Swedish Metal

The Crown – Doomsday King Review

The Crown – Doomsday King Review

Comebacks. They ain’t so easy to pull off. For every band that produces a glorious reunion album there are four that crash, burn and damage their legacy. Earlier this summer we were blessed by an unexpectedly great reunion album from Accept and now Sweden’s The Crown have pulled off an equally monstrous comeback with Doomsday King. This is their first since 2006’s Possessed 13 and first with new vocalist Jonas Stalhammar (God Macabre) stepping in for Johan Lindstrand. However, make no mistake, this is The Crown of old and they’re storming with menace and out for blood! This is such a furious thrash/death assault that it’s hard to believe these guys were out of action for so long. Whatever they were doing during their down time, it obviously pissed them off and now they need to hurt somebody.

Shadowgarden – Ashen Review

Shadowgarden – Ashen Review

Shadowgarden is a side project of Draconian mainman Johan Ericson which is aimed at creating gothic rock of a different variety than his well-loved goth metal project. Breaking away from the beauty and the beast style and heading towards a much more commercially viable rock sound, the band has produced 10 new tracks of music for the consideration of all metal types out there to be released via Napalm records at the end of August (yeah, so this review is a tad late, but read on).

Spiritual Beggars – Return to Zero Review

Spiritual Beggars – Return to Zero Review

A wise and Angry Metal Guy once said (earlier this week) that “retro is the new new,” and the trends in the angry metal world are surely proving those prophetic words true. We are up to our collective arses in retro thrash, retro power and retro retro. While new is always great, even the “new” new can be mighty fine, as with the latest release from Sahg and this wicked mother, Return to Zero from Sweden’s own Spiritual Beggars. This is the seventh full length from Michael Amott’s long running side project and respite from the melodic death metal world and although it’s as retro as retro gets, this is one slamming, jamming slab of heavy stoner/doom rock n roll.

Shining till Umeå!

Har du nÃ¥nsin märkt att svenska band faktiskt sällan fÃ¥r spela i Sverige? Det känns som de stora banden frÃ¥n Sverige Ã¥ker pÃ¥ turné över hela världen men aldrig längre norrut i landet än Stockholm (om dom ens spelar i Sverige). De flesta som dyker upp gör sÃ¥ pÃ¥ festivaler under sommaren och helt ärligt […]

Nox Aurea – Ascending in Triumph Review

Nox Aurea – Ascending in Triumph Review

Doom is something that I have really gotten a taste for in the last couple years. A lot earlier, when I was actually playing in a band with a lot of doomy tendencies, I was actually terribly bored by most of it. But with the release of some really fantastic doom records that I’ve gotten into, it’s been harder and harder to avoid it, I like doom a lot when it’s done well. In spite of that earlier distaste for the genre, the one area that I’ve always had a soft spot for, however, has been well done gothic doom. Particularly the stuff with the “beauty and the beast” style of vocal interplay between well done female vocalist and growls. While this sound is hardly novel in 2010, Nox Aurea has attacked it anew with their second release (and Napalm Records debut) Ascending in Triumph.

Netherbird – Monument Black Colossal Review

Netherbird – Monument Black Colossal Review

One thing that I love about heavy metal is that every time you think you have a pretty thorough knowledge of the overall scene, some band you never heard of slithers out of some crevasse and bites you in the ass. Sweden’s Netherbird is just such an ass biter and their second full length, Monument Black Colossal seemingly came out of nowhere and surprised me with some impressively done melodic black metal, despite the really crappy band name and nonsensical album title. What is it with Sweden and metal these days anyway? That place is crawling with quality, ass biting bands!

Soilwork – The Panic Broadcast Review

Soilwork – The Panic Broadcast Review

Wow. So, it’s been like 10 years since I’ve listened to Soilwork and it turns out that they don’t sound at all even remotely the same. Sometimes a band falls off your radar and you don’t even think about them at all and honestly, Soilwork is one such band. Now, it’s probably not a surprise to anyone else but I was in utter shock when I turned on The Panic Broadcast to discover that the Gothenburg sound had totally been replaced by eurocore! See, now you’re laughing at my ignorance, but I’m a bit surprised. See, in Angry Metal World, the last record that Soilwork released was actually The Chainheart Machine in 2000. And back then, these guys were playing a not-entirely-novel, but very, very good version of the Gothenburg sound. Turns out in the much lamer real world Soilwork has had a bunch of records and gotten a new vocal style, a new sound and hyper-produced.

Witchery – Witchkrieg Review

Witchery – Witchkrieg Review

Hey, turns out that Witchery is releasing a new record in a few days. Far be it from me to not review this monster of a super group, especially given the news that got everyone pretty worked up: ex-Marduk vocalist Legion joined the band on vocals. Not only does this cement the band as serious super group (now sporting members or former members from Opeth, Seance, Bloodbath, Arch Enemy, Marduk, Devian, Spiritual Beggar, The Haunted, and Satanic Slaughter), but it adds a well-known quantity to the band. Turns out that Swedish scene is a tad bit inbred. But does this kind of caliber, and a back catalogue of well loved records mean that Witchery will hit home anew with their deathy brand of thrash metal in 2010.

Grave – Burial Ground Review

Grave – Burial Ground Review

It seems safe to say that after surviving 22 years, Grave has become an official death metal institution as well as being one of the founding fathers of the classic “Swedish death metal sound,” along with Entombed, Unleashed and Dismember. Therefore, when the esteemed Grave Institute releases a new album, long time and newbie death heads alike should sit up and take notice. Burial Ground is album number eight for these long running purveyors of deathly tidings and being their usual consistent, quality selves, this is a solid, old school slice of vintage Swedish death metal but with a few surprises as well.

Istapp – Blekinge Review

Istapp – Blekinge Review

Sweden’s Istapp (translation: icicle) was a big surprise for this Angry Metal Guy. A Swedish melodic black metal from Blekinge Län (which is basically the far south of Sweden) I had never heard of them. They’ve been around in the scene for a while, apparently, having released several demos and then a demo compilation (with practically the same track list as Blekinge). More surprisingly, the band’s vocalist is reported to have been in Spawn of Possession until 2009, which is a strange connection given that the band is at almost the opposite side of the spectrum from the well known and worshiped tech-death band. But while Istapp isn’t going to win any awards with the hardcore fans of black metal with their clean vocals, their pristine production and their melody, they are certainly going to win a lot of fans who like their metal fast, melodic and, more importantly, awesome.