“Solo projects are a mixed bag for me. On one hand, you’ll occasionally get a musician’s pure, unencumbered vision, free of competing egos, stylistic conflict, or bullshit social media drama that inevitably leads to a nasty breakup and months of blog posts detailing the extended legal battle over rights to the band name. More often, however, you get good ideas and musicianship hampered by a lack of self-awareness or weakened by the absence of an additional creative force. To paraphrase Stephen King, writers are often the worst judge of their own work.” And that’s where we come in.
Post-metal
Monsterworks – Black Swan Annihilation Review
“If you’ve never heard of Monsterworks before, welcome to the club. Originally expecting Black Swan Annihilation to be the debut album from a group of spritely young upstarts, I was pretty amazed to find this London-based quartet is actually one of the most productive bands since Suidakra.” Expectations are for posers!
Wayfarer – Old Souls Review
“I was impressed by Colorado’s Wayfarer on their debut. Their post-black metal was nuanced, densely textured and showed great maturity for a young band. I was eager to overlook the flaws since their base was sound, with such touchstones as Winterfylleth or Wildernessking. A year and a half later, Old Souls succeeds Children of the Iron Age in Wayfarer’s discography….” And a much more jaded and cynical El Cuervo awaits.
Sylvaine – Wistful Review
“We here at Angry Metal Guy Industries try our damnedest to approach each album with an open mind and our full, undivided attention. We also give many, many listens to each album, grasping at as many straws as we can to formulate a 600-word review, and trying to relay our experience with said album in a way that’s both entertaining and informative. Sometimes, though, after so many listens, an album can be so thick with atmospherics and density that approaching it can feel hopelessly impossible.” But we at AMG never say”impossible.” Instead we say “I’m possible!”
Thränenkind – King Apathy Review
“Sometimes the way you first experience an album is everything. Back in 2013, after finally returning from an extended work trip where I had limited internet access (and thus, no ability to hear new metal releases), Thränenkind’s The Elk took my deprived ears by storm with its Agallochian mix of weepy post-rock and crusty post-black metal. After months of only listening to whatever -core was stored on my iPod at the time, I was captivated, and the German quintet’s debut ended up being one of my favorite albums that year. Three years later sees me in an entirely different set of circumstances.” Stop the presses!
Germ – Escape Review
“So far this year, I’ve been tasked with reviewing—or simply listening to—a handful of shoegazing, post-black promos from a variety of little-known bands. Some of them are worth their weight in gold, while others are worth their weight in horseshit. For many, this genre petered out in the last decade or so when many o’ band jumped on the WitTR bandwagon, over-weighing the vehicle and driving its wheels axle-deep in the mud.” That navel isn’t going to contemplate itself, you know.
New Keepers of the Water Towers’ – Infernal Machine Review
“Infernal Machine is a seven-part journey, creating the soundtrack to Joe Haldeman’s 1974 novel The Forever War. The story, loosely depicts Haldeman’s military service during the Vietnam War, with the account chronicled as a space opera where the military fails to see its soldiers as any more than complex and valuable machines. This seems a large musical undertaking, especially in light that Ridley Scott has had the film idea “in production” since back in 2008….” An odd prog band bringing to life a weird novel? What could go wrong?
Hemelbestormer – Aether Review
“A great and wise man once said, “Let the music do the talking.” Okay, that was Steven Tyler, but it’s still true. There are times when a lot can be said with just your instruments, without the need for a voice, especially when those bands with voices want said voice to just shut up. In recent years, we’ve been bombarded by a slew of instrumental acts with varying degrees of success and talent. Belgian quartet Hemelbestormer (loosely translated to “idealist” in Dutch), is the newest to join the InstruMetal ranks with their debut album, Aether.” Be like Steven Tyler.
Entropia – Ufonaut Review
“I’ll be honest with you; the only reason I’m even passingly familiar with Entropia’s existence comes from their commendable decision to sample a few lines of dialogue from the excellent (and yes, very brutal) Christopher Nolan film, The Prestige. The late David Bowie’s tempered portrayal of an eccentric and misunderstood Nikola Tesla living out his days in a quasi-exile in Colorado Springs brings a wistful sort of conscience to the film’s dueling protagonists, and a story of such single-minded self-destruction couldn’t be more suited for a metal adaptation. That’s just low hanging fruit, metal bands, I’m doing your work for you here.” And we don’t get paid to do PR!
Pil & Bue – Forget the Past, Let’s Worry about the Future Review
“Every now and then, amidst the non-stop barrage of mediocre death and black metal we review here at AMG, we get something that’s a little bit out of the ordinary.” And since we’re all such elitist snobs, we like that.