Kenstrosity

Destroying AMG's metal cred from within.

For All I Care – Forever and a Day Review

By Kenstrosity on April 23, 2019 in 2019, Boersma Records, German Metal, Melodic Metal, Metalcore, Reviews, Metalcore, Post-Hardcore, 71 comments

“Has there ever been a time when metalheads ’round the ‘verse rightly celebrated non-Converge metalcore? I am not qualified to answer this question, for in my infinite wisdom, I actually dig In This Moment quite a lot—and, for the record, Maria Brink sounds incredible live. I feel no shame for this, and because of that I am sure Angry Metal Guy would love nothing more than to sacrifice me to a rabid Muppet while playing Tetragrammacide in the foreground for good measure. But I digress. Germany’s For All I Care is a metalcore sextet of the non-Converge variety, and Forever and a Day is their debut full length. And as you might suspect given my polarized taste, it is possible that I might love this stuff.” We care a lot.

Filtheater – Blight of Sempiternal Putrefaction Review

By Kenstrosity on April 23, 2019 in 2019, American Metal, Death Metal, Memento Mori, Reviews, Death Metal, 28 comments

“Don’t you just love it when something is so clearly represented by a single image or title? Yeah, me too. That’s why I blindly selected Filtheater’s debut record Blight of Sempiternal Putrefaction from the Bin ov Promos. That cover. That logo. That title. All of it screams dirty, grimy, raw death metal.” So greasy!

Gone Cosmic – Sideways in Time Review

By Kenstrosity on April 17, 2019 in 2019, Canadian Metal, Hard Rock, Kozmik Artifactz, Progressive Rock, Psychedelic Rock, Reviews, Stoner Rock, Hard Rock, Progressive Rock, Psychedelic Rock, Stoner Metal, Stoner Rock, 41 comments

“My brain over-complicates just about everything. At times—and in fact most of the time—it feels like thoughts are running through my head too fast and loose for me to make sense of any one of them. As a result it’s utter cacophony making even the simplest decisions, such as what to eat for breakfast in the morning. Medication helps. Music helps too, keeping the most unruly parts of my mind occupied so I can focus on whatever task I have in front of me. Stoner metal and psychedelic rock in particular are highly effective, what with the trippy atmosphere and plodding riffs. Gone Cosmic, a four-piece from Calgary, Alberta, are poised to drop their debut, titled Sideways in Time, filled with such atmosphere and riffs. Will it be enough to assuage my overactive grey matter?” A stoner in time.

Hath – Of Rot and Ruin Review

By Kenstrosity on April 13, 2019 in 2019, American Metal, Black Metal, Death Metal, Melodic Death Metal, Progressive Death, Reviews, Willowtip, Death Metal, 89 comments

“Pure originality is overrated. I mean, yeah, it’s nice when something newfangled pops up and smacks you in the kisser. However, I would much rather see an already existent construct improved upon, re-imagined or perfected in some way. I don’t care if it takes three iterations or four trillion, five-hundred billion, three-hundred-forty-seven million, twenty-thousand-and-two iterations to get there.” If it ain’t broke, improve it!

Latitudes – Part Island Review

By Kenstrosity on April 9, 2019 in 2019, Ambient Metal, Black Metal, British Metal, Debemur Morti, Doom Metal, Post-metal, Reviews, Ambient Metal, Black Metal, Doom Metal, Post-Metal, 49 comments

“I have historically shown more than a little apprehension towards the post-metal tag. At first, I felt it screamed pretension, a trait that tends to break my enjoyment of music if not kept in check. Lately, though, I’ve reassessed my opinion after finding deep enjoyment of bands often placed within the post-metal spectrum—Astronoid, Downfall of Gaia, and more recently, Latitudes.” No man is Part Island.

