“Though The Vision Bleak’s newest opus, The Unknown, was late in getting to the AMG offices, no review is too late for one of my favorite bands. Since discovering them in 2006, the band’s entire discography must be spun and loved in order to become a new member of the Grier household. It is law and bound by contract. Yes, animals included.” For some the saw is the law, but with the good doctor, The Vision is the mission.
“In 2014, Finnish three-headed beast Vainaja dropped a megaton bomb in the form of Kadotetut, leveling the ears of those who bore witness to their hymns, and placing themselves in a comfortable 3rd place spot on my year-end list with their mix of Celtic Frosty atmospherics and Asphyxiating tremolo doom. The story of a long-lost book of desecrations, sacrificial rites, and other blasphemous acts set to a bone-crushing doom/death backdrop, was both addictive and effective. Two years later, another tome has been unearthed.” Books cause nothing but trouble.
“As pointed out by our highly esteemed El Cuervo, Suidakra is perhaps one of the most productive bands on the planet. Including this year’s Realms of Odoric, the band has dished out twelve albums in nearly twenty years (including an early-career period where the band was releasing an album a year).” With so much productivity, are these guys the anti-Necrophagist?
“Try as you might, your eyes are inevitably being drawn to the album cover that sits just to the left of these words. As you read, you will involuntarily pause so as to examine in greater detail this genius work of Costin Chioreanu. Depicting what appears to be a bloody tea party between a deer, a wolf, a faceless goat boy, and the crack whores of Lewis Carroll’s Alice’s Adventures in Wonderland, the artwork of Sinnery’s debut album, A Feast of Fools, is about as convoluted and mysterious as the album itself.” Sin Tea is served!
“I’m not much of a social media trend follower, maybe it’s a generational thing (read as I’m old) or maybe it’s because I just really couldn’t give a shit about investing time in a meaningless fad, take your pick. That said, labelling today Throwback Thursday, transporting you briefly back to the 90s and enlightening you as to the highs and lows of Withering Soul’s third and forthcoming offering, now that appeals to me.” The clones are about to attack…again.
“Admittedly, Valborg’s fifth full-length Romantik was selected for review by yours truly based solely on one thing: Valborg apparently sounds like Triptykon. I know; that’s not exactly the best approach when selecting a promo. However, being the fan I am of Tom G. Warrior Inc. (look no farther than my pick for 2014’s Album of the Year), how could I go wrong?” Did someone get trick-tykoned?
“Draconian Times is an album that never should have worked. By now Paradise Lost’s career trajectory has been discussed ad nauseam – from rotten doom-death to Depeche Mode-inspired dance rock to their current gothic metal resurgence – and Times was essentially that early transition album, a puberty-stricken adolescent with a new slicked-up hairdo and a European leather jacket that still fit a little too big.” It shouldn’t have worked, but it did. And now it’s olde.
“The Grymm Grab Bag© can be quite the two-sided beast of a backpack when utilized. For every moment when I pull out a gem by a promising band, I get two or three that end up closer to this. Forever undaunted (or just plain stupid), I once again reach into the bag of unknown-to-me goodies hoping to not get struck like that poor sap in Flash Gordon, and I am presented with The Comfort of Loss & Dust, the third album by London’s Cold in Berlin.” Reach into the bag of mystery and squeeze!
“After ten albums (nine for those that don’t count Under Satanæ as an original release), each new Moonspell album leaves me in a state of “ummmm,” “hmmmm,” and “interesting.”” Things that make you go hmmmm, now including Moonspell!
“Cast your minds back to a time when metal music was not cool. Nay, indeed, a time when metal was anathema to all that was considered to be “chic” and “in.” A time when your favorite bands were actually encouraged by the music industry to play slower, cut their hair, and write sensitive lyrics about their childhoods. Yes, this unfortunately really happened. Our semi-irregular feature “90s Metal Weirdness” focuses on albums released between 1992 and 2001 and which we all probably would rather forget. But in the service of publicly shaming the musicians involved, we have pushed forward.”
