Post-Rock

Sylvaine – Wistful Review

By Grymm on May 7, 2016 in 2016, Ambient Metal, Norwegian Metal, Not Metal, Post-metal, Post-Rock, Reviews, Season of Mist, Ambient Metal, Folk, Post-Metal, 51 comments

“We here at Angry Metal Guy Industries try our damnedest to approach each album with an open mind and our full, undivided attention. We also give many, many listens to each album, grasping at as many straws as we can to formulate a 600-word review, and trying to relay our experience with said album in a way that’s both entertaining and informative. Sometimes, though, after so many listens, an album can be so thick with atmospherics and density that approaching it can feel hopelessly impossible.” But we at AMG never say”impossible.” Instead we say “I’m possible!”

Thränenkind – King Apathy Review

By Mark Z. on May 4, 2016 in 2016, Black Metal, Crust Punk, German Metal, Lifeforce Records, Post-metal, Post-Rock, Reviews, Black Metal, Post-Metal, 44 comments

“Sometimes the way you first experience an album is everything. Back in 2013, after finally returning from an extended work trip where I had limited internet access (and thus, no ability to hear new metal releases), Thränenkind’s The Elk took my deprived ears by storm with its Agallochian mix of weepy post-rock and crusty post-black metal. After months of only listening to whatever -core was stored on my iPod at the time, I was captivated, and the German quintet’s debut ended up being one of my favorite albums that year. Three years later sees me in an entirely different set of circumstances.” Stop the presses!

Votum – :KTONIK: Review

By Steel Druhm on February 11, 2016 in 2016, Mystic Productions, Polish Metal, Post-Rock, Progressive Metal, Reviews, Progressive Metal, 44 comments

“AMG recently dropped this album by Poland’s Votum in my promo bin with a snarky remark about how I love “sadboy doom-prog.” Naturally, I denied it and retorted with a series of choice names, but when the time came to actually sit down and listen to :KTONIK:, Votum’s fourth full-length, I was forced to admit I did love the sadboy post-rock prog metal being laid down. Damn, him! Damn that AMG!

Pil & Bue – Forget the Past, Let’s Worry about the Future Review

By Dr. Fisting on January 13, 2016 in 2016, Hard Rock, Indie Recordings, Norwegian Metal, Not Metal, Post-metal, Post-Rock, Reviews, 17 comments

“Every now and then, amidst the non-stop barrage of mediocre death and black metal we review here at AMG, we get something that’s a little bit out of the ordinary.” And since we’re all such elitist snobs, we like that.

Things You Might Have Missed 2015: Tau Cross – Tau Cross

By Grymm on December 16, 2015 in 2015, American Metal, Canadian Metal, English Metal, Post-metal, Post-Rock, Relapse, Things You Might Have Missed 2015, Post-Metal, 20 comments

“Supergroups make me weary. For every Down, Vhöl, or Borknagar that comes our way, we get subjected to bands that don’t vary much (if at all) from their more established main groups. The prospect of checking out yet another supergroup doesn’t exactly get my blood pumping, no matter how highly acclaimed that group is promoted by the critics and fans.” The prospects are definitely improving!

Caligula’s Horse – Bloom [Things You Might Have Missed 2015]

By Angry Metal Guy on December 4, 2015 in 2015, Australian Metal, InsideOut, Post-Rock, Progressive Metal, Reviews, Things You Might Have Missed 2015, Progressive Metal, 37 comments

“Caligula’s Horse is one of those bands I managed to get out in front of because of my Angry Metal Father-in-Law. Turns out that a guy who owns every cool record since 1975 is still on the hunt for great music—and the more obscure the better—so he has his ear to the ground in the progressive metal scene in a way I could hardly imagine.” Father-in-Law knows best.

The Moth Gatherer – The Earth is the Sky Review

By El Cuervo on November 28, 2015 in 2015, Agonia Records, Doom Metal, Post-Rock, Reviews, Swedish Metal, Doom Metal, 24 comments

“It’s difficult striking out into the musical mire in the Internet era. There are almost-literally limitless bands out there vying for the contents of your wallet and it can be difficult to stand out from the crowd. The Moth Gatherer seem to genuinely offer something a bit different: their sophomore album The Earth is the Sky is something akin to Agalloch but with more doom and less earthy production, or Secrets of the Sky but with more post-rock tendencies.” Like moths to the flame, hipsters come to post-metal.

Killing Joke – Pylon Review

By Grymm on October 26, 2015 in 2015, English Metal, Hard Rock, Heavy Metal, Industrial Metal, Post-Rock, Reviews, Spinefarm, Hard Rock, Heavy Metal, Industrial Metal, 135 comments

“Many older bands, once established, will eventually coast by just on their name alone. Sure, they’ll cut a new album every few years, but it never lives up to their influential works of yesteryear. It’s often an excuse to go out on the road, play nothing but the classics, and bring home the money while also hocking wares that have nothing to do with the band’s original intent. England’s Killing Joke, however, are a unique beast.” The Joke is on you!

He Whose Ox Is Gored – The Camel, The Lion, The Child Review

By Grymm on October 6, 2015 in 2015, American Metal, Bleeding Light Records, Doom Metal, Post-metal, Post-Rock, Progressive Metal, Reviews, Shoegaze, Sludge, Doom Metal, Post-Metal, Progressive Metal, Shoegaze, Sludge, 25 comments

“I have a penchant for picking bands based on their names alone lately. For the most part, doing so has yielded some pretty damn good results. So when the Grymm Grab Bag™ belched forth The Camel, The Lion, The Child, the debut full-length from Seattle’s He Whose Ox Is Gored, you can say that I was a bit nervous. Long band name? Check. Nietzsche-inspired album title? Check. The sound labeled as “progressive doom”? Check.” Progressive doom is progressive… and doomy.

Brave the Waters – Chapter 1 – Dawn of Days EP Review

By Jean-Luc Ricard on May 15, 2015 in 2015, American Metal, Not Metal, Post-Rock, Reviews, Unsigned Bands, Not Metal, 4 comments

“Doom fans among you will likely know about New York’s Grey Skies Fallen, a vintage doom/death act that has been steadily improving their My Dying Bride/Anathema-influenced paeans to pain since the late nineties. Grind fans among you will likely know about New York’s Buckshot Facelift, a slightly less vintage hardcore/grind band that has been vomiting up vitriolic violence since the mid naughties.” But did you know they had a shared project? You didn’t, so don’t pretend you did.