Ambassador Gun – Tomb of Broken Sleep Review

Ambassador Gun – Tomb of Broken Sleep Review

““Awesome, more grindcore, I love reviewing grindcore!” I thought when the AMG carrier pigeon delivered this record to my PO box the other week. Then I became concerned for the state of my memory, because I haven’t ever reviewed any grindcore. I also don’t remember Steel Druhm or Madam X implementing a carrier pigeon-based promo distribution system, but at least that explains where all those record label bribes have gone to. Training good pigeons ain’t cheap you know.” The eagle has landed. I repeat, the eagle has landed!

Milking The Goatmachine – Goatgrind Review

Milking The Goatmachine – Goatgrind Review

“Joke bands have never really been my thing. While I love groups like Cannabis Corpse and find their puns chuckle-worthy, it’s the riffs, not the mildly amusing weed references, that keep me coming back. That said, when an album called Goatgrind by Germany’s Milking the Goatmachine showed up in the AngryMetal promo list, I made a special exception.” Don’t ask him why.

Prowler – From the Shadows Review

Prowler – From the Shadows Review

“Quite the cover, eh? And if that doesn’t tip you off that things are heading straight for Tongue-in-Cheek Town, perhaps it’s time for new trifocals. And the artwork accurately reflects what you get from Prowler – a lunkheaded troupe of retro metallers with a disturbing fetish for 80s metal and cheesy horror (also from the 80s).” This will pair well with a viewing of Night of the Comet.

Defect Designer – Ageing Accelerator Review

Defect Designer – Ageing Accelerator Review

“Russian tech-death machine Defect Designer had an interesting couple of years since their 2009 debut, Wax. Bassist, guitarist & vocalist Dmitry Soukhinin decided to relocate from the Russian city of Novosibirsk to the much-easier-to-pronounce Olso, Norway, taking everything but his band with him. To help round out his recording line-up, Dmitry enlisted members of SepticFlesh, Trollfest, and Cryptopsy to aid in recording what would become the oddly spelled Ageing Accelerator. Now, you would think that having people from the aforementioned bands perform for your record would have the masses salivating for progressive tech-deathy goodness, and in words on a screen, it does look inviting, doesn’t it?” So where’s all the drool?

Svärta – Sepultus Review

Svärta – Sepultus Review

“Oddly enough, when I was dropped Svärta’s Sepultus, I immediately thought of last year’s debut from Madmans Esprit. Not that the Swedish black metal outfit is completely comparable to the gothic/black metal band from South Korea, but they share their love for disrupting standard black-metal frenzies with perfectly executed transitions of melody and pure sadness.” Sad boy black metal? Let’s kick sand on it!

Immortal Bird – Empress/Abscess Review

Immortal Bird – Empress/Abscess Review

“Anyone passingly familiar with the Chicago metal scene in the past few years will have at some point encountered Immortal Bird. In Dr. Fisting and my neck of the woods, they’re one of the better groups to grace the dingy ex-speakeasies and frostbitten holes-in-the-wall. Their tight live performances do their sludgy, blackened death metal great justice and a full-length release has been awaited for a while in la casa de Kronos.” La casa de Kronos has a big old birdbath.

Yer (Not Quite) Metal is Olde: Agents of Oblivion – Agents of Oblivion

Yer (Not Quite) Metal is Olde: Agents of Oblivion – Agents of Oblivion

“Drunk drivers fucking suck. On January 23, 1997, Acid Bath bassist Audie Pitre and his parents were killed by one who blew through a stop sign, ending one of the most creative sludge bands in the history of metal music, let alone in the New Orleans, Louisiana music scene. On a more personal note, it also ending one of my all-time favorite bands.” But at least there was a small silver lining.

Dysentery – Fragments Review

Dysentery – Fragments Review

“If you’re a trve olde fan of AMG, you probably remember when the scores used to be at the top of the review alongside an amusing blurb. While I prefer the current format, it’s moments like these where I miss the ways of olde because our editors would’ve had a field day with Boston metal band Dysentery’s latest record Fragments.” Yes, yes we would.