Reviews

Record reviews

The Fall of Every Season – Amends Review

By Noctus on March 2, 2013 in 2013, 4.0, Doom Metal, Grau Records, Norwegian Metal, Reviews, Doom Metal, 13 comments

“It’s probably best you let go of every possible expectation of this record that you may have had, because this album simply won’t meet them. Stylistically, anyway. The Fall of Every Season,, the moniker of Marius Strand, has decided to change the idea behind the music so far beyond recognition of his dreary, depression-filled beginnings, that Amends sounds like a completely different band, thank goodness.” Noctus would like to explain this album to you in loving detail, but first he requires you to clear your mind. That means stop thinking of food and sex too!

Saxon – Sacrifice Review

By Steel Druhm on March 1, 2013 in 2.5, 2013, English Metal, Heavy Metal, Reviews, UDR Music, Heavy Metal, 19 comments

“There’s no better example of a hard-working, determined, but ultimately second tier act than Saxon. They were part of the original NWoBHM and have been churning out traditional metal albums since 1979. They’ve had classic platters like Wheels of Steel and Denim and Leather and a wealth of classic songs (“Crusader” is so damn good). Still, most metal fans wouldn’t put them on as high a pedestal as Maiden or Priest in the Pantheon of Metal Kings (ov Steel).” So does Sacrifice finally earn Saxon that much sought after ticket to the top of the pops? Maybe we should manage expectations…

Soilwork – The Living Infinite Review

By Dr. Fisting on February 28, 2013 in 2.0, 2013, Melodic Death Metal, Nuclear Blast, Reviews, Swedish Metal, 45 comments

“In recent years, euro-thrash veterans Soilwork have reached near-Megadeth levels of member turnover and failure to live up to expectations. After bursting out of the gate with now-classic albums like The Chainheart Machine and Predator’s Portrait, Soilwork softened with age, and produced a few albums of increasingly slick melodeath-by-numbers.” What’s got 12 legs, 88 keys, and a double album that puts me to sleep? You got it.

Rotting Christ – Κατά τον Δαίμονον Εαυτού Review

By Madam X on February 27, 2013 in 2013, 3.0, Black Metal, Greek Metal, Rating, Releases, Reviews, Season of Mist, Uncategorized, Black Metal, 21 comments

“I’m always enchanted by a band or album that pushes me to think outside the box, compelling me at 2 am to seek out the translation of an old Romanian curse, making me read up on Voodoo and at the same time the i’m knee deep in the teachings of Aleister Crowley – now that’s what metal’s about [Mister Crowley, won’t you write for my blog? – Steel Druhm]! Aleister Crowley wrote ‘Do what thou wilt shall be the whole of the law’ and I’m pleased Greek icons Rotting Christ decided to use this credo as the basis for their 11^th full-length release Κατά τον Δαίμονον Εαυτού (meaning ‘Do what thou wilt’).” Mister Crowley and Madam X are like two peas in a devil pod, so join her as she discusses the new opus from Greek black/death act Rotting Christ and all things sacrilicious.

Yayla – Nihaihayat Review

By Happy Metal Guy on February 26, 2013 in 1.5, 2013, Black Metal, Reviews, Turkish Metal, Black Metal, 11 comments

“Yay! Lament all you want, but your pricey earphones are going to be under-utilized by yet another primitive-sounding, one-man black metal project (why the heaven do these anti-social cavemen never go away? [Because FUCK YOU that’s why! – AMG]). Happy Metal Guy loves seeing people’s expensive listening gear go to waste on these pesky black metal records, but due to his nonexistent contract with Angry Metal Guy, he’s not really obliged to provide some kind of justification for why people ought to avoid this record.” By giving away that he already hates this record Happy Metal Guy has killed any possible suspense we could have built by blurbing him. I guess the best part of all of this was finding out that there’s a record company called Merdumgiriz Productions. Say that one five times fast.

Mortillery – Origin of Extinction Review

By Steel Druhm on February 25, 2013 in 2013, 3.5, Canadian Metal, Napalm Records, Reviews, Thrash Metal, Thrash Metal, 3 comments

“In the sea of mediocre re-thrash that was 2012, the unheralded debut by Canadian upstarts Mortillery was one of the few life rafts of quality. Murder, Death, Kill was tongue-in-cheek fun and had all the flavor of the second wave of ’80s thrash while incorporating just enough traditional metal and punk elements to keep things interesting. You could feel the youthful exuberance and hunger in the band’s music and they greatly benefited from the exception vocals of Cara McCutchen and the axe slinging acumen of Alex Scott and Alex Guitierrez.” Steel Druhm happily trotted out the skull tank of rethrash for 2012s Mortillery debut, and now they’re back with a follow-up! Will that tank start up again after sitting all year?

Hatriot – Heroes of Origin Review

By Steel Druhm on February 25, 2013 in Reviews, Thrash Metal, 16 comments

“As both the original vocalist for Testament and Paul Baloff’s (R.I.P.) replacement in Exodus, Steve “Zetro” Souza was certainly a big player in the original Bay Area thrash explosion. After leaving and rejoining Exodus several times and churning out a few Dublin Death Patrol albums with Chuck Billy, Zetro is finally in a band of his own and back to rethrash us like it’s 1986 all over again.” Want a bonus Exodus album? What about a really good Exodus album? Here it is. You’re welcome.

Thyrfing – De ödelösa Review

By Angry Metal Guy on February 24, 2013 in 2013, 3.5, NoiseArt Records, Reviews, Swedish Metal, Viking Metal, 6 comments

“Thyrfing might be one of Swedish metal’s ‘best kept secrets,’ an unfortunate moniker for any band. Having been around since the late ’90s and having released 6 full-length records through 2008, these Viking metallers have a history and deep respect in the scene – but not a ton of notoriety. As anyone who’s listened to pop radio should be aware, there is no direct correlation between notoriety and talent; while the former is great for those involved, the latter is better for fans and Thryfing produced 3 very well-respected records between 2000 and 2005 before going astray with 2008’s Hels vite following the departure of vocalist Thomas Väänänen. The band’s sound during that time developed, getting darker and less… well, let’s be frank about those keyboards… fruity.” Now that the band is releasing their second record with new vocalist Jens Rydén, Angry Metal Guy tells you whether or not these Swedish warriors have righted their longship.

Vreid – Welcome Farewell Review

By Madam X on February 23, 2013 in 2.5, 2013, Black Metal, Indie Recordings, Norwegian Metal, Rating, Releases, Reviews, Black Metal, 14 comments

“After the tragic, but remarkably metal, death of their vocalist, Windir was laid to rest in 2004. From its ashes came Vreid (“wrath” in Norwegian), which barreled onto the scene, knocking ten tons of shit out of listeners with machine gun riffage, under the command of ex-Windir bassist Hváll. Vreid have a black metal flavor that bears more than a few striking similarities to the misanthropic, war and history flavored style of Windir. Outside of that, Vreid have riff-heavy, black ‘n roll similarities to the likes of Carpathian Forest, some of the attitude and energy of Borknagar’s Universal album and a blend of the rocking grooviness of Sepultura and the more traditional and melodic elements of Taake, Koldbrann, Ragnarok, and middle earth’s own Carach Angren.” With a list of comparisons like that, you’d think it wouldn’t be possible for Madam X to get angry about this…

Darkthrone – The Underground Resistance Review

By Dr. Fisting on February 22, 2013 in 2013, 3.0, Norwegian Metal, Peaceville, Reviews, 16 comments

My esteemed colleague, Angry Metal Guy himself, wondered aloud if Darkthrone’s recent output was perhaps an attempt at trolling the entire metal community. It certainly does take a sick sense of humor to subject black metal fans to something like The Underground Resistance, and the band has made it increasingly clear that they’re not exactly taking this seriously. But beyond the shits and giggles, it’s clear that Darkthrone exists in a bizarre musical utopia, a world where Bathory, Amebix, Motorhead and Manilla Road are all of equal merit and metal cred. And if you’re unable to summon that kind of open-mindedness within yourself, then perhaps the joke truly is on you.