Pallbearer – Mind Burns Alive Review

Pallbearer – Mind Burns Alive Review

“It’s time to revisit a conversation that became necessary in 90s metal circles with the advantage of almost 30 years hindsight. How do we deal with beloved metal bands when they lose their interest in metal, either abruptly or over the course of several albums? Back then, it was complicated. When Paradise Lost decided they weren’t a death/doom metal band anymore, there was disappointment and confusion. Same when Ulver left black metal tied to a tree whimpering in the woods and never looked back. Some fans of their metal work remained open minded and found merit in the new directions. And the bands certainly found new fans who would never touch metal on principle. I’ve surveyed the general metal media consensus around Pallbearer’s output since 2017’s Heartless, and I’ve come to the conclusion that in the 2020s, things aren’t so complicated. Everyone’s a simp.” Simptons of the metalverse.

Uncle Acid and the Deadbeats – Nell’ Ora Blu Review

Uncle Acid and the Deadbeats – Nell’ Ora Blu Review

Nell’ Ora Blu, or “the blue hour,” is a love letter to Italian cinema, particularly the Poliziotteschi (crime) and Giallo (horror) styles. While Uncle Acid and the Deadbeats are famously a four-piece fuzzy psych-rock band, the vast majority of this record was conceived, written, and performed by main brain Kevin Starrs. This is by and large an instrumental, soundtrack-adjacent album, though there are tracks on here that will remind fans it’s still Uncle Acid and the Deadbeats.” Time to pay up, Deadbeats!

Black Tusk – The Way Forward Review

Black Tusk – The Way Forward Review

Black Tusk is one of those bands that are eternally 3.0, and I’ve always been completely content with that. My first experience with the Savannah, Georgia veterans was 2011’s Set the Dial, a veritable riff-fest of sludge to counter the swampy slogs I had only been acquainted with. In ways, the trio stood shoulder to shoulder with the likes of Mastodon and Baroness without the lofty ambition: you come for the sludge, you stay for the riffs.” Tusk and run.

Hell:on – Shaman Review

Hell:on – Shaman Review

“The band hails from Ukraine, and when Russia invaded their homeland, I decided I’d throw a tiny bit of support their way by ordering said CD. I received a response from the band, telling me that all of their merch was trapped in an office in Kyiv, which, at the time, was under direct Russian attack. When I told them they could keep my money regardless of whether or not they’d ever be able to fulfill the order, they wrote back, “Thank you! It will be shipped if we and/or our merch will survive! We believe in our country as never before, and Ukraine will stay!” I eventually received that CD, and its back story makes it one of the most precious in my collection. Years later, the war for Ukraine still rages on, and fortunately, so does Hell:on.” War, merch, and peace.

SYK – eartHFlesh Review

SYK – eartHFlesh Review

“Bereft of a lyric sheet or any promotional explanation, I’m unsure why SYK chose to spell the title of their fourth album like they have. eartHFlesh draws attention with more than its unusual spelling though, with a dark, provocative cover, and the fact that it marks the band’s signing with Season of Mist. The Italian collective have been steadily building on a groovy, quirky brand of progressive death metal, distinguished largely by the cleans of now ex-vocalist Dalila Kayros. With her gone, and the group pivoting to primarily unclean growls, and a further turn, if slight, towards the more extreme corners of the genre, a new form of SYK emerges for the first time. eartHFlesh is a critical turning point.” New flesh, new friends?

Unleash the Archers – Phantoma Review

Unleash the Archers – Phantoma Review

“After a two-part series where we saw Immortal converge through trials and tribulations, this year’s Phantoma tosses us into the future (12089, specifically) where AI rules supreme. Presumably inspired by the new wave of AI technologies out there, Unleash the Archers taps into those influences to create a hypersonic sci-fi soundtrack filled with a smattering of synthesized guitar leads and heavy keyboard action to deliver the power metal version of Skynet.” Archers in the machine.

Naxen – Descending Into a Deeper Darkness Review

Naxen – Descending Into a Deeper Darkness Review

“Last we met Germany’s Naxen, we were deep in the swills of the pandemic lockdown here in the States. Released in June of 2020, debut full-length Towards the Tomb of Times was a solid black metal affair that I gleefully awarded a 3.5 but just never listened to again. Not that it was bad by any means, but it did not have the staying power I expected. The trio exists in the cross-section of black metal, adhering to hints of melodic black and death metal, but is pure unadulterated black metal.” Naxen, Naxoff.

Six Feet Under – Killing For Revenge Review

Six Feet Under – Killing For Revenge Review

“Oh my, look what has fallen into my deceptively large, crystalline lap. A brand new slab of knuckle-dragging caveman death metal from USDA-certified veterans, Six Feet Under. They’ve blazed a bloody trail of resentment and glass-eating rage through these hallowed halls, rarely resting long before moving on to the next hapless victim reviewer. Said reviewer happens to be me, resident master of the masochistic arts and winner of the highly attended AMG lottery for Six Feet Under reviewing rights.” No hole too deep.