Vltimas – Something Wicked Marches In Review

By Kenstrosity on March 29, 2019 in 2019, Death Metal, Portuguese Metal, Progressive Death, Reviews, Season of Mist, Death Metal, 90 comments

“Man, this March has been ridiculous. Just when all of us at the AMG Consortium of the Infernal’s brimstone lounge were bitching and moaning about the unfair quantity of choice black metal—leaving in its wake a noticeable dearth of death metal goodness—out of nowhere comes Equipoise, Gomorrah, Venom Prison, Aephanemer, and now Vltimas. Like Equipoise, but also not at all like Equipoise, Vltimas is a supergroup. Based out of Portugal, the band is comprised of three legends of the metal scene: David Vincent of Morbid Angel on vocals; Rune “Blasphemer” Eriksen (ex-Mayhem, Aura Noir) on the guitars, and Flo Mounier of Cryptopsy fame manning the kit.” Something supergroupy this way comes.

Fallujah – Undying Light Review

By Kenstrosity on March 14, 2019 in 2019, American Metal, Death Metal, Nuclear Blast, Reviews, Technical Death Metal, Technical Death Metal, 254 comments

“Description: AMG-4165 is the fourth full length studio album titled Undying Light by California-based atmospheric technical death metal band Fallujah. Credits on this recording are listed as follows: Andrew Baird on drums; Scott Carstairs on guitars; Rob Morey on bass; and Antonio Palermo on vocals. Similar bands to Fallujah are listed extensively on several online sources, mainly citing The Faceless and Obscura, among others. The connections this current iteration of Fallujah shares with those bands are tenuous at best.” Initiate lockdown.

Sacred Monster – Worship the Weird Review

By Kenstrosity on March 10, 2019 in 2019, American Metal, Doom Metal, Heavy Metal, Reviews, Self-released, Stoner Metal, Doom Metal, Heavy Metal, 62 comments

“As my favorite news anchor Morbo once said, “DOOOOOOOOOOOM!!!” That’s right Morbo, today we are indeed sampling some doom. Stoner doom to be exact. Most albums of this genre handle such topics ranging from drugs to spiritual enlightenment to nature. Contrary to the established norm, Chicagoan quartet Sacred Monster eschew the drug-addled tropes to scare audiences with a sci-fi horror/thriller themed debut named Worship the Weird. At the very least I expect the band hopes Worship the Weird will shake things up in this overcrowded field.” Stoner monster.

Equipoise – Demiurgus Review

By Kenstrosity on March 8, 2019 in 2019, American Metal, Death Metal, Epic Metal, Reviews, Technical Death Metal, The Artisan Era, Technical Death Metal, 252 comments

“Enter Equipoise, based out of Pittsburgh and made up of a veritable who’s who of the death metal spectrum—Sanjay Kumar of Wormhole and Perihelion on guitars; Chason Westmoreland (ex-Hate Eternal, ex-The Faceless) manning the kit; Jimmy Pitts from Eternity’s End and The Fractured Dimension setting the ivories ablaze; Hugo Doyon-Karout (Beyond Creation) decapitating the fret from his bass; Virulent Depravity’s Nick Padovani on guitars both electric and nylon, along with Phil Tougas (Chthe’ilist, Serocs, Zealotry) playing the same; and finally Stevie Boiser (ex-Vale of Pnath, Inferi, Tethys) taking hold of both lyrical and vocal duties. And that’s not even scratching the surface, what with the ELEVEN guest spots included within. What in the actual heck is happening over there in Pittsburgh?” Friendtality.

Yer Metal Is Olde: Nightwish – Oceanborn

By Kenstrosity on March 6, 2019 in 2019, Finnish Metal, Neo-Classical Metal, Power Metal, Spinefarm, Symphonic Metal, Yer Metal Is Olde, Neo-Classical Metal, 169 comments

“I was seven years old for most of 1999—the year Nightwish’s breakout record Oceanborn saw its worldwide release. It would be seven more years before I would finally encounter what constitutes one of the most exhilarating listening experiences of my life. Since Oceanborn dropped, scores of symphonic metal bands have made countless attempts to imitate it, yet each clone of this record since has failed spectacularly to match either its significance or its quality. Hence this little entry of mine into the annals of Yer Metal Is Olde.” Own the Night(wish).