Fear Factory – Genexus Review

Fear Factory – Genexus Review

“When it comes to turning an extremely limited sound into a career spanning decades, Fear Factory stands alone (or with AC/DC). And as we approach the 20th anniversary of their “cyber metal” style and reflect on how heavily the band utilized themes of technological advancement, artificial intelligence and mutation, the irony of how little their approach has “evolved” should be obvious even to the most Neanderthal of metal fans.” Fear Factory is back to single-handedly disprove all your fancy theories of evolution and kick circuit boards in your face.

Trials – This Ruined World Review

Trials – This Ruined World Review

Trials’ lucky third record—This Ruined World—poses a problem. It is a unique, modern thrash album—and I don’t mean -core, seriously—with few peers and little grounds for reference in 2015. And Trials has been growing into this for some time. While I enjoyed the debut album Witness to the Downfall, I was floored by 2013’s In the Shadow of Swords, which hit the #3 spot on my Top 10(ish) of 2013, and which still ranks as one of the best records I’ve heard in the last 5 years. So This Ruined World comes with a world of expectations, so to speak.” Goddammit. Expectations can only lead to disappointment. Or can they…?

Year of the Goat – The Unspeakable Review

Year of the Goat – The Unspeakable Review

“It wasn’t very long into Year of the Goat’s sophomore effort, The Unspeakable that I was asking myself, “self, is this the second coming of Ghost?” The answer is no, since that happens next month and it’ll be their third coming (or two and a half since I didn’t care much for Infestissumam), but this here platter certainly has a lot of similarities to the goods provided by those mysterious masked ghouls.” Boo!

Pissgrave – Suicide Euphoria Review

Pissgrave – Suicide Euphoria Review

“Yes, a band called Pissgrave exists and yes, that’s a very dead human being on the cover. Fifteen year old Diabolus is really stoked about how edgy this whole thing is, but much older than fifteen year old Diabolus is fairly aloof about this whole ordeal. While they’re not dressed as pirates, this is nonetheless quite gimmicky.” It always comes back to pirates with this guy.

Lamb of God – VII: Sturm Und Drang Review

Lamb of God – VII: Sturm Und Drang Review

“As post-Pantera flagbearers for delivering modern American metal to the masses, Virginia’s Lamb of God has garnered similar levels of commercial success and popularity while keeping their heads above water as their profile has snowballed. Even in the face of inevitable detractors, Lamb of God’s workmanlike dedication and impressive work ethics on the road has firmly established the divisive veterans as one of metal’s most (commercially) adored and successful bands during the post-millennium era.” Is this a new beginning or the Lamb of La Mancha?

Perversor – Anticosmocrator Review

Perversor – Anticosmocrator Review

“Chilean metal miscreants Perversor have unfortunately created what will likely become yet another “left by the wayside” album on their second full-length, Anticosmocrator. Not a confidence-inspiring start to a review, but let’s count the ways, shall we?” But things may get better if you think happy thoughts.

Kataklysm – Of Ghosts and Gods Review

Kataklysm – Of Ghosts and Gods Review

“In Quebec, a delicious golden ale called La Fin Du Monde has been brewed for over twenty years. It’s potent by regular beer standards, sitting at about 9% alcohol. The first time I tasted it I was with numerous smart people in a pub, and as soon as I took one sip I knew this would be a beer I’d have a long and happy drinking relationship with. Quebec has also seen the production of Kataklysm material for over two decades now, and my first time hearing them via Serenity in Fire’s “As I Slither” yielded similar results.” Let the ale flow and the death play.