“Bust out your steel umbrellas, it’s raining fucking anvils! The thrashing Bay Area trio Chemical Burn return a decade after releasing their Bury Your Demons debut with an album that is not quite what it seems.” Do you like groove metal and rap-metal shoehorned into your thrash? Uh huh, that’s what I thought.
Reviews
Record reviews
Soulfly – Archangel Review
“Another day, another album from Max Cavalera. Soulfly’s latest offering, Archangel, arrives just 22 months after its predecessor Savages, during which time Max also released a Cavalera Conspiracy album and participated in the supergroup Killer Be Killed. Now, you if you’re thinking, “Gee, Dr. Fisting, that sure sounds like an awful lot of releases for a guy who’s also touring most of the time! I wonder if that affects the quality of the music,” you might be onto something.” Not everyone is cut out to be Vardan.
Deiphago – Into the Eye of Satan Review
“If there’s a Svpreme Kvlt Covrt ov Trve Metal, I’ll officially lose whatever remains of my KVLT CRVD for this (spelling in accordance with THV WVRTH VCT OV 2015). Deiphago is an extreme metal band from Costa Rica that’s been terrorizing the world since 1989. Their fourth full-length is called Into the Eye of Satan and it’s being released by the excellent Hells Headbangers Records, a label I’ve given plenty of Canadian money to throughout the years. You damn well better believe there’s gonna be a cassette pressing too. Perhaps I’m getting too old and can’t handle the kvlt anymore? Maybe not.” Where’s my 8-track? Now that would be kvlt.
Stormhammer – Echoes of a Lost Paradise Review
“Even though I spend a lot of time listening to black metal (and anything and everything King Diamond), I hold a very special place in my heart for power metal. At any given time, you can walk by my office and hear an Iced Earth, Blind Guardian, or Metalium (yep, I said it) song reverberating off the walls and echoing down the hallway.” The good doctor is a power metal weenie.
Fear Factory – Genexus Review
“When it comes to turning an extremely limited sound into a career spanning decades, Fear Factory stands alone (or with AC/DC). And as we approach the 20th anniversary of their “cyber metal” style and reflect on how heavily the band utilized themes of technological advancement, artificial intelligence and mutation, the irony of how little their approach has “evolved” should be obvious even to the most Neanderthal of metal fans.” Fear Factory is back to single-handedly disprove all your fancy theories of evolution and kick circuit boards in your face.
Trials – This Ruined World Review
“Trials’ lucky third record—This Ruined World—poses a problem. It is a unique, modern thrash album—and I don’t mean -core, seriously—with few peers and little grounds for reference in 2015. And Trials has been growing into this for some time. While I enjoyed the debut album Witness to the Downfall, I was floored by 2013’s In the Shadow of Swords, which hit the #3 spot on my Top 10(ish) of 2013, and which still ranks as one of the best records I’ve heard in the last 5 years. So This Ruined World comes with a world of expectations, so to speak.” Goddammit. Expectations can only lead to disappointment. Or can they…?
Year of the Goat – The Unspeakable Review
“It wasn’t very long into Year of the Goat’s sophomore effort, The Unspeakable that I was asking myself, “self, is this the second coming of Ghost?” The answer is no, since that happens next month and it’ll be their third coming (or two and a half since I didn’t care much for Infestissumam), but this here platter certainly has a lot of similarities to the goods provided by those mysterious masked ghouls.” Boo!
Pissgrave – Suicide Euphoria Review
“Yes, a band called Pissgrave exists and yes, that’s a very dead human being on the cover. Fifteen year old Diabolus is really stoked about how edgy this whole thing is, but much older than fifteen year old Diabolus is fairly aloof about this whole ordeal. While they’re not dressed as pirates, this is nonetheless quite gimmicky.” It always comes back to pirates with this guy.
Hope Drone – Cloak of Ash Review
“Longtime readers may recall the genesis of my infatuation with Hope Drone in late 2014 when I featured them on the very first Sampling Bias (um, yeah I’ll do another one of those sometime) which covered the proud continent of Australia. I lauded their self-titled debut as ‘possibly the most devastatingly nihilistic recording I’ve ever heard, both instrumentally and lyrically’.” Relapse blurbed that little line, so does Kronos love Hope Drone’s newest record enough to merit a second blurb? Or did he fawn himself into a corner only escape-able through a good panning?
Lamb of God – VII: Sturm Und Drang Review
“As post-Pantera flagbearers for delivering modern American metal to the masses, Virginia’s Lamb of God has garnered similar levels of commercial success and popularity while keeping their heads above water as their profile has snowballed. Even in the face of inevitable detractors, Lamb of God’s workmanlike dedication and impressive work ethics on the road has firmly established the divisive veterans as one of metal’s most (commercially) adored and successful bands during the post-millennium era.” Is this a new beginning or the Lamb of La Mancha?