“Kadabra play a fairly stock standard fuzzed out stoner/psych rock heavily reliant on the 70s for aesthetic direction as well as contemporary revivalists like The Black Angels. Umbra has a bit more terrestrial than cosmic approach, with only a few distorted warping or echo effects, however Kadabra do use electric organ and layered vocals over their earthy guitar grooves.” Big hat, some magic.
King Goat
Famyne – II: The Ground Below Review
“U.K.-based “modern” doom act Famyne evaded my metal detector with their eponymous 2018 debut. I might have missed their sophomore outing too, had I not been desperate for some doom when skulking through the fetid promo sump on a dark and dreary night. Thus, I approached II: The Ground Below without context or expectation, and what I heard befuddled me for a good while.” Uncommon grounds.
Völur – Death Cult [Things You Might Have Missed 2020]
“Völur is a thing that I too nearly missed this year. The Canadian folk/doom trio received a strong recommendation from Akerblogger some years ago, and returned this year to unleash their third full-length, Death Cult, upon the Angry Metal Masses this past November. Unfortunately, life got in the way, and the album was never picked up for review. Now I’m here to rectify the issue, because as far as doom metal goes, Death Cult is one of the best albums I’ve heard in some time.” Drinking the Kool-Aid.
Neànder – eremit Review
“Any old fool can say, “The sea is beautiful.” Using music to evoke the feelings inspired by that beauty is far, far harder. To some extent, that’s something all instrumental bands have to do: since there are no lyrics to tell you what to feel or think, the music has to inspire emotion and sensation all on its own. Instrumental music is both brave and dangerous In this respect – there is simply nowhere to hide. Berlin’s Neànder aims to achieve this lofty goal by combining the density of doom, the introspective melancholy of post-rock, and the fury of black metal, all with the focus solely on their instruments.” eremit the fog.
Grey Skies Fallen – Cold Dead Lands Review
“It is somehow appropriate that I find myself listening intently to an album called Cold Dead Lands, by a band called Grey Skies Fallen, while we endure the coldest week of the year. Canada in the winter is pretty much a cold dead land, so it was fatefully wise of me to sign up for this review. There’s nothing more fitting to listen to when it is -33 Celsius outside than some long-form doom metal, especially if it comes from a veteran New York band’s fifth full-length, cunningly mixed by Dan Swanö.” Frozen and slow.
The Lone Madman – Let the Night Come Review
“Sometimes one gets lucky when promo sump diving and finds an unheralded gem. Other times you need to be guided toward one by a knowing compatriot. It was our very own Roquentin that drew my attention to Finnish doomsters The Lone Madman by playing me a sample of their debut Let the Night Come. Very impressed was I, and that brings us here.” Commence ranting and raving.
Huck N’ Roll’s and Eldritch Elitist’s Top Ten of 2018
The top tens are marching, and Huck N’ Roll and Eldritch are ready to spread the gospel of good metal across the land. You wanted lists, you got lists!
Ferrous Beuller’s and GardensTale’s Top Ten of 2018
Ferrous Beuller and GardensTale need to unburden themselves and share all their picks for the best of 2018. Be polite and sit quietly until they’re done, then you can go outside and get a cupcake.
Record(s) o’ the Month – April 2018
“2018 is off to a generally piss poor start when it comes to timely Record(s) o’ the Month postings, and I suppose some of the blame for that rests with us at AMG. I’m never one to point fingers and assign blame, but it’s mostly Muppet‘s fault and he’s a real problem that must be dealt with.” Blame the night.
King Goat – Debt of Aeons Review
“King Goat’s got a problem. Their debut made Record o’ the Year here at Angry Metal Guy dot Com, which means that they are gonna have a hell of a time besting their previous performance. In fact, for the most part, I’d argue that expectations are probably the bigger part of the so-called ‘sophomore slump’ than we give them credit for. And Conduit was a doozy of a full-length debut. So when King Goat got picked up by Aural Music, I was both excited for them and worried.” Heavy is the head that wears the goat.