Motörhead

Hyborian – Vol. II Review

Hyborian – Vol. II Review

Hyborian first bored into my consciousness with their single, “Head and the Sword,” an absolutely killer song that showcased a suave combination of sludge, stoner, and prog influences. To this day it remains one of my favorite songs, and it paved the way to their debut album, Vol. I, which took that single and pushed the style into heavier territory, most notably with the vocals. Comparisons are for the lazy amongst us, and that includes me, so let me put forth that there is definitely influence from early Baroness and Mastodon buried in these riffy songs, along with no small dose of High on Fire.” CROMulent.

Body Count – Carnivore Review

Body Count – Carnivore Review

“My love of Body Count should come as no surprise to longtime readers at this point. However, I’ve been somewhat skeptical of the band’s output since their reformation/comeback in 2014. Manslaughter and Bloodlust each had their moments, but new band members and attempts at modernization had resulted in something of an identity crisis. On Carnivore, Body Count‘s third album since said comeback, I can’t help but wonder: which version of the band will show up?” Ice T-Bone.

Satan Worship – Teufelssprache Review

Satan Worship – Teufelssprache Review

“A good blackened thrash album is like coming home to your favorite armchair. You’ve had it for years, the material is soft and has long ago conformed to the exact contours of your buttocks, ensuring maximum comfort when you sit your ass down after a hard day’s work to watch whatever bullshit you can find on Netflix. Yet occasionally, an album will feel more like a chair you’ve owned too long. There’s potato chip crumbles stuck in the crevices. Stuffing is coming out of the edges. The recliner no longer works. It’s still a good reliable chair, but it doesn’t quite warm the heart as much as it once did.” Sofa worship.

Midnight – Rebirth by Blasphemy Review

Midnight – Rebirth by Blasphemy Review

“Few bands paint a picture quite as Midnight does. But, in this case, it’s no ordinary picture. It’s Hell. Even more than the ancient works of Venom, Midnight paints a blood-red scene of violence on a black canvas. I not only can feel it but I can smell it. The flickering reds and oranges burn to the touch and the air is stifling and uncomfortable. The fragrance is a mix of unwashed crotch and dogshit burning in a paper bag. When you pass through the large, creaking door to the back of this stinking asylum, your sweat solidifies to your face. From red hot to freezing cold, Hell’s non-smoking area in the rear is black and brown, with the stench of wet earth and decomposition. Yet, no matter where you are in this underground venue, the walls reverberate with the black rasps, fiery guitars, rumbling bass, and pounding drums of the lone devil, Athenar.” Welcome home.

Dr. A.N. Grier’s Top Ten(ish) of 2019

Dr. A.N. Grier’s Top Ten(ish) of 2019

“Name another site out there with writers hiding behind silly monikers whom you know better than your best friends. Name a site you dared to lean on, pouring your heart out in the comments, getting positive and uplifting responses when you needed them most. Name a site you’ve spent as much time debating, loving, and sharing music as you have on AMG. You can’t.” Truth telling.

Mortuary – The Autophagous Reign Review

Mortuary – The Autophagous Reign Review

“A rye and ginger made in subtly wrong ways is, after many listens, how I’ve come to view Mortuary’s latest record, The Autophagous Reign. I rated highly its predecessor, Nothingless than Nothingness — a rating I stand by. Both are the same in the sense that this or that rye and ginger are the same. But as we all know, not all rye and gingers are created equal, even if we use the same rye and ginger-ale.” Drinking with the dead.

Anticosm – The Call of the Void Review

Anticosm – The Call of the Void Review

Deströyer 666 and Hellripper opened my eyes to the sheer energy and surprising hooks which can be present when linked with black metal, while the likes of early Slayer overlapped with an old favorite in classic metal. I saw more clearly the interconnected map of styles in the ’80s and was lured in with the treats of genres with which I was better accustomed. The prospect of a new blackened thrash release in the promo bin was therefore exciting and so it was that I turned to New Jersey’s Anticosm and their third full-length entitled The Call of the Void.” Jersey boys in the void.

The Drippers – Action Rock Review

The Drippers – Action Rock Review

“I’ve seen some unfortunate band names through the years as well. But I’ve yet to see one so proudly self-diagnose Gonorrhea as Gothenburg band The Drippers, following the template of The Plurals so richly mocked in Sum 41‘s “Still Waiting” video. But do they bring the fire or does Action Rock feel like a burning sensation when you pee?” Drip rock.

Video Premiere and Interviews with Stevie Boiser and Trevor Portz of Ashen Horde

Video Premiere and Interviews with Stevie Boiser and Trevor Portz of Ashen Horde

“Back in March, I reviewed Ashen Horde‘s latest opus of black metal fury, Fallen Cathedrals. I heaped an unhealthy amount of praise its way back then, and I’m still spinning it a ton now. In fact, I would be very surprised if it were to fall outside of my top 5 albums come year’s end. My review may have been riddled with factual errors, but founder, songwriter, instrumentalist, and clean vocalist Trevor Portz showed up in the comments and revealed himself to be a gracious and enormously cool guy. So, when the opportunity to do an interview presented itself, I couldn’t resist.” We’re already off to a better start than last time.