Reviews

Record reviews

Symphony X – Underworld Review

Symphony X – Underworld Review

Symphony X is New Jersey’s answer to Yngwie Malmsteen. That’s not just a funny blurb: the more I think about it the more I realize that that’s actually a surprisingly good description of the band. My relationship with the band started in 2000 with the release of the band’s absolutely perfect V: The New Mythology Suite. At the time, I described them to friends as being “Malmsteen—if he could write songs and had a good vocalist.” Since then the band has released some excellent records, but they’ve also taken a turn for the heavier, and edgier, moving further away from the traditional progressive/power wheelhouse and straight-up neocassical stylings. The orchestral approach on V never quite disappeared—they’re a ‘neoclassical’ progressive/power band ffs—but from Paradise Lost on the band’s heavier attitude has continued to develop; embodied by Allen’s full-throated Jersey rasp.” Angry Metal Guy weighs in on Symphony X’s newest release.

Cattle Decapitation – The Anthropocene Extinction Review

Cattle Decapitation – The Anthropocene Extinction Review

“The last time I put meat in my fridge was three months ago when I had to store a turtle carcass until I could properly preserve it. At parties I stand by the recycling bin and cuss at people who try to put their beer cans in the trash. Whenever I see a disaster movie I not-so-secretly root against the humans. I’m just short of buying carbon offsets for my own respiration. I think Cattle Decapitation is the coolest band on the entire planet.” Kronos hugs trees and bees.

Krisiun – Forged In Fury Review

Krisiun – Forged In Fury Review

“Ah, Krisiun. Your militant drumming, battering riffs, and enraged vocals have earned you a place on quite a few of my “wake up the neighbors” playlists over the years. While calling you an institution may be a stretch, you’re certainly a band of workhorses, belching out no-bullshit death metal as a fraternal trio since 1990, and serving as a constant reminder that Brazil is more than just nice tushes, dense rainforests, and a Terry Gilliam film about a dystopian bureaucracy that would make FEMA shiver.” The angry wind came blowing in, from across the sea….

Black Space Riders – Refugeeum Review

Black Space Riders – Refugeeum Review

“Psychedelic rock with lashings of proggy jam, a smooth layer of spacey ambiance, and a heavy crust to ensure conformity to a metal-lover’s palate. This is what I was promised by Germany’s Black Space Riders on their fourth full-length, Refugeeum. As it goes, this is more of a confused hybrid of baked goods in concept, and a bland homemade cake in execution, rather than a luxurious Victoria sponge, with some serious identity problems.” The cake was a lie…again.

Locrian – Infinite Dissolution Review

Locrian – Infinite Dissolution Review

““Black metal, noise, krautrock, post-rock and something else, but none of the above at the same time,” wrote Alex Franquelli about Locrian’s previous record Return to Annihilation. These words ring truer than ever on Infinite Dissolution, a record that eschews categorization and shows the Chicago/Baltimore trio carrying their sound into unexplored and inexplicable structures, bringing together disparate worlds, and moving even farther away from the slow ambient noise and drone that marked the first, hyper-productive part of their career.”

Sacri Monti – Sacri Monti Review

Sacri Monti – Sacri Monti Review

“Vibrant green fields, replete with young men and women frolicking with each other in their natural environment, adorned with flowers and flowing locks. Loose-fitting headbands and azure jeans which gently swell at the bottom. A world of love where acceptance is life, difference is disregarded and war is abhorrent. And drugs. A fucking shitload of drugs.” Get off my lawn, you hippies!

Barbatos – Straight Metal War Review

Barbatos – Straight Metal War Review

“Japan’s Barbatos is apparently a side project of Yasuyuki, vocalist/bassist for punk-metal combo Abigail. While the two bands are similar to the point of redundancy, Barbatos has been far less prolific, releasing only four full-lengths (and a bunch of 7″ splits) during a 15-year career. Straight Metal War is their first LP in nearly a decade, and it’s on Hell’s Headbangers — a label whose resistance to modernity is rivaled only by the Amish — so you KNOW it’s gonna be some old-school shit.” Boobs!

Kronos – Arisen New Era Review

Kronos – Arisen New Era Review

“What with the subtle consumer advice regarding one Ethereal Shroud album and Angry Metal Guy’s upcoming (and doubtless gushing) review of the new Trials disc, you may have noticed a theme on our brave little blog: blatant conflict of interest. Never one to miss out on a shameful trend, I’ve decided hop aboard the choo-choo of duplicity and perform an honest, above-the-board review for the completely unaffiliated French brutes in Kronos.” AMG: avoiding the mere appearance of impropriety in favor of flagrant impropriety.

DarkTribe – The Modern Age Review

DarkTribe – The Modern Age Review

“It’s difficult to shake the feeling that among all of metal’s subgenres, power metal remains the one that refuses to grow up, stuck forever in an adolescent state. Barring a few bands, the power metal scene might as well still be living in the middle of the nineties, when StratovariusVisions had just been released, Nightwish were kind of relevant, and Symphony of Enchanted Lands, by that Italian band that used to be known simply as Rhapsody, lurked around the corner.” Ah, the 90s were the good old days for 80s style power metal.