Sludge Metal

Gorilla Wizard – Tales From the Cauldron Review

Gorilla Wizard – Tales From the Cauldron Review

“Long Island, New York is a strange place. Geographically speaking it’s the penis of the Empire State, and essentially a vast, sprawling suburb for New York City that runs from the rough n’ tumble boroughs of Brooklyn and Queens through the tony Hamptons and on to the picturesque Montauk lighthouse. Though city adjacent, it has a culture and vibe all its own. Think of a tense middle ground between The Jersey Shore and Goodfellas and you’re in the right zip code. It’s a place of rowdy attitude and stubborn pride, as depicted in the various lyrics by favorite son Billy Joel, and it’s not for everyone. But hey, if you don’t like it, you can fuck off back to whatever garbage town you crawled out of. From this raucous suburban jungle comes the silverback charmers in Gorilla Wizard as they peddle their unruly take on riffy stoner/sludge metal.” Professor Ape.

Waingro – III Review

Waingro – III Review

“What constitutes summer music for you? In my case, I tend to gravitate towards music that plays well on car trips, meaning I blast stoner and sludge above average during the times of sunshine. These genres often have the locomotive rhythms, simple structures and addictive riffing that allow me to practice finger-drumming on the steering wheel and terrible singing, preferably with the windows rolled down so everyone in a 30-yard radius gets to enjoy with me.” Road rage and hot days.

Horseburner – The Thief Review

Horseburner – The Thief Review

“For music that should appeal to stoners, the thought of burning horses sounds like a very bad trip indeed, but that isn’t the case here and the incongruent imagery is the first of many surprises offered up by these West Virginians. Despite The Thief only being their second album, after 2016’s Dead Seeds, Barren Soil, these guys are no n00bs.” Horse play and cat fancying.

Arkhaaik – *dʰg̑ʰm̥tós Review

Arkhaaik – *dʰg̑ʰm̥tós Review

Arkhaaik have, for reasons best known to them, decided to write and perform this in proto-Indo-European (PIE). The PIE tongue, last spoken several thousand years BC, remains only partially reconstructed. And this, according to my extensive Wikipedia research, at least explains the asterisks, which are used to mark reconstructed words. What’s that? Enough linguistic history? Well, there’s more but, if you’re sure.” Dead tongues and other creepy things.

Beastwars – IV Review

Beastwars – IV Review

“Aside from the fierce sporting rivalry, cross Tasman cultural banter, and endless sheep-fucking jokes, we Aussies generally hold our New Zealand pals from across the ditch in high regard. So sharing in the artistic success of our neighbors is not uncommon. In metal terms, powerhouse act Beastwars are one of the finest bands to emerge from the New Zealand metal scene in recent years.” Stronger than death.

Slomatics – Canyons Review

Slomatics – Canyons Review

“Since 2005, Belfast based space-sludge juggernauts Slomatics have scoured the cosmic plains for doomy inspiration. The universe is a vast place, and with their seventh album set to be released in 2019, Slomatics haven’t run out of inspiration. Every Slomatics’ record tells a story. Their 2016 release Future Echo Returns was an earthy beast, dense and direct. Bone-rattling heaviness in the form of fuzz-laden doom was the main tool used on that record; in my review of that release I desired more tenderness, more humanity. Canyons is more expansive, an exploration of the far reaches of the universe.” Star sludge.

This Gift Is a Curse – A Throne of Ash Review

This Gift Is a Curse – A Throne of Ash Review

“If you’re not challenging yourself, if you’re not occasionally exposing yourself to uncomfortable feelings and emotions, especially with a genre as extreme as metal, then why bother? Good art is discomforting and sometimes painful, and Swedish metallers This Gift Is a Curse are strong adherents of this view.” Suspicious packages.

Burning Gloom – Amygdala Review

Burning Gloom – Amygdala Review

“I used to dislike female vocalists in general. As I’d mostly been exposed to them through either shitty pop music or shitty Nightwishcore, I simply never felt any emotional connection regardless of their technical skill. The turnaround came from outside of metal with Florence + The Machine, and since then I’ve found a new appreciation for womanly voices, particularly in male-dominated sub-genres, with bands like Madder Mortem and Messa featuring high on my Best Ever lists. Burning Gloom (formerly named My House On Trees) are a doom-sludge band from Milan, and they have female vocals as well, something that may be rarer in sludge than in any other sub-genre sans perhaps thrash.” Women to the front!

Morass of Molasses – The Ties That Bind Review

Morass of Molasses – The Ties That Bind Review

“What does it mean for an album to be memorable? Usually we consider it a good thing, as a good hook that sticks with you can prolong the enjoyability of a record, sticking with you even beyond your listening sessions. But shitty third-tier pop music often keeps inadvertently muscling its way into your brain, especially for those who are forced to listen to the tripe during work hours (trust me, I’ve been there.) Conversely, some powerful music may not have a high memorability, particularly when it’s of the atonal or atmospheric proclivity. The latter is decidedly not what Morass of Molasses are attempting, though.” Attach the Stone of Sludge Fuzz!