Record(s) o’ the Month – February 2014

Record(s) o’ the Month – February 2014

“I think we can all admit January was a less than spectacular month for metal. There were some solid albums, but no big, slobberknocking titans of terror. Lest we fear 2014 would be another off year, February came and kicked our collective asses with one huge release after another. This naturally led to internal strife at AMG over what album deserved the top spot and let’s just say, tempers flared and dishes were thrown (I’ve long been an advocate of removing all dishes from the AMG office). Now that decisions have been made, china has been broken and feelings bruised, we deliver to you the sweet, tangy fruits of our labor.”

Massacre – Back From Beyond Review

Massacre – Back From Beyond Review

Massacre holds a special place in the annals of American death metal. They were one of earliest true death metal bands, and along with Death, they started the infamous Florida death metal scene. Hell, original vocalist Kam Lee is even credited with inventing the death metal growl! At one time or another, members of Obituary and Death passed through their ranks and though they released a series of highly influential demos like Aggressive Tyrant, their plans to release a debut album in 1988 were hamstrung when Terry Butler, Rick Rozz and Bill Andrews all jumped ship to record Death’s immortal Leprosy album instead.” The co-originators of American death metal are finally back from beyond with a new album. But should we seal the portal from whence they came?

Yer Metal is Olde:  Samael – Ceremony of Opposites

Yer Metal is Olde: Samael – Ceremony of Opposites

We at AMG have a sense of history and like to think we’re in touch with metal’s ancient lore (kindly refrain from jokes about Steel Druhm’s age). With that in mind, we thought it might be fun to highlight notable albums released between twenty and thirty years ago in a new feature we call…YER METAL IS OLDE! First on the geriatric block is Samael’s evil classic Ceremony of Opposites, released way back in the halcyon days of 1994.

Shores of Null – Quiescence Review

Shores of Null – Quiescence Review

“Swimming among an overcrowded sea of retro-thrashers, tech-death wankers, and sweepy-haired shoegazers playing post-whatever-the-fuck-the-flavor-is-this-week, there’s a band from Italy that’s looking to Finland and Seattle for the inspiration behind their début, Quiescence. Shores of Null may be a brand-spankin’-new band, but they are looking to capture your attention in pretty interesting ways. And they succeed to a degree.” Grymm just might have stumbled on something interesting here.

Aurora Borealis – World Shapers Review

Aurora Borealis – World Shapers Review

“From palpable obscurity, tumultuous streams of glory gushed, ten thousand thousand rainbows rushed and reveled through the boundless sky, in jousting, flashing radiancy.” That was David Vedder’s description the Aurora Borealis back around the 1800s, and today it remains a fitting description of these Maryland-based blackened death metallers that deliver a brand of bludgeoning melodicism reminiscent of Carcass and Morbid Angel.” Madam X shakes off the oppressive yoke of black metal to review…blackened death metal. No wonder she’s so dark of demeanor!

Twilight – III: Beneath Trident’s Tomb

Twilight – III: Beneath Trident’s Tomb

“It’s easy to be skeptical of the US black metal super-group Twilight. Perhaps the only one of its kind, this ever-changing collective has included key players from Leviathan, Draugar, Xasthur, Nachtmystium, Krieg, Isis, The Atlas Moth, Minsk, and, as of this year, Sonic Youth. As one might imagine, the results have been polarizing among listeners, and with their third (and final) release III: Beneath Trident’s Tomb, Twilight has elected to go all out with a fantastically idiosyncratic record.” J.F. Williams is throwing around terms like perversely groovy and bizarre and disjointed. Does this spark your interest? Read on!

Epistasis – Light Through Dead Glass

Epistasis – Light Through Dead Glass

“Imagine that you mated Gorguts and Dodecahedron and left their bastard progeny on the doorstep of The Ocean. By the time Light Through Dead Glass flies out the F1’s mouth, nature and nurture have taken their course in shaping their grubby offspring. Passed down from their father are incoherent shrieks and furious black metal riffs, complementing the intricate bass lines and scintillating guitar tone contributed by their mother. Both parents passed on the recessive atonality and strangeness alleles, and somewhere along the line a mutation occurred giving rise to the novel trumpet player feature. Despite Epistasis’ breeding, their adopted parents have taught them some manners, instilling upon the young band a sense of melody and introspection. With such a colorful bouquet of attributes, Epistasis is an impossible specimen to miss in a screen, even for the amateur metal geneticist.” In our ongoing quest to marry ivory tower academia with metal analysis, here’s Kronos discussing insect genetics and their relation to progressive and black metal. Huh?

Vanishing Point – Distant is the Sun Review

Vanishing Point – Distant is the Sun Review

“It seems I don’t get to review power metal all that much these days, though it was one of the reasons I was originally recruited by AMG in the first place (my official title was Assistant Chief Power Metal Weenie). Instead, it’s Rogga Johansson this, retro death metal that, yadda yadda yadda. Maybe that’s why it feels so refreshing to hear some genuinely solid power-prog from long running Aussie act Vanishing Point.” Steel Druhm takes a short break from reviewing Rogga Johansson projects to enjoy some prog-power. Feel free to join him.

Die Choking – Die Choking Review

Die Choking – Die Choking Review

“The way Die Choking bursts out of your speakers, gnashing its angry yellow, plaque covered teeth at your throat, they have me wondering whether to skip the intro and dive straight into the heart of the review… well almost. Philadelphia based Die Choking are on the verge of releasing the first vinyl press of their début, 5-track, self-titled EP and with it comes a crust-based grindcore sound that harkens to the very early days of Napalm Death and at the same time worships the sacred ground walked by Nails. ” Madam X delves into some ugly grind in a very…revealing review.

Retro-Spective Review:  Anacrusis – Screams and Whispers

Retro-Spective Review: Anacrusis – Screams and Whispers

“I get sad when bands don’t get their just due. I get sadder when I find out about that band after they had disbanded. One fateful night in 1993, I was watching MTV’s Headbangers Ball and caught a video of “Sound the Alarm” by St. Louis, Missouri’s progressive thrashers, Anacrusis. From what I’ve read online, “Sound the Alarm” was played once and only once on that show, and it was after the band had called it quits earlier that year. I was fortunate enough to be floored by that song.” Join Grymm as he shines a light on a truly under-appreciated metal treasure.