Symphonic Metal

Kull – Exile Review

By Eldritch Elitist on May 22, 2019 in 2019, Black Lion Records, Black Metal, English Metal, Reviews, Symphonic Metal, 93 comments

“In my three years with this blog, I have never had as much difficulty penning an introduction as with Kull’s debut record, Exile. This is not due to any conflicting feelings about the subject at hand; rather, I’m petrified of underselling just how monumentally special Kull is to me. Their existence is borne from the ashes of Bal-Sagoth, an English band that is a permanent staple of my listening rotation, and whose output fizzled out just before I stumbled upon them in 2008. Mind you, my ongoing affection for them does not stem from sentimentality or nostalgia.” Big Balls(agoth).

Tanagra – Meridiem Review

By Holdeneye on May 5, 2019 in 2019, American Metal, Power Metal, Progressive Metal, Reviews, Self-released, Symphonic Metal, Power Metal, Progressive Metal, Symphonic Metal, 50 comments

“”Bloat.” It’s a nasty word, and it’s hard to come up with situations in which bloating occurs in an enjoyable way. I’ve experienced severe abdominal bloating, the kind where you’d gladly trade your kingdom for a pressure-relieving fart. My mighty tire and hammer have been in storage since we moved several weeks back, so I’ve been dealing with the gradual bloating of my waistline and the subsequent struggles to squeeze my fat ass into pants that used to fit. I can even attest to the unpleasantness of having to move a bloated human corpse after it has baked in a sealed apartment for over a week in the summer heat. Yep, bloating seems to universally suck, but I’ll try to keep an open mind as my ears travel a couple of hours down Interstate 5 to review the bloated hour-plus sophomore album Meridiem from Portland, Oregon’s Tanagra.” If the pants fit….

Sinnrs – Profound Review

By Holdeneye on April 30, 2019 in 2019, Black Metal, Danish Metal, Death Metal, Extreme Metal Music, Reviews, Symphonic Metal, Black Metal, Death Metal, Symphonic Metal, 37 comments

“I still remember the first time that I heard King by Fleshgod Apocalypse. The mixture of over-the-top symphonic arrangements with death metal hit me hard, and it remains one of my favorite albums of the last five years (or more). I had heard the style before, but King was the first album that showed me what can truly be accomplished when a band nails the perfect ratio of these ingredients. I eagerly await the follow-up to that great album with hype and trembling, but I thought I’d distract myself by picking up Profound, the debut from Danish duo Sinnrs, in the meantime.” Fleshgod for filthy sinnrs.

Mist of Misery – Unalterable Review

By Dear Hollow on April 16, 2019 in 2019, Black Lion Records, Black Metal, Reviews, Swedish Metal, Symphonic Metal, Black Metal, 122 comments

“As I’m typing this, I’m staring out the window at a dead tree across the street. It may be past the start of spring, but much like a stereotypical black metal cover, cold dominates the sky and spring seems to have missed the memo. It’s perfect for some depressing tunes, and Mist of Misery’s fusion of symphonic black metal and depressive suicidal black metal fits the bill.” Winter is still here.

Silver Bullet – Mooncult Review

By Twelve on March 31, 2019 in 2019, Finnish Metal, Power Metal, Reaper Entertainment, Symphonic Metal, Power Metal, Symphonic Metal, 65 comments

“Who was your gateway band? The one that got you into metal, the one you blame for this obsession that never goes away? Mine was Nightwish; the idea that you could combine orchestral and metal concepts together swept me away completely, and for a while, symphonic metal was all I could listen to. Today, however, I only listen to the band rarely, and I believe the genre is sadly stagnated. But while navigating the depths of the promo bin, I found myself drawn to it once again and decided that my first ‘official’ review around here should pay homage to that exhilarating initial experience.” Cult of the Night(wish).

Meadows End – The Grand Antiquation Review

By El Cuervo on March 12, 2019 in 2019, Black Lion Records, Melodic Death Metal, Reviews, Swedish Metal, Symphonic Metal, Death Metal, Melodic Death Metal, Symphonic Metal, 82 comments

Sweden’s Meadows End has been pushing their symphonic metal wares on the world for over 20 years and across 3 full-length albums yet had surprisingly avoided coverage at this website thus far. Album four goes by the name of The Grand Antiquation (TGA) and features album artwork about which I am undecided: is it delightfully tacky or just tacky? Light / dark theme? Check. Angel / devil imagery? Check. Heaven / Hell setting? Check? Shotgun wielded in one hand Terminator-style? Check. It’s certainly eye-catching and perhaps an indicator of the unsubtle amalgamation of metal and classical housed within. But does it fall closer to Heaven or Hell?” Worse or better angels?

Yer Metal Is Olde: Nightwish – Oceanborn

By Kenstrosity on March 6, 2019 in 2019, Finnish Metal, Neo-Classical Metal, Power Metal, Spinefarm, Symphonic Metal, Yer Metal Is Olde, Neo-Classical Metal, 169 comments

“I was seven years old for most of 1999—the year Nightwish’s breakout record Oceanborn saw its worldwide release. It would be seven more years before I would finally encounter what constitutes one of the most exhilarating listening experiences of my life. Since Oceanborn dropped, scores of symphonic metal bands have made countless attempts to imitate it, yet each clone of this record since has failed spectacularly to match either its significance or its quality. Hence this little entry of mine into the annals of Yer Metal Is Olde.” Own the Night(wish).

Within Temptation – Resist Review

By Steel Druhm on January 29, 2019 in 2019, Dutch Metal, Reviews, Spinefarm, Symphonic Metal, Symphonic Metal, 147 comments

“The times they are a changing. Once not so long ago, Within Temptation was in the vanguard of symphonic metal, powered by the wonderful voice of Sharon den Adel. Early albums like Mother Earth and The Silent Force balanced dark moods with accessible songcraft, and though they were never a super heavy outfit, their overall style fit well enough in the metalverse. Over time their sound became more glossy and pop-centric, drifting closer and closer to alt-rock, culminating in the commercially grasping dumpster fire that was 2014s Hydra. Four long years have gone by without a followup, reinforcing the bad taste that album left behind.” Resistance is brutal.

Lemuria – The Hysterical Hunt Review

By Kenstrosity on January 14, 2019 in 2019, Belgian Metal, Black Metal, Massacre Records, Reviews, Symphonic Metal, Black Metal, Epic Metal, Melodic Black Metal, 149 comments

“It would probably surprise nobody to learn that my background as a metalhead began with symphonic metal. Somehow (read: through a series of ill-advised sessions of reckless YouTube binges) I discovered it during the early days of high school. Symphonic metal enlivened me and became my gateway into this marvelous metalverse. Today I return to that hallowed ground upon which my transformation manifested. Waiting there for me is Lemuria—a symphonic black metal band from Belgium, est. 1999—with their third epic The Hysterical Hunt.” Night hunt at the opera.

Lost in Grey – The Waste Land Review

By GardensTale on January 9, 2019 in 2019, Finnish Metal, Reaper Entertainment, Reviews, Symphonic Metal, Folk Metal, Power Metal, Symphonic Metal, 61 comments

“Another year, another Nightwishcore, one is tempted to think at the sight of Lost in Grey. At this point, I’d be mighty tempted to make a template review and merely swap names and album titles out for the most homogeneous sound in the business. Efficient reviewing for 2019! Or it would be, if Lost in Grey had not unleashed the first major musical upset in my worldview of the year with their sophomore album The Waste Land: it attempts something different with the style!” Bombast in the borderlands.