Rhapsody of Fire

Strident – Oath (From Chaos to Glory) Review

Strident – Oath (From Chaos to Glory) Review

So apparently there’s this burgeoning metal scene in South Africa. How fucking cool is that? We already ran a review from scenesters Crow Black Sky, A Walk with the Wicked and Heathens and now we get the first proper self release from unsigned Cape Town heroes Strident. Playing what they describe as “epic South African power metal,” these gentlemen are out to show the rest of the world that true metal runs deep in the African earth. This is indeed power metal in its purest form and clearly influenced by the likes of Manowar and Rhapsody of Fire (together again, ain’t that sweet AMG?). Needless to say, with those guys as primary influences, you can expect things to get mighty cheesy real quick and that’s exactly how things go down here. Sporting an album cover suitable for the next Brutal Legend video game, their debut Oath (From Chaos to Glory) throws every power metal and true metal staple, stereotype and standard at you in a manic fury. It’s fun, funny and cringe worthy in equal measures and sets a new standard for the phrase “hugely over-the-top.” Whether you like it or not has a lot to do with your overall lactose tolerance and sense of humor.

Rhapsody of Fire – The Cold Embrace of Fear Review

Rhapsody of Fire – The Cold Embrace of Fear Review

Wow, 2010 is a strange year. But one of maybe the weirdest things is the fact that long on-ice Rhapsody of Fire are back and they are putting out a second record! Well, let’s be clear, this is an EP in 7 acts, but in addition to the very mighty The Frozen Tears of Angels, the mighty Rhapsody of Fire is releasing an EP in Europe on the 15th of October called The Cold Embrace of Fear. Clocking in at 35 minutes, this EP is probably closer to Rain of a Thousand Flames than anything else the band has done in their career. But can the mighty Rhapsody of Fire actually maintain the awesome consistency of their earlier release?

Equilibrium – Rekreatur Review

Equilibrium – Rekreatur Review

Equilibrium hit the world right in the face when Sagas was released a couple years ago and they really became a folk metal (pagan metal, viking metal, whatever the fuck you want to call it) sensation. And sensational is really how many people experienced that record. It was like a cross between Finntroll, Ensiferum, Turisas and Rhapsody of Fire: unceasingly melodic, over-the-top, ridiculously happy and engaging as hell. In 2010, now, this elite German act is returning with a follow-up to what is already considered to be a classic in the genre, with their third record entitled Rekreatur. How could it possibly live up to all the expectations?

Rhapsody of Fire – The Frozen Tears of Angels Review

Rhapsody of Fire – The Frozen Tears of Angels Review

It seems forever since Italian power metallers, and just generally over-the-top crafters of Symphonic Hollywood Metal (or as I called it in one of my very earliest reviews “Sword Swinging Elf Metal”) produced an album. And really, in terms of the modern music industry it has been a very long time. Rhapsody of Fire’s last album, Triumph or Agony, was released in 2006 to almost no fanfare. I didn’t see a single advertisement for the album, I never knew that it was being released and I had no idea that they had even been working on a new album at all. One day I just walked into my local record store and saw it on the shelf there. The total lack of build-up foreshadowed how I felt about the album, and frankly the record that had gone before it: it lacked what I was looking for in a Rhapsody of Fire album. The guitar orientation was gone, the songs were not as huge, the guitar not as bombastic and the feel was generally one that I just could never really get into. Both Symphony of Enchanted Lands pt. II and Triumph or Agony, while technically filling the standards set by the band, certainly didn’t live up to what I see as the band’s crowning jewel Power of the Dragonflame.

Sigh – Scenes From Hell Review

Sigh – Scenes From Hell Review

Let me start with the a territory that isn’t very comfortable for many in heavy metal: orchestrations. Heavy metal has seen many variations on the classical orchestration in many different subgenres. Neo-classical metal, like the wanky stuff with Yngwe or Symphony X, has long bragged about the influence of baroque and classical music. Bands like Rhapsody of Fire and Epica do things that sound like they should be straight out of a movie score and black metal even has a symphonic sub-genre, most notably filled by Dimmu Borgir, whose symphonics have gone over the top in the last few years with the addition of Mustis (though we’ll see what happens now that he’s gone). Never before in my tenure of heavy metal listening have I heard orchestrations used in a black metal record to such effect as they have been used on Sigh’s new record Scenes from Hell.

Epica – Design Your Universe Review

Epica – Design Your Universe Review

Epica is a symphonic power metal/gothic metal band from the Netherlands that has really taken the scene and the world by storm since their founding in 2002 due to the amazing voice of their mezzo-soprano vocalist (who also happens to be a hotty, there are no coincidences in metal) Simone Simons and the epic *cough* nature of their music. Design Your Universe is the band’s fifth album, and honestly, the first one I’ve ever sat through assuming the band would be like a mix of old Theatre of Tragedy and Nightwish.