Two members of the esteemed AMG staff attended the ArcTanGent Festival in Somerset, England. How many returned? Read the journal entries we recovered and pray for those we lost.
Carcharodon
King of the North(ish).
An Abstract Illusion – Woe Review
“As the title might suggest, Woe is a record packed with bleak soundscapes and drenched in misery. Sprawled across almost an hour of beautiful depression, An Abstract Illusion’s latest work feels like a single flowing composition, rather than the seven tracks it’s presented as. Heavier and channeling a more blackened and atmospheric edge into the progressive death metal of its predecessor, there is a swirling sense of barely controlled chaos that lies just beneath the surface of Woe.” Woe to we.
Eaten by Sharks – Eradication Review
“The odds of getting bitten by a shark are 1 in 3,748,067, significantly lower than the chances of being killed by fireworks (1 in 340,733) or normal, non-selfie related drowning (1 in 1,134). Indeed, if you want a good reason to stay out of the water, it’s lightning, which is 47 times more likely to kill you than a shark. What then are the chances of St. Catharines, Canada natives Eaten by Sharks catching lighting in a bottle on their self-released debut album, Eradication?” Sharkratio: Eaten by Stats.
The Sombre – Monuments of Grief Review
“Look, let’s cut to the chase here, Monuments of Grief is, unsurprisingly, bleak as all fuck. With an album title like that, released under the nom de guerre The Sombre and as the followup to Shapeless Misery, there is no levity, no joy and no whimsy to be found here. Monuments of Grief is just that, a towering obelisk of doom that drags the listener down into a hopeless pit of despair, from whence one can look up at the light but with absolutely no hope of reaching it.” Sweet grief.
Aronious – Irkalla Review
“Well, this could have been awkward. In trying to research this week’s subject, I had become increasingly puzzled as to why I couldn’t find much on them. Nothing on AMG itself; nothing on Metal Archives, nothing on Facebook and so on. It turns out there had been a fluff up in the AMG Engine Room, meaning that the band’s name was misspelled in the promo sump. Once this snafu came to light, it also revealed that Aronious is not, in fact, new to AMG and it would seem I have unwittingly stolen reviewing rights from no lesser death metal scribe than Kronos.” Deathly strife.
Liminal Shroud – All Virtues Ablaze Review
“I was first alerted to the upcoming release of All Virtues Ablaze, the second full-length record from Canada’s Liminal Shroud, in a social media post by Hypnotic Dirge Records. That post brought excitement, as I loved the band’s debut record, Through the False Narrows, which was a proper, pitch-black soundtrack to my 2020 Autumn. Hypnotic Dirge’s post also, however, brought sadness, as, in a rather classy fashion, it was promoting the upcoming release of All Virtues Ablaze, even though Liminal Shroud had moved labels (to the very good Willowtip) because Hypnotic Dirge is winding down its operations.” Thresholds, shrouds and bittersweet endings.
Grima – Frostbitten Review
“Finally, I have wrested reviewing rights for Russia’s Grima from the grips of the dastardly Cherd of Doom. Not, it should be noted, because he accepts that he underrated the masked duo’s last two albums but because he has other pressing deadlines. Underrate them he did though, in my opinion at least. 2019’s Will of the Primordial and the 2021 follow up, Rotten Garden, were both 4.0s if you ask me (not that Cherd did ask me). Atmospheric black metal powered by the icy winds of the tundra and the exhaled air of a bayan or accordion, Grima is very much my cup of vodka.” Roll out the blizzard barrel.
Panzerfaust – The Suns of Perdition – Chapter III: The Astral Drain Review
“Canada’s Panzerfaust has been one of my favorite discoveries since joining AMG Industries, ever since I picked up the first part of The Suns of Perdition tetralogy for review back in 2019 and proceeded to underrate it. Underrating was not a problem when the second installment, Chapter II: Render unto Eden, arrived just over a year later. Indeed, that record went on to be my AOTY 2020. It is something of an understatement, therefore, to say that excitement levels were running high when I learned that promo for Chapter III: The Astral Drain had arrived.” Fanboy gushing and proper drainage.
Lucid Grave – Cosmic Mountain Review
“I have recently come to the conclusion that it is sometimes a good exercise to deliberately review two records of the same genre back to back. Not to directly compare the two but to get one into the right mindset and to think about makes a great record in this particular field. And so it is that I find myself reviewing two stoner metal records in consecutive weeks. It’s lucky that I am not trying to compare them, however, as Copenhagen, Denmark’s Lucid Grave could not be more different—within the confines of stoner metal, anyway—from last week’s Holyroller.” Where the mountain meets the desert.
HolyRoller – Swimming Witches Review
“The stoner rock / stoner metal scene is one littered, perhaps more than many sub genres, with tepid mediocrity. One where the utterly forgettable bands seem to massively outnumber both the outstanding and the awe-inspiringly awful acts. While the likes of Clutch, Monster Magnet and Red Fang stand head and shoulders above most in the genre, I have begun to wonder whether there is something intrinsic in the style that leads to so much tediousness. Can North Carolina quartet HolyRoller buck this trend and avoid the apparent pitfalls that trap so many of their baked brethren to deliver something truly interesting with debut Swimming Witches?” Don’t witches just sink?
