Record reviews
“Euro-power is in a bit of rut lately, with very few releases really grabbing my jaded ears with the proper blend of bombast, cheese whizardry and over-the-top exuberance. Stratovarius was once a no brainer when I needed such sonic excesses, but the past few albums have been hit or miss affairs, especially 2013s Nemesis where the band explored a more commercialized, and dare I say it, poppy style.” Can the former Lords of Euro-power regain the Cheddar-Coated Throne of Power?
Poland’s Riverside should be no stranger to the dedicated reader of these Angry pages. After discovering the band’s Anno Domini High Definition in 2009, Riverside has sneakily become one of the staples of my playlist. I wasn’t completely enamored with Shrine of New Generation Slaves; but its chill, more reflective moments are the ones that I keep coming back to: “The Depth of Self Delusion,” yes, but especially, “We Got Used to Us,” which has a slow groove and a transcendent chorus. Still, SoNGS lacked the punch and progressive drive that ADHD—and the band’s earlier material—had, and landed far more in the territory of post-Marillion prog, without the brooding darkness into which late Gazpacho has wandered recently. SoNGS was, arguably, nothing more or less than a road sign, though, pointing towards 2015’s latest record: Love, Fear and the Time Machine.
“Sweden’s Draugurinn is the dark ambient personification of one-woman-band, Dísa Á. Even though she didn’t make a blip on my metal detector until recently, that hasn’t been for a lack of effort on her part. With both Draugurinn and her black metal persona, Turdus Merula, she’s been releasing quite the number of full-lengths since 2010.” Well, this is certainly dark and unhappy!
“Ahab has been the proud flag-bearer for funeral doom during the last ten years, with three full-length releases fleshing out a decade which has seen them achieve great popularity for such a niche genre.” Whales and snails and squids, oh my!
“It’s not to often that punk-derived genres get to fly the ‘progressive’ banner, but if forced to name a modern prog-grindcore act, Fuck the Facts would be the first words from my mouth. The Ottowan group’s devil-may-care attitude towards stylistic unity is something of a treasure in the grind world and their constant shuffling between deathy prog-grind and grindy prog-death, all whilst collecting the refuse of a half-dozen other genres, is a joy to witness.” Prog and grind go together like nuts and gum.
“Singer-songwriter Chelsea Wolfe’s music doesn’t strictly reside under the heavy metal umbrella. However her unique form of dark artistry has captured quite a significant following within and outside of the metal community.” Time for something a little bit different.
“Apart from Black Sabbath, no doom band can claim the same progenitor status Pentagram can. Coming into existence in 1971, they were the first American doom band and along with their slightly older British brothers in arms, they wrote the book on the entire genre. They also penned another book over the years on how to become the ultimate obscure, underground and kvlt act and stay that way for four fucking decades without ever getting proper recognition.” Last days are not here!
““You never get a second chance to make a first impression.” – Conventional wisdom or Will Rogers, no clear date. “We play melodic death metal with metalcore elements and tons of hooky choruses!” – Soilwork via Stabbing the Drama, 2005. Combining these two quotes explains the position from which I’ll tackle Soilwork’s tenth full-length The Ride Majestic.” When we start quoting Will Rogers, the poo usually hits the oscillation device.
“Not that the plethora of throwback retro-thrash bands wasn’t evidence enough, but the 80’s happened. Fashion was horrendous and hairstyles were worse. Nintendo had kids blowing into their cartridges the world over. And on MTV, for every Iron Maiden and Metallica video that was played, there was a gaggle of hair bands saturating the airwaves to the point of ozone layer depletion from all that Aqua Net used. White Lion was one of those bands, enjoying success after success until Kurt Cobain came along and ruined everything for them.” Let’s see hands from all the little fighters in the hall!
“Admittedly, when I think of punk-infused thrash, I think of how Toxic Holocaust’s Hell on Earth release a decade ago planted its seed of bad demeanor in my ear. From there this seed took root and blossomed as a love for (most) of Toxic Holocaust’s succeeding releases.” Can Bonehunter steal the Doctor’s love like a thief in the night?
