Leaves’ Eyes – Njord Review

Leaves’ Eyes – Njord Review

Fame has its benefits. Getting signed immediately after you leave/get fired from your other band is one of those things. Of course, the inevitable problem with fame is that no matter how far away from what you got famous for, you will always be compared to it. And for me, Liv’s voice will live on forever in Theatre of Tragedy’s classic album Velvet Darkness They Fear. Leaves’ Eyes is not Theatre of Tragedy and Njord is definitely not Velvet Darkness They Fear, and while it doesn’t need to be that album all over again for me to like something she’s done, I know it can be better than this.

Angry Metal Guy’s Playlist August 22nd – August 29th

These last couple weeks have been pretty crazy for this Angry Metal Guy. I’ve moved south from the fair city of UmeÃ¥, to the much bigger (and arguably fairer) city of Uppsala. While I miss Norrland, I do have to say that I’m quite enjoying certain aspects of the student culture in the city of […]

Amon Amarth – The Crusher (Reissue) Review

Amon Amarth – The Crusher (Reissue) Rating: 4.0/5.0 (Record) – 3.0/5.0 (Reissue) 4.5/5.0 (Live Record) Label: Metal Blade (EU | USA) Website(s): myspace.com/amonamarth | amonamarth.com Release Date(s): USA: 09.01.2009 | EU: 28.08.2009 Amon Amarth is on top of the fucking world right now. The Thor’s Hammer is the new pentagram and every kid is hailing […]

Havok