Groove Metal

Kronos Comments: On Sampling Bias and the Seedy Underbelly of the Australian Metal Scene

Kronos Comments: On Sampling Bias and the Seedy Underbelly of the Australian Metal Scene

By Kronos on September 14, 2014 in Australian Metal, Black Metal, Death Metal, Djent, Groove Metal, Metalcore, Post-Rock, Unsigned Bands, Death Metal, Deathcore, Djent, Metalcore, Post-Metal, Technical Death Metal, 25 comments

“Just about every day, Angry Metal Guy pushes out a review of an upcoming or recently released album, producing press for the album whether we love it or hate it. It exposes readers to a lot of material, but disadvantages artists who aren’t putting out music at any given time. Given a small temporal window, this creates a very biased sample of the music scene. I love reviewing albums, but a lot of great and criminally overlooked bands are in between releases right now, and it kills me to see their hard work go unseen. So in order to rectify their invisibility, they’re being talked about here, where my shitty opinions have the outsized soapbox needed to fling themselves out onto the populace like fetid water from a fire sprinkler.”

Xerath – III Review

Xerath – III Review

By Kronos on September 12, 2014 in 2014, Candlelight, Death Metal, English Metal, Groove Metal, Progressive Metal, Reviews, Symphonic Metal, Death Metal, Groove Metal, Progressive Metal, Symphonic Metal, 12 comments

“Let’s face it: traditional symphonic metal is a playground of melodrama that’s nowhere near brutal enough. That’s why Fleshgod Apocalypse and Septicflesh (get mad about that concretion) are such popular bands – no matter how much we complain about their loud as hell albums here, there’s no denying that symphonic death is the perfect step forward for the maligned fusion genre.” Madam X will not take kindly to this Septicflesh bashing….

Adrenaline Mob – Men of Honor Review

Adrenaline Mob – Men of Honor Review

By Steel Druhm on February 20, 2014 in 2014, American Metal, Century Media, Groove Metal, Heavy Metal, Reviews, Heavy Metal, 33 comments

“Umm, I’ll be honest with you. I really wasn’t looking forward to this album. As much as I worship Sir Russell Allen (Symphony X, Allen/Lande) and his golden pipes of steel, I really hate this hard rock/nu-metal side project he has going on with friends. Their Omerta debut was a painfully shallow, cringe-inducing foray into Disturbed styled nu-metal mixed with grungy barroom rock and it really didn’t work, even with Allen on vocals and Little Lord Mike Portnoy (ex-Dream Theater, Liquid Tension Experiment) on drums.” The Mob is back again. Do they rule yet?

Sepultura – The Mediator Between The Head And The Hands Must Be The Heart Review

Sepultura – The Mediator Between The Head And The Hands Must Be The Heart Review

By Dr. Fisting on October 28, 2013 in 2013, Brazilian Metal, Groove Metal, Nuclear Blast, Rating, Reviews, Uncategorized, 13 comments

“The name Sepultura carries a lot of baggage these days. A decade and a half after the band’s split with frontman Max Cavalera, the word is synonymous with wasted potential, increasingly questionable legitimacy, and diminishing musical returns. Every album is touted as a “comeback” or return-to-form of some kind, but never quite lives up to the hype, leading to renewed calls for the band’s end — or even worse, total indifference.” After a long-term case study, Mr. Fisting has determined that the mediator between Sepultura and good music must not be Ross Robinson.

Soulfly – Savages Review

Soulfly – Savages Review

By Dr. Fisting on October 7, 2013 in 2013, Groove Metal, Nuclear Blast, Reviews, 9 comments

“Alright, full Angry Metal Confession time: back in the day, I actually enjoyed the first Soulfly album. To my drug-addled brain, Max Cavalera and co. had created an interesting blend of exotic world music and utterly shitheaded nu-metal. “Eye For An Eye” and “Fire” still kick ass, and a lot of the record is unintentionally hilarious (sample lyric: “No bullshit/No slave ship/No muthafuckin’ Hootie and the Blowfish!”). Many years and countless lineup changes later, Cavalera remains the creative force behind a heavier, more self-conscious Soulfly. The band’s core sound remains intact — if anything, he’s learned to incorporate other styles as they came into fashion, be it throwback Sepultura-ish thrash (Dark Ages) or pseudo-death metal (Enslaved). This brings us to the current record, Savages, which is thrust into a world dominated by djent and deathcore, where Soulfly’s foundation is seen as hopelessly outdated.” Is this new metal or nü-metal? You have to read to find out because we aren’t giving hints!

Philip H. Anselmo and the Illegals – Walk through Exits Only Review

Philip H. Anselmo and the Illegals – Walk through Exits Only Review

By Dr. Fisting on July 16, 2013 in 2013, 3.5, American Metal, Groove Metal, Rating, Releases, Reviews, Season of Mist, Uncategorized, Heavy Metal, 5 comments

“The long-rumored Phil Anselmo solo album has been the subject of some extremely high expectations. Since day one, Walk Through Exits Only was billed as Anselmo’s return to hyper-aggressive, high-testosterone metal, a style which was largely created by him and has spawned countless imitators since. That’s great and all, except that Anselmo 1) hasn’t made a metal record in about a decade, and 2) has gone through some serious health issues since then. Can you blame me for being skeptical? More importantly, does Walk Through Exits Only hold up its end of the bargain.” The hype around any Anselmo solo outing is bound to be huge. Mr. Fisting Himself is here to give a hype-free breakdown because that’s how he rolls.

Locrian – Return to Annihilation Review

Locrian – Return to Annihilation Review

By Alex Franquelli on June 21, 2013 in 2013, 4.5, American Metal, Groove Metal, Non-Metal Metal Things, Relapse, Reviews, 3 comments

“Have you ever wondered what happens to the music nobody listens to? It implodes. It does not even make any noise. It simply withers unnoticed, forgotten, unwanted. Then there is the music that stays: that particular strain of artistic endeavor that appeals to the masses and (sometimes) the niches and that we are taught not to live without. Locrian are the natural evolution (some may say ‘consequence’) of the Chicago scene of the late 90s where acts like Tortoise, Isotope 217, and Gastr Del Sol flourished and kept the territory safe from the dying throes of grunge.” Alex thinks this album shouldn’t be left to implode into a black hole of apathy. In fact, he seems quite taken with this experimental fusion of drone, blackness and the kitchen sink.