“Isole have slowly but inexorably become one of my favorite doom bands over the last 10 years, reliably delivering big albums in the Candlemass, Solitude Aeturnus, While Heaven Wept tradition. With 2 of those 3 big acts now out of action, Isole have steadily ascended the doom hierarchy ladder as they continued to improve with time.” Doom to improve.
“My introduction to France’s Sortilège was their announcement for the 2020 70000 Tons of Metal. I’ll give any band announced a fair shake as I look for acts to follow around The Boat. I was pleasantly surprised by a trve 80s outfit channeling the likes of Iron Maiden and Judas Priest in their ability to knock out charmingly old-school heavy metal. 1983’s self-titled EP and 1984’s Métamorphose remain in my regular rotation and will undoubtedly please the old farts looking for throwback releases.” Olde dogs, new tricks?
“Tanner Anderson, Carl Skildum and Matthew Kirkwood unofficially formed Majesties in 2016 with melodic death metal in mind and Gothenburg, Sweden in their hearts. It wasn’t until 2022, however, that their debut album, Vast Reaches Unclaimed, coalesced to present a classic conundrum for conscientious music reviewers: how do we talk about a really good pastiche?” Majesty and decay.
“Djent is not a Genre. Whatever you say. I will add a comment I’ve seen on social media, however, that Periphery really missed a trick when they didn’t call this Djent is not a Djenre. If you’re going for self-aware comedy, at least lean in. Periphery V is in fact the band’s seventh full-length, due to the break in the timeline that was double-album release Juggernaut Alpha/Omega. Their quirkiness extends beyond the fun, self-referential titles to a hyperactive approach to progressive metalcore that makes tech death feel sensible.” Djangled.
“Transgressive strikes me as a novel melding of post-Endorama Kreator and Judicator (tragically disbanded in 2020; R.I.P.). The latter influence comes as no surprise, as both guitarist/vocalist Alicia Cordisco and guitarist Joshua Payne are Judicator alums. Cordisco has an extremely distinct style of writing lead guitar melodies, which translate over to Transgressive in a work of black magic.” Raging transgression.
A rare double review arrives with Steel Druhm and Doom_et_Al offering disparate takes on Pale Existence by Greek melodic doom-death outfit Ocean of Grief. Will it be clear sailing or storming seas (ov deep sadness)?
“No More Torture may be the debut album from Seattle’s Vanishment, but the music contained within is not the product of genre n00bs. The band’s members are grizzled metal and rock veterans, and they’ve chosen a pretty straightforward thrash style for this project. Promo materials cite Megadeth, Iron Maiden, Judas Priest, and Metallica as Vanishment’s source material, and after spending time with the album, it’s hard to refute that list.” Speed merchants.
“Bands like Necropanther are the cornerstone of a healthy musical diet. Everyone has that handful of bands in rotation that are guaranteed to release incredible, year-end list-making music on a regular basis, and with Betrayal, Necropanther has further solidified their tenure within this hallowed pantheon.” Panther power.
“71TonMan is roughly equal to ten adult tyrannosaurus rex; seven minke whales; moving to my own favored species, two megalodons; or one Leopard 2 tank, of the type recently pledged by Poland, Germany and others to Ukraine. And this seems appropriate, as a sizeable, if ponderous, battle tank is a pretty good comparator for this doom/sludge outfit.” Weights and pleasures.
“There’s a reason humans have worshipped nature throughout history. The natural world has an allure and a power that many can appreciate, whether or not they attribute divinity to it. At the Altar of the Horned God takes the more worshipful tone, conducting their second rite of reverence through deeply atmospheric, folk-tinged, experimental black metal.” Horns up.
