Madam X is a dedicated reviewer. In preparation for her thoughtful analysis of Melencolia Estatica’s black metal concept album Hel, she watched the really really old movie that provided the source material, then she did some deep thinking about the music itself. In contrast, Steel Druhm posted sexy pics of the female band member. He’s a slacker pig.
Alex reviews Italian sludgey black metal act The Secret and their new opus of pain entitled Agnus Dei.
Italian blackened doom devils Forgotten Tomb are back to crush your spirit with tales of tragic romance and gruesome torture. Madam X considers herself a hopeless romantic and a lover of gruesome torture, so we pretty much just threw this promo at her and ran for our lives.
When I was an Angry Metal Lad I discovered what was then the burgeoning europower scene in the late 90s early aughts. Deeply influenced by the likes of Rage, Helloween, and Stratovarius I began to be taken in by any band that had a lot of double bass, virtuoso keyboard and guitar solos and a dude who sang moderately operatically but wasn’t too annoying. This held me over for a long time, discovering bands that still stick with me to today as some of my favorites including [Luca Turilli’s] Rhapsody [of Fire], Blind Guardian, Sonata Arctica and myriads of others (as well as their aforementioned influences). But like any scene, this one had its boundaries and excesses and after a while I started to get bored. In that process, I missed Vision Divine – an Italian power metal band that includes Rhapsody’s vocalist Fabio Lione who released their first record in 1999.
Doom metal is a lovely creature. There is so much variation and nuance in the genre and two albums that fit in the same box are very seldom cut from the same cloth. Stoner doom I find particularly interesting because the genre itself is as diverse as the smorgasbord [that’s smörgåsbord, buddy. – AMG] of opiates available to the layman (never mind the primo stuff you need to “know someone” to get). Some stoner doom is so full of weed that you could probably be busted for possession if you had it in your pocket. Some feels like a bad acid trip. Ufomammut feels like an LSD-induced, out of body experience in the far reaches of space.
Ex Deo’s Roman death metal makes a triumphant return and they brought that super-sick Caligula character with them. You just KNOW that guy can party!
To say I’ve been moved by this album is just a slight understatement… bear with me while I try and reign in my fangirl-ism! It’s rarely that I’ve come across an album that carries such a strong and powerful message, while sounding mind-blowing at the same time. This 8-piece, modern folk metal band hail from Udine, in north-eastern Italy, and it seems this city, known for its iron commerce, will soon be known for a slightly more folk inspired kind of metal. Krampus have a style that is reminiscent of new wave folk metal act Eluveitie and sometimes progressive, mostly melodic, folk metal acts Amorphis, Wintersun and Korpiklaani. Where they differ however, is that instead of looking to the past for inspiration, Krampus have crafted Survival of the Fittest wholeheartedly, lyrically and musically, looking towards the future and a rather bleak, battered and bruised future it appears to be. This is the bands first full release, however Krampus have already released two very tempting EP offerings (Shadows of Our Time and Kronos’ Heritage), and will be leaving for their first extended European (Heidenfest) tour shortly (joining the likes of Wintersun and Korpiklaani), and therefore there is a definite expectation that Survival of the Fittest will be well-received.
New Rhapsody? It’s music to my ears! Hahaha. Oh man. Oh god… Read the fucking review.
Lacuna Coil is a band that I used to like pretty well. I’ve seen them live a few times and I thought they put on pretty good shows and I have a lot of respect for them as a hardworking touring band. Musically, though, I think they’ve been pretty hit and miss. While I enjoy In A Reverie, Unleashed Memories and liked a few songs off of Comalies, their modern sound has developed into something that is really quite derivative of the American “nu-metal trend” and specifically their last record Shallow Life was produced in a way that sounded exactly like Linkin Park and was entirely unlistenable to these ears. So I have to say that it was with consternation that I elected to start listening to this album in the first place.
To say that Italian symphonic black metallers Opera IX have been keeping a low profile would be an understatement. The last time I even heard their name mentioned was back in the days of Napster and the Y2K virus. At the time, their mix of black metal with gothic imagery and female vocals was pretty rare in the scene [Yeah, if you had never heard of Cradle of Filth, I guess. – AMG], and it seemed like the band was poised to do great things. Now, they have returned in 2012 with Strix Maledictae in Aeternum, their first album in 7 long years.
