“Riff-focused yet stuffed to the gills with exuberantly melodic leads, Blood Red Delusion’s second salvo strikes me as something fans of classic melodic death metal albums by In Flames and At the Gates—along with more modern records like Parasite Inc.’s Time Tears Down—might flock towards. Ruthless Behavior’s no-frills, no-nonsense, and aggressively death-metal-forward approach to the genre forgoes all traces of the sweeter and smoother caresses of lushly adorned modern melodic death metal records.” Blood and poor behavior.
Kenstrosity
Litosth – Cesariana Review
“Despite their frosty, dour tunes, the first comparison I draw when listening to Cesariana is Oubliette’s warm and rich The Passage. The second is Ethereal Shroud’s magnum opus Trisagion. Aesthetically falling somewhere between these two disparate references, Litosth’s style sounds epic without resorting to double-digit song lengths, feels relaxed in pacing without lacking passion, and manages to be memorable without possessing especially unique songwriting tenets.” Black haze.
Distorted Reflection – Doom Rules Eternally Review
“Formed by Sorrows Path co-founder Kostas Salomidis, nascent Greek epic doom metal trio Distorted Reflection are so new that they don’t even have a Metallum profile up yet. Established in 2022, the young band follows Kostas’ vision of epic doom metal after nearly thirty years with his original band.” Reflections of depression.
Stuck in the Filter – November/December’s Angry Misses
2023’s cleaning protocols are finally complete, and here comes the Filter scrappings from November and December. Taste them all, then consult a funeral director.
Exocrine – Legend Review
“Despite the middling average score French tech death quartet Exocrine earned on this here blog, I’m a staunch defender of the band’s style. I loved Molten Giant and The Hybrid Suns musically, and thought Maelstrom was an interesting, albeit flawed, exploration of their established sound. The biggest issue holding them back has always been production, cursed to gasp for breath and struggle for room inside a dense concrete block. It’s a shame because if someone else with a gentler touch helped them out in the mastering suite, I’m convinced Exocrine’s track record on this blog would be a more positive one. I picked up their latest, entitled Legend, in the hopes that it shifts that legacy in the right direction.” Of myth or of legend?
Master – Saints Dispelled Review
“Five years and a little over one month ago, Master’s fourteenth full-length Vindictive Miscreant fell into my lap, courtesy of one Master of Muppets. Thanks to this serendipitous windfall, I get dibs on all Master records going forward, despite their classic pedigree and extensive back catalog which predates my own existence on planet Earth by almost ten years. What should belong to one of our olde curmudgeons, like Steel or even Dr. A.N. Grier, belongs to me. Today, Saints Dispelled grants me another opportunity to swing my big dibs-stick and acquire Master’s newest slab of fun, wretched, thrashy death metal madness.” Master baiting.
Stuck in the Filter – October’s Angry Misses
The October Filter Report is here and we have some interesting things to break down for you. Get stuck!
Engulf – The Dying Planet Weeps Review
“New year, new sponge, same gig. What a better way to kick off 2024 than with some brutal, slightly proggy, slightly technical death metal! How serendipitous it was, then, that Engulf finally dropped their debut LP The Dying Planet Weeps upon my eager lap. Complete with very nice artwork and a remarkably rich and warm production, The Dying Planet Weeps aims to make a mockery of my scoring average as early in the year as it possibly can.” Engulfed by overratings.
Kenstrosity’s Top Ten(ish) of 2023
Kenstrosity ‘s waitied patiently to uncork his first ever big boy list upon the world, and here it comes! Get ready to be convinced.
Massen – Gentle Brutality [Things You Might Have Missed 2023]
“If you know me—and most of you should by now—you know that I love bands who fearlessly combine multiple genres into one pot. I want to be blown away by their exploratory vigor, dismissing all pretense of genre loyalty with gusto. Give me something that challenges my advanced ability to categorize and compartmentalize, and you are likely to garner an instant fan. Enter Massen, a Belarusian/German Frankenstein monster who unleashed one of the best records of the year, Gentle Brutality.” Polite hooligans.