Egyptian Metal

Cherd’s Raw Black Metal Muster [Things You Might Have Missed 2022]

Cherd’s Raw Black Metal Muster [Things You Might Have Missed 2022]

“There are two types of people in this world: those who appreciate raw black metal, and those who live fulfilling lives with friends and careers and family who speak to them at holiday gatherings. I’ve declared my love of raw black metal here before, and since the advent of Bandcamp, the kvltest of all metal genres has become infinitely more accessible. Every year I wade through acres of tape hiss and tinny treble, looking for the half dozen or so raw black releases that rise above the buzzing tangle of cobwebs to rarified, putrid air, and this year, I’ve finally decided to document my findings.” Colonel Muster in the basement with a spiked club.

Crescent – Carving the Fires of Akhet Review

Crescent – Carving the Fires of Akhet Review

“I’ve said it before and, Ra be damned, I’ll say it again. I love eastern themes in metal. As a result, my interest is naturally piqued by any band utilizing those progressions or from that part of the world. I discussed this at length in my review of Crescent’s 2018 album The Order of Amenti. These Egyptians definitely know how to implement dynamic scales amidst stone-cracking riffs. Now, ignited with a little new blood, Carving the Fires of Akhet prepares to descend on the masses in a flurry of smoke and ash.” Axe, wax or wane?

Crescent – The Order of Amenti Review

Crescent – The Order of Amenti Review

“Some pain will last. In particular, those most formative of musical memories, the marriage of experience and DNA. Realm of Chaos and Consuming Impulse were the first to school me on how hard death metal could hit, and while Pierced From Within taught a lesson in climactic brutality, it was In Their Darkened Shrines that embodied the extravagance of extremity. These three tenets are what I champion in truly great death metal and, thanks to the latter, what can clumsily be described as “eastern” chord progressions have appealed to me ever since. Egypt’s very own Crescent know my needs, and their second album, The Order of Amenti, seeks to deliver just that.” Pyramid schemes.

Melechesh – The Epigenesis Review

Melechesh – The Epigenesis Review

While the metal world has gone agog for Egyptian metal, and actually I’ve seen these guys linked up with Nile and Aeternam in other places, Melechesh is a unique band in that they are ultimately Sumerian metal. What’s the difference you say? Well, melodically not much. However, Sumeria is a totally fascinating historical place which was where modern day Iraq is (which is technically Mesopotamia, Sumeria was a grouping of city-states, this also includes the Israel and Palestine region). It is considered by most Biblical scholars to be the place where the “tribes of Israel” and the other natives of the region must have come from and it is south of or in the Fertile Crescent, which for anyone who knows their history is where agriculture is supposed to have come from. Some of the oldest texts in the world that we’ve ever found are Sumerian (written in Cuneiform) and the culture was highly advanced in math (inventing the abacus) and writing.

Aeternam – Disciples of the Unseen Review

Aeternam – Disciples of the Unseen Review

Egyptian metal is apparently a genre now! I didn’t have any clue! I just thought it was kind of a thing that Nile did. And then it was Nile and Behemoth. And then it was Nile, Behemoth and SepticFlesh. And now it’s Nile, Behemoth, SepticFlesh and Aeternam! I think that counts as a genre! So, that’s pretty cool in and of itself. Oh, and it turns out that Aeternam is pretty cool themselves, leading to a generally all around happy feeling for a few fleeting moments before the general irritants that keep me so angry all the time come crashing back in.