Daylight Dies

MMXX – Sacred Cargo Review

MMXX – Sacred Cargo Review

MMXX is a very short name for a band, but it still says a lot about its story. During periods of isolation and lockdown in the titular year, Andrea Chiodetti (ex-The Foreshadowing), Jesse Haff (Daylight Dies), and Egan O’Rourke (Daylight Dies) formed something of a doom metal supergroup, based in the United States and Italy, and began writing music inspired by the events happening around them. From there, the project has grown ambitiously—now signed with Candlelight Records, the band brought on guest musician after guest musician to form something of a dark Avantasia-like project.” Sacred cargo or suspicious package?

Shores of Null – Black Drapes for Tomorrow Review

Shores of Null – Black Drapes for Tomorrow Review

“One of my favorite things about writing for Angry Metal Guy Unlimited, LLC is when I’m blindsided by a new band. Quiescence, the 2014 debut album by Italian doomsters Shores of Null, impressed the hell out of me with their wonderful combination of Daylight Dies riding with Alice in Chains en route to an Amorphis gig, and landed themselves on my Top Ten(ish) list of that year. Here we are three years later, and they return with their eagerly-awaited follow-up, the dreary Black Drapes for Tomorrow.” Comfortably null.

Harakiri For The Sky – III: Trauma Review

Harakiri For The Sky – III: Trauma Review

“As this site’s self-appointed Angry Metal Bottom Feeder, I take it upon myself to devour all the metalcore, post-black metal, and trendy bullshit that I suspect my more evolved brethren often don’t want to touch. I guess part of me still has fond memories of older albums in these genres and continues to hold out hope that new releases will be just as good. While this means filtering through a lot of mediocrity, occasionally I’ll stumble upon a gem that makes it all worth it.” The AMG catfish may have found gold down there in the muck.

October Tide – Tunnel of No Light Review

October Tide – Tunnel of No Light Review

“Steel Druhm is a sucker for well done doom death with oodles of morose, melancholy atmosphere. Yep, I like stuff that makes me feel as if I’m slowly drowning in an ice cold Finnish lake as wood gnomes and forest elves cry and throw Mardi Gras beads into the water (just go with it, don’t analyze). Because of these predilections, I heartily enjoyed the last opus from this bunch of downcast Swedes, which featured several members of Katatonia at one time or another. After some line up changes and a few years away from the game, October Tide skulks back with Tunnel of No Light and it’s business as usual (that business being depressing but darkly beautiful music).” But is the business as successful as before? Steel Druhm splashes about and does his best to answer that very question.

October Tide – A Thin Shell Review

October Tide – A Thin Shell Review

With the tides come a darkness and oppressive gloom and that gloom is known as October Tide. After resting in deep, dark slumber for the fullness of eleven years, the brainchild of Fredrik Norrman (ex-Katatonia) and Jonas Renkse (Katatonia) crawls back into the light with another monumentally morose death-doom opus titled A Thin Shell. Not too many bands can survive such an extended state of limbo but when Norrman left Katatonia, he decided it was time to resurrect his side-project for a third album without co-founder Renkse. While it was quite natural to doubt a quality comeback or to fear a Katatonia clone, you can put those fears to rest. A Thin Shell is a remarkable album that showcases the beauty that exists in darkness.