Gorelust – We Are the Undead Review

Gorelust – We Are the Undead Review

“One of the most interesting consequences of the old-school death metal revival is the chance to hear what we all missed the first time around via myriad re-releases of rotting relics buried by time and dust. Naturally there are weak links that should’ve stayed forgotten, but Quebecois death metal band Gorelust’s 1995 debut Reign of Lunacy deserved its ungentle exhumation.” Back from the dead and still French-Canadian.

Heaving Earth – Denouncing the Holy Throne Review

Heaving Earth – Denouncing the Holy Throne Review

“I’m always up for hearing music from bands who are pushing envelopes, crafting daring, original soundscapes of sheer genius that leave people slack-jawed and awestruck, inspiring young, budding musicians to pick up an instrument and pay homage to their ancestors. Morbid Angel was (at one point) one of those bands.” If you’re going to mimic someone, old Morbid Angel isn’t a bad way to go.

Dead In The Manger – Cessation Review

Dead In The Manger – Cessation Review

“Not much is known about the mysterious entity Dead in the Manger. And by not much, I mean virtually fucking nothing. The band choose to remain anonymous for whatever reason, perhaps due to the overwhelming fame and fortune that comes with life in an underground band playing extreme metal.” Another band trying to be mysterious and kvlt. They’re only here so they don’t get fined.

Record(s) o’ the Month – January 2015

Record(s) o’ the Month – January 2015

Now that the Jørnbellion has been crushed, Angry Metal Guy can finally get around to doing what he does best: telling you what to listen to. So here’s AngryMetalGuy.com’s very first Record(s) o’ the Month for 2015 and you’ll notice that they’re even (gasp) on time! Come, take a gander, and find out why your favorite album of the month didn’t make our list.

Things You Might Have Missed 2014: Idylls – Prayer for Terrene

Things You Might Have Missed 2014: Idylls – Prayer for Terrene

“I once had a roommate who assured me Converge was “really just noise.” At one point in his life he had played guitar for a metal band, so my naïve young self believed him. My surprise when I finally listened to Jane Doe and was blown away by the sheer emotion inherent in the spastic, ballistic dissonance. Idylls have much the same thing going on – traditional melody is eschewed, and at times, it does sound like four guys trapped in a room trying to make as much commotion as possible.” Bring forth the noise room!