era Sonata Arctica thrown in for “spice.” “Spice” is in quotation marks, by the way, because this isn’t a very spicy album – in fact, it’s played very safe, leaning on a formula that has served the Leaves’ Eyes, the Xandrias, and the Sirenias of the world well: symphonic first, metal second.” White is a passive color.

Avaland – Theater of Sorcery Review

Avaland – Theater of Sorcery Review

“The metal opera is, enduringly, one of my favorite concepts of the genre. Avantasia and Ayreon are the two projects that I return to most often, and it seems I’m not the only one. Adrien Gzagg, of Grenoble, France, has been similarly inspired, which is why today I’m introducing you to Avaland and its debut full-length, Theater of Sorcery, a symphonic power metal opera with a fantastical backstory.” Another rainy night at the metal opera.

Hevilan – Symphony of Good and Evil Review

Hevilan – Symphony of Good and Evil Review

“If you are one of the poor souls who’s managed to follow my pedestrian music journalism career, you know that I’m a hopeless Nevermore weenie. There’s just something about the way they combined immense, progressive, down-tuned riffing with powerful, operatic vocals that is incredibly pleasing to my ears. I was therefore absolutely defenseless against the promo blurb that touted Hevilan guitarist Johnny Moraes as having appeared in Warrel Dane’s live band, as well as on the late Nevermore singer’s posthumous solo release, Shadow Work.” Good times, bad times.

Souls of Diotima – Janas Review

Souls of Diotima – Janas Review

“The line that separates symphonic metal from pop metal is — well, it’s not really a line, is it? It’s hard to inject pop into your metal without diving headfirst into symphonic territory. Okay, let me try again. The Venn diagram that distinguishes between symphonic metal and pop metal leaves a lot open to interpretation.” Pop in a orchestra pit.

Winterage – The Inheritance of Beauty Review

Winterage – The Inheritance of Beauty Review

“You know when you lose a bet and find yourself wearing a Red Sox jersey and forced to eat a hundred cocktail weenies until you purge yourself in the tub? Well, that’s nothing compared to the Paw of Steel punishment for picking on Kenny. Ken told me it was corset-core. Cool, I like corsets. There may or may not have been the mention of Nightwish, but I cataloged that as trollarchy. So, I took the punishment and rolled with it. Well, you know those times when a movie character comes to a dramatic realization? When the camera zooms in, and they look up at nothing and whisper, “Dear GOD”?” Cheesy justice.

Helion Prime – Question Everything Review

Helion Prime – Question Everything Review

“Revisiting Helion Prime‘s Terror of the Cybernetic Space Monster in preparation for their new record was like listening to it for the first time all over again. Though no worse than I remembered, it is every bit as forgettable now as I had scribed in 2018, with the pain of its disappointment in 2020 only dulled by further proximity from the band’s stellar self-titled debut.” Pain, Prime, and power,