Gothic Metal

Alchimia – Musa Review

Alchimia – Musa Review

“It seems Emmanuelle Tito, the man behind the Alchimia project, has a feel for classicism. The fusion of painted, classical artwork with overt utilization of Italian and Latin on Musa, his first release under this alias, depict a desire for a particular grandiosity which travels beyond the blue collar roots of metal.” He must be one of them fancy boys.

Light of the Morning Star – Nocta Review

Light of the Morning Star – Nocta Review

“I’ve always found gothic metal to be, much like viking or pagan metal, a phrase that is more evocative of a specific feel rather than a genre with finite boundaries. It’s one of those styles that manages to fit a deceptively diverse array of bands under its umbrella; Type O Negative, Moonspell, and The Vision Bleak differ greatly from a purely mechanical standpoint, yet the thick, gloomy atmosphere is ever present.” Ready for a graveyard romance?

Dark Portrait – A Harrowing Atrocity Review

Dark Portrait – A Harrowing Atrocity Review

“It was with great reluctance that I took Dark Portrait’s A Harrowing Atrocity for review. It’s nothing against the band, but with the end of the year deadlines looming, TYMHM articles to write, and a top-ten list to hash out, there is little time for those unfortunate albums whose label thought it appropriate to release in the blackest month of the year.” From the promo dead pit comes…blackness.

Worm Ouroboros – What Graceless Dawn Review

Worm Ouroboros – What Graceless Dawn Review

“The San Francisco music scene is nothing if not creative. With oddball acts like Hammers of Misfortune, Vhöl and Slough Feg calling the area home, creativity is in abundant supply. Worm Ouroboros is yet another off-kilter act providing local color to the Bay Area, lesser known but no less interesting. The brain-trust of Lorraine Rath and Jessica Way, the band’s unique blend of dark ambient goth-rock, doom and neo-folk is as interesting as it is offbeat.” Bay Area goth-waves are rising.

Devilment – II – The Mephisto Waltzes Review

Devilment – II – The Mephisto Waltzes Review

“Though Dimmu Borgir and Cradle of Filth continue to deliver some decent material, I struggle to find that initial pleasure I once felt with releases like Enthrone Darkness Triumphant, Spiritual Black Dimensions, Dusk and Her Embrace, and Cruelty and the Beast. And, for the most part, I had a falling out with both bands. But, I recently discovered a musical venture of Dani Filth’s I had no idea existed—one that I am rather enjoying.” If you can’t have the King, at least you can wallow in Filth.

Sirenia – Dim Days of Dolor Review

Sirenia – Dim Days of Dolor Review

Sirenia hasn’t been getting much love from AMG Industries of late, and perhaps rightly so. The bands 2015 release The Seventh Life Path was criticized harshly for both its cheesy, formulaic approach to symphonic metal and its abundance of beautiful women. The 2011 offering, The Enigma of Life, fared absolutely no better. While I will never be one to condemn the inclusion of sexy band photos (female or otherwise), I did find myself agreeing with the general sentiments; both albums were trite, shallow, and boring.” Sex sells, but who’s buying?

Trees of Eternity – Hour of the Nightingale Review

Trees of Eternity – Hour of the Nightingale Review

“Life is fleeting, sometimes cruel and always impossible to predict. Case in point – the circumstances surrounding the Hour of the Nightingale debut by Trees of Eternity – a project formed by Juha Raivio (Swallow the Sun) and his partner Aleah Liane Stanbridge. Prior to Trees, Aleah was best known for her vocal work on Swallow the Sun’s Songs of the North and AmorphisUnder the Red Cloud. Trees’ and its melodic quasi-doom style was designed to showcase Aleah’s vocal talents and take her career to the next level.” What might have been.

Esben and the Witch – Older Terrors Review

Esben and the Witch – Older Terrors Review

“I’m not alone among the AMG staff in having fallen hard for The Gathering’s career defining Mandylion release back in 95. That platter combined elements of doom and goth rock in a way that had never been done before and created something haunting, sad and achingly beautiful. The band quickly drifted toward more commercial waters, and many (myself included) were left hungering for more of what Mandylion delivered. Perhaps that’s why my ears pricked up when I heard a snippet of the Older Terrors promo from hitherto unknown by me English three-piece, Esben and the Witch.” Oh, Mandy, you came and you found me an Esben….