Psychedelic Rock

Black Space Riders – Amoretum Vol. 2 Review

Black Space Riders – Amoretum Vol. 2 Review

“And now for part two of my reviews of two-part albums, the follow-up to Black Space Riders’ January release, Amoretum Vol. 1. What hooked me into that first album (and has kept me coming back regularly to select songs) was the overall feel of the songs — groovy, psychedelic cuts with a tight focus on rhythm and plenty of David Bowie influence. What I didn’t like was the opening song, an out-of-place, messy garage-punk outlier, and the penchant for the band to identify themselves only with initials. My final words in that review were ‘I’m on board for Vol. 2. Hopefully, Black Space Riders keep it going.’ So… do they?” Space madness.

Chubby Thunderous Bad Kush Masters – Come and Chutney Review

Chubby Thunderous Bad Kush Masters – Come and Chutney Review

“I mean, really. Come and Chutney? By fucking Chubby Thunderous Bad Kush Masters?? Well played, you Chubby London fucks; you have my attention. Billed as FFO Weedeater, Bongzilla, Black Sabbath, and… and fucking Vengaboys?! Well now, I’m as elated as a child at an amusement park.” Don’t come round here no more.

Fire Down Below – Hymn of the Cosmic Man Review

Fire Down Below – Hymn of the Cosmic Man Review

“I have two basic approaches when it comes to reviews. If the album is by a band whose discography I am familiar with, I’ll read the PR materials to learn more prior to listening. If it’s a band I haven’t heard of, but either grabbed off the promo list or was voluntold to take it by the inestimable Madam X, I won’t read anything about the band. I’ll dive right into the promo and form some unfettered opinions over a few listens before checking out the PR material. That’s how I did it with Belgian quartet Fire Down Below and their sophomore album, Hymn of the Cosmic Man.” Ignorance is bliss.

Boss Keloid – Melted on the Inch Review

Boss Keloid – Melted on the Inch Review

“At AMG Headquarters last week, as a number of us were gathered around the bench press station during our allocated one hour of yard time, discussions turned from who could bench the most, to personal tastes when it comes to genres to review. When I was finally allowed to talk, I said I like my dad metal, sure, but I also enjoy deeply of prog, doom, some stoner — and I like it all to be just a little off-kilter. Well, members of Boss Keloid must have been standing nearby, because Melted on the Inch, their third album, ticks all my non-dad-metal boxes.” Boss dad prison metal.

Octopus – Supernatural Alliance Review

Octopus – Supernatural Alliance Review

“Here we are, once again, gathered together under the metaphoric roof of the Angry Metal Hall. Our ranks comprise fans of all walks of metal, no two tastes are identical and yet we all convene here to bang our heads as one. What joins us disparate degenerates as children of the Jørn? What fantastic force unites the photometers, hamsters, and screaming boxes that plague our comment section? The answer holds as trve now as in those dark days preceding the internet: it’s the riffs, stupid. This obvious answer in turn poses an obvious question: “What does this have to do with Octopus’ Supernatural Alliance?”” What a big tent you have.

JIRM – Surge Ex Monumentis Review

JIRM – Surge Ex Monumentis Review

“First of all, look at that cover. If that isn’t one of the most glorious pieces of album art, I don’t know what is. It reminds me ever so slightly of Dio’s old mascot, but JIRM don’t worship at that altar. No, the band formerly known as Jeremy Irons and the Ratgang Malibus. play a groove-filled psych/stoner blend with plenty of progressive tendencies, and Surge Ex Monumentis is their first album under the shortened moniker. After three albums with their cumbersome old name. Why the name change? To distance themselves from a washed-up, mean old actor, or to just give us less to try and remember? And what else besides the name has changed?” Up the Jeremy Irons!

The Golden Grass – Absolutely Review

The Golden Grass – Absolutely Review

“I love that title. Absolutely. It’s so charming. So affirmative. The Golden Grass, too, which sounds like a chip off the old rural-prog block made famous by the likes of Jethro Tull (though with a more obvious weed connotation). But despite strong ’60s and ’70s rock influences, Tull this is not. Hailing from Brooklyn, Absolutely represents the third full-length release by these chaps. Is it good? Absolu… well, partly.” Grass or pass?

Howlin’ Sun – Howlin’ Sun Review

Howlin’ Sun – Howlin’ Sun Review

“I’ve already waxed poetic about my deepening love for ’70s rock but the ’60s remain a relatively uncharted territory for me. I’m of the not-so-humble opinion that The Beatles are overrated (though unquestionably hugely influential) and I find the progressive developments and greater variety found in ’70s rock far more appealing to a decade whose bands who were still much simpler and overtly blues-based. Thus, the promise of ’60s rock with a heavier edge, professed on the promo sheet appealed—on what am I missing out? Can the ’60s interest me? Will I ever stop questioning myself? Answers to some of these questions might be found below.” Question self, question music.