“Carma is a quartet from Coimbra, Portugal, also home to Ossadas’ muse: the Conchada Cemetery. This burial site is not only of morbid intrigue but also packed with architectural interest, serving Coimbra’s wealthiest families as far back as 1860. In true funeral doom fashion, Ossadas is as majestic as it is morbid, melody coursing through each movement as the black metal sharpens the mammoth doom riffs.” Home of the grave.
“Fire seems to be a popular theme in the black metal pantheon. Whether it be a metaphorical representation of birth or rebirth, a literal representation of destruction, or just a simple reference to Hell, Satan, or Varg, fire is a lifelong staple. Thankfully, from such a primal element of our Earth and in our hearts springs a bottomless well of inspiration for these bands, and Austria’s Asphagor are no exception. With fourth LP Pyrogenesis, the epic black metal quintet burn with the passion of a thousand suns, and they want you to burn with them.” Burn after hearing.
“”Disinter” means to remove a corpse from the ground. “Disembowel” means to remove someone’s internal organs. And “dismember” means to remove someone’s limbs (which is, presumably, followed at some point by both a disemboweling and a disinterring). So what do we make of Disminded? I think we can accurately assume from the truly metal prefix that we’re dealing with another type of removal altogether. One that is less physical and more mental. And probably just as costly when the medical bill comes due. But far from being just another AMG word of the day, Disminded is also death metal quintet with thrash tendencies hailing from Germany. On their third album The Vision, we’re treated to a double beat down of thrashened intensity and deathened brutality. But does such an onslaught truly cost the listener their mind?” Mind over splatter.
“NASA telescopes detected something misshapen and malevolent hurtling in this direction; don’t panic, but our best calculations indicate that it’s on a collision course with your ear holes. The entity hails from Astriferous, a hitherto obscure corner of the galaxy. Rumors abound that the object, which engineers are calling Pulsations from the Black Orb, is a death metal album. Remain calm!” Sphere tasting.
“Welp, Dr. AMG and Doc Grier are off to a hectic year. With a very understandable back-and-forth of “I can take it,” “You can take it,” and finally, “It won’t be on time,” here I am feeding the plebs a review of one of the most-anticipated releases of 2023.” Enslaved by deadlines.
“Sweden’s Bastard Grave haven’t fared especially well here at AMG Industries and Conglomerated Musical Elitism, LLC. They’ve been ransacked and lambasted by two different writers (both bastards), and now they get to deal with the Steel Bastard for third album, Vortex of Disgust. A death metal act with one clubbed foot in the classic Swedeath sound of Entombed and Dismember and the other in more American flavors of brutality, Bastard Grave want their grave cake and long to feast upon it too.” Grave condition.
“I was given an unexpected shipment of lemons when I picked up The Vagaband’s fourth LP, Beautiful World, mistakenly labeled by our promo overlords as “Gothic Folk.” Turns out, there’s not a lick of metal—and only a hint of gothic—to be found on Beautiful World, but there’s a helluva lot of folk. With a brave heart and an uncertain spirit, I ventured forth despite the total lack of blog relevance possessed by these songs. Maybe I could make a nice, refreshing pitcher of lemonade out of this after all?” Beautiful accidents.
“In the early days of Frozen Crown, I was unsure exactly what they wanted to be. Hell, I’m not sure they knew the answer themselves. I described their formula as “awkward” in my review of The Fallen King back in 2018, and as much as I love that debut, its mashing together of Sonata Arctica, Wintersun, and Nightwish feels as charmingly disjointed today as it did five years ago.” The Crown and the bling.
“Läjä Äijälä and Albert Witchfinder are both veterans to the Finnish music scene, the former best known for his time with punk band Terveet Kädet, while the latter is renowned as vocalist/bassist of Reverend Bizarre – although their collaboration has nothing to do with either. Like 2021 debut Centuries of Youth, Ordeal and Triumph offers three tracks and an hour of a polarizing blend of power electronics, industrial, analog noise, dark ambient, and spoken word.” Enter the Ordeal.
“The follow-up to 2019’s Drifting Towards Inevitable Death, this is the second full-length from God Disease. The band’s early work, beginning with 2014 EP, Abyss Cathedral, was very much death metal oriented. But, over the band’s three subsequent EPs and Drifting …, the trio increasingly embraced doom in its sound.” Faith infection.
