“Upon learning that Norwegian newcomers Reptilian were peddling a “unique and twisted form of Death Metal” on their debut Perennial Void Traverse, I gritted my teeth and prepared for the boring hipster “soundscape” that was to greet my ears when I hit play.” But you won’t believe what happened next!
“Ah, April. The air is crisp, the baby animals are frolicking – and apparently, the Swedish Crust Machine has gone into overdrive. For those who didn’t get enough of a D-beating from Victims’ latest album, Parasit is here to belch a layer of grime and bathroom scum all over your precious springtime paradise with sophomore LP A Proud Tradition of Stupidity.” Where did all this shaving flotsam come from?!
“British heavy metal forefathers Diamond Head are best known for their debut album, 1980’s Lightning To The Nations. That album rightfully earned them a cult following due to its bombastic metal-via-Zeppelin riffage, and its classic status was cemented when 5 of the album’s 7 tracks were covered by a certain San Francisco quartet called Metallica. For most people, the story ends there, but Diamond Head went on to endure several decades of lineup changes, mismanagement, and questionable musical direction.” And now for the rest of the story.
“Sometimes you’ve just got to sit back and appreciate simplicity. The first lyric here is “Retrogore!” The first non-introductory song is “Retrogore.” The album is Retrogore. Hell, Aborted is retrogore. There’s no other band more deserving of such a title. Their songs are filthy, dripping with the viscera of whichever woman they’ve just verbally brutalized, and their activity now spans over 20 years.” Violence is now in session.
“Goats and metal go together like macaroni and cheese or beer and pretzels. These mischievous grass munching fiends have shared a long affiliation with the dark arts, Satan, generalized evil and of course, heavy metal. Plus they have really cool-looking skulls and boast a strong track record of being paired up with various complimentary descriptors in the metal band name stakes. Sweden’s Goatess is another band raising their horns to goats, returning with their second full-length platter, Purgatory Under New Management.” Don’t rock the goat!
“Pantera gets a bad rap these days. It’s understandable — their redneck/confederate shtick has made them look ignorant and racist in retrospect, an image that certain former members are not doing a whole lot to improve. Musically speaking, Pantera have influenced entire generations of bands that are fucking terrible, tarnishing their legacy even further. But back in The Day, Pantera were nothing less than gods to us young headbangers; the heaviest thing short of death metal, and certainly a gateway drug to more extreme subgenres.” Cowboy up!
“German duo Mantar stormed the underground, cracking skulls and galloping to glory with their scorching debut album, Death by Burning in 2014. Fusing raucous black metal with spiteful sludge and doomy slogs, Mantar’s punked-up energy, fuck-the-world attitude and an abundance of primal riffs and gnarly hooks kept me gripped and hungry for more. On the back of the album Mantar deservedly scored a deal with Nuclear Blast for the anticipated release of the all important sophomore album. So with the big wigs behind them, can Mantar deliver on the considerable promise they displayed first time round?” So much buzz!
“Those who have malingered around this site for a few years may recall the name Boudain. They were one of the contestants in AMG’s infamous Unsigned Band Rodeo of 2013. Now in 2016 they get the added distinction of being the very first of those involved to send us a promo for an actual full-length album (though they’re still unsigned).” Go pig or go home.
“I’m not particularly invested in movies, but Danny Boyle’s Sunshine is one I recommend; an unlikely but enticing story of a handful of astronauts on a mission to restart our dying star. It has a compelling atmosphere, a beautiful minimalist score, and portrays scientists, for the most part, as real and diverse people – something that films rarely accomplish. Zealotry seem to like it as well.” Progressive death is always a ray of sunshine.
“Harsh and fairly abstract genres such as drone, noise, and left-field black metal are conceptually subtle, fragile things that require a careful balancing act to pull off properly. There are two ways that successful bands do this. One group of musicians immerses itself fully into the abyss of extremes, slowing down tempos to the point of near immobility and amplifying texture beyond thresholds of painful saturation (Sunn O)))). The other group carefully crafts concoctions that are ultimately dynamic in their repetitiveness and cohesive in their chaos (Aluk Todolo). Belgian four piece Alkerdeel belong to the latter.”This high-wire act is about to get real.
