“In which we fall under the Russian sphere of influence and cry about it.”
Russian Circles
Pelican – Nighttime Stories Review
“I suppose I’m a fan of the Chicago post-metal scene: I’ve got plenty of Pelican and Russian Circles albums, and was lucky enough to see the latter live last year (which, when you live where I do, is a minor miracle). Pelican haven’t been on the same trajectory as their cousins, though, but it’s not completely their fault. Life gets in the way sometimes, and many things happened to these guys since their last full-length, 2013’s Forever Becoming. The biggest catalyst for the writing of Nighttime Stories was the death of Tusk vocalist Jody Minnoch in 2014.” Darkness as catalyst.
Adrift – Pure Review
“You wouldn’t know from my reviews, but I listen to plenty of extreme metal. Pretty much anything that gets a 3.5 or higher from my fellow writers will get a spin in Chez Huck. I don’t often write about extreme metal because, to be honest, pretty much all of my cohorts are more well-versed in that subject matter. I would be doing you a disservice by faking my way through a review. But once in a while, something comes along that a: really grabs my attention, and b: arrives on my doorstep before anyone else can get their filthy hands on it. Last year’s excellent Agrimonia album is a great example. And this year, Adrift struck the same chords. So here I am, about to fake my way through a review about some excellent blackened post-metal.” Fake reviews!
Cracked Machine – The Call of the Void Review
“Back in the olde days, if a band took two years between releases they were considered to be “on sabbatical.” Nowadays, if a band puts out an album faster than every two years, we wonder why they’re rushing things. An album a year used to be the rule, and that’s a rule that Cracked Machine seem to be adhering to early in their career. The Call of the Void comes hot on the heels of the Wiltshire quartet’s 2018 debut, I, Cosmonaut. Maybe it’s easier to write post-rock songs with psychedelic overtones, or maybe these fellows just have a lot of ideas swimming around in their heads.” Grinders.
BLCKWVS – 0160 Review
“A peculiar thing happened when I downloaded the promo for 0160, the sixth release from German instrumental post-metallers BLCKWVS. Upon opening the folder containing the album and accompanying photos, I noticed that there were two copies of each and every song on 0160. Thinking it was a simple flub-up, I deleted the second copies of each song, saving precious space on my phone. Immediately after doing so, I read online that this was no ordinary screw-up on the label’s end. Rather, 0160 is a “double-album,” actually, and the quotations are there to signify that it’s actually just one album, but with two versions: one with vocals from various contributors, and one purely instrumental. It’s good to see an instrumental band give vocals a go.” Doubled over.
Cataya – Firn Review
“Music is a visual experience for me, so much so that when I see something instrumental smoldering in the Angry Metal Heap ov Dreams, I grow curious rather than cautious. Such was the case with Cataya’s Firn, and I met its four-track challenge with all kinds of optimism: I ain’t afraid of no vox.” Less talk, more mood.
Sumac – Love in Shadow Review
“Earlier this year, Sumac collaborated with the Japenese artist Keiji Haino. Haino’s abstract, free-form approach to music heavily influenced Love in Shadow. What you’ll find, when you open this Pandora’s post-metal box, is an hour of music split into four massive slabs. Structures, pre-rehearsed music is stitched together with passages of improvisation, recorded over five days in a single room, and carefully merged by Kurt Ballou. The goal: “Finding comfort in the negative spaces within each track’s borderland.”” Spaced jam.
Spurv – Myra Review
“Every successful album, of every genre of music you can imagine, relies on a few key characteristics to make it the monumental album people herald over time. Perhaps it’s the timeliness of the album’s subject matter and how it ties in to what’s going on in the world today. Maybe it’s the originality of the blend of influences a band’s been combining to make something fresh. Most often than not, though, most timeless albums share a single common thread. In other words, the album just flows like an everflowing stream of (insert flow-y liquid/substance here). Norway’s instrumentalists Spurv harness the ability to flow on their third album, Myra.” Faux Mantle, real post-rock.
Kenoma – The Tides Will Prevail Review
“Having formed in 2004 with only a split with fellow Ohioans Mouth of the Architect under their collective belt, this five-piece instrumental outfit gathered their resources and dropped their debut, The Tides Will Prevail, upon my lap. Taking a chance with 5 songs at 52 minutes in length, and without a vocalist to focus on, The Tides Will Prevail must grab the listener and keep their attention if it wants to succeed.” Ebb, flow or overflow?
Jardín de la Croix – Circadia Review
“Winter nights mean crackling fireplaces, warm sweaters, and mulled cider. They mean snuggling under a comfy blanket in the warmth of your house while you watch snow gently fall outside your window. They mean piping hot stew, thick wool socks, and fluffy cats curled up in your lap. What else provides warmth and comfort like that in the dead of winter? Instrumental progressive metal, of course.” Can you cuddle up to a noodle?
