Katatonia

Witherscape – The Inheritance Review

By Steel Druhm on August 13, 2013 in 2013, 4.0, Century Media, Death Metal, Progressive Death, Progressive Metal, Reviews, Swedish Metal, Death Metal, Progressive Metal, 17 comments

“There are few sure things in the world, but there’s one name that screams quality and excellence and that name is Dan Fucking Swanö. From his work on top-notch death metal albums like Edge of Sanity’s Crimson, his collarboration with Bloodbath, Threshold and Demiurg and his proggy solo albums like Moontower, the man has the midas touch and one of the best death roars of all time. He’s also a producer extraordinaire and perhaps the best at making death metal sound the way it should. Witherscape takes his hefty talents and pairs them with unknown instrumentalist Ragnar Widerberg and the result is a concept album about a gothic insane asylum and evil goings on. Musically, it’s a stunning mash-up of Crimson, Damnation-era Opeth, Omnium Gatherum, Mercyful Fate and even King Crimson.” Steel Druhm has a mancrush on Dan Swanö and you should too, unless you’re a woman. Join him as he explains why Witherscape justifies his love.

Record(s) o’ the Month – February 2013

By Angry Metal Guy on March 15, 2013 in 2013, Blog Posts, Record o' the Month, 31 comments

So as everyone from the southern hemisphere has apparently noticed, a record of the month for February has not actually be chosen. This is, honestly, because the month really didn’t shine like one would hope it would have. Not to say that none of the records were good or even very good – they were! — but while others at the blog were fairly enthusiastic about certain releases, none of them really reached the heights that I think they should have to be awarded with the Record o’ the Month with ease. Still, a tradition is a tradition, and Angry Metal Readers have been pestering me non-stop about it. So, here it is.

October Tide – Tunnel of No Light Review

By Steel Druhm on March 12, 2013 in 2013, 3.0, Death Metal, Doom Metal, Pulverised Records, Reviews, Swedish Metal, Death Metal, Doom Metal, 6 comments

“Steel Druhm is a sucker for well done doom death with oodles of morose, melancholy atmosphere. Yep, I like stuff that makes me feel as if I’m slowly drowning in an ice cold Finnish lake as wood gnomes and forest elves cry and throw Mardi Gras beads into the water (just go with it, don’t analyze). Because of these predilections, I heartily enjoyed the last opus from this bunch of downcast Swedes, which featured several members of Katatonia at one time or another. After some line up changes and a few years away from the game, October Tide skulks back with Tunnel of No Light and it’s business as usual (that business being depressing but darkly beautiful music).” But is the business as successful as before? Steel Druhm splashes about and does his best to answer that very question.

Hanging Garden – At Every Door Review

By Dr. Fisting on January 21, 2013 in 2.5, 2013, Doom Metal, Finnish Metal, Gothic Metal, Lifeforce Records, Rating, Reviews, 9 comments

As I write this, it’s 15 degrees Celsius outside. The sun rises, but does not provide any warmth. Everything in my world is covered in a thin layer of ice, and things seem to be moving very slowly. In other words: it’s cold as shit out here. This is the perfect weather for some gloomy, atmospheric, slow-ass metal. And it just so happens that I have At Every Door, the new album by Finnish sextet Hanging Garden.

Angry Metal Guy’s Top 10(ish) Songs of 2012

By Angry Metal Guy on December 23, 2012 in 2012, Blog Posts, 23 comments

In our first of many lists, we will focus on the greatest songs from the year 2012. I started this last year because I thought it was important to point out that just ’cause a whole record isn’t amazing doesn’t mean there aren’t moments of brilliance even on the most banal of records. This year, I’m happy to say many of the best songs are from very good records, but that’s not true across the board. Instead, I’ve compiled songs that have forced me back to them again and again, like some sort of Angry Metal Obsessive Compulsive. Over and over I have listened to these songs and I’ve narrowed it down to the 10(ish) that I think really stand out from the year 2012. I’m assuming no one will agree with me. But hey, who has the eponymous website? Yeah, that’s motherfucking right, bitches.

Aoria – The Constant Review

By Steel Druhm on November 21, 2012 in 2012, 4.0, Doom Metal, Reviews, Swedish Metal, Version Studio Records, 7 comments

We finally found Steel Druhm’s secret hiding place located deep below the Earth’s crust and served him with a CEASE-AND-DESIST order banning all power metal reviews for a period to be determined. This made him sad, so now we get this review of the mega-gloomy, doom rock stylings of Aoria. Composed of members of Katatonia and October Tide, don’t expect a lot of sunshine here, but Steel seems to like it quite a bit.

Shining – Redefining Darkness Review

By Angry Metal Guy on October 30, 2012 in 2.5, 2012, Melodic Death Metal, Reviews, Spinefarm, Swedish Metal, 11 comments

Shining has been a consistent favorite of mine since I discovered the band. Since V:/Halmstad: Niklas angående Niklas I have reviewed every one of their records and have witnessed a change in the band that I think is hard to ignore. Starting with V, the band has continued an Opethian evolution away from the raw, gut-wrenching emotional black metal into something less raw, more catchy and proggy (Marillion prog not Dream Theater prog). Having now dropped the numbers and donned instead an English title, (what would have been VIII) Redefining Darkness continues the band’s evolution away from its gut-wrenching roots. Were we looking for a redefinition? After the mighty VII: Född förlorare I sure wasn’t

Daylight Dies – A Frail Becoming Review

By Steel Druhm on October 3, 2012 in 2012, 3.0, American Metal, Candlelight, Death Metal, Doom Metal, Melodic Death Metal, Reviews, Death Metal, Doom Metal, Melodic Death Metal, 20 comments

More doom-death for Steel Druhm! Daylight Dies returns with a very Ghost Brigage-y take on the genre. Finnish-style doom-death from North Carolina?? Can it work? Should it even be attempted? Find out inside.

Enslaved – RIITIIR Review

By Angry Metal Guy on October 1, 2012 in 2.5, 2012, Norwegian Metal, Nuclear Blast, Progressive Metal, Reviews, Viking Metal, Viking Metal, 23 comments

Enslaved has really secured its position in the highest tear of metal bands in the world. Though they started out long ago in the second wave of Norwegian black metal, nothing they’ve done since the late 90s has really represented that faction of their existence. Instead, they’ve become one of metal’s shining examples of a transition from the extreme to the progressive. While doing more to maintain their extremity than a band like Anathema or Katatonia have done, the band’s last full length Axioma Ethica Odini and their EP The Sleeping Gods both lacked extremity while pushing out the borders of the band’s progressive bona fides. I wasn’t sure of what to make of Enslaved’s RIITIIR when it first arrived – but while the record is ostensibly different than the band’s previous work, that mellow, bong-water stain of ’70s progressive rock continues to push further and further from their black metal roots. For the better?

Katatonia – Dead End Kings Review

By Angry Metal Guy on August 17, 2012 in 2012, 3.5, Not Metal, Peaceville, Progressive Metal, Swedish Metal, 18 comments

Katatonia are one of my favorite bands, I think it’s safe to say. In the top 10? Probably, but definitely the Top 15 – with A Great Cold Distance and Last Fair Deal Gone Down duking it out for one of the best records of the 2000s. Their development as an act that has moved this far from Dance of December Souls and Brave Murder Day is immense. Those records are absolute classics, but as a band Katatonia has developed a feel for modern, depressive rock in the late 2000s that one could only have guessed at when Discouraged Ones and Tonight’s Decision were being released. But I did not enjoy Night Is the New Day pretty much at all. Instead, while everyone was freaking out, I was underwhelmed. It was filled with songs that didn’t speak to me even remotely. And unlike Viva Emptiness which finally just clicked for me after about 18 months of not digging it, Night Is the New Day still doesn’t pack any kind of punch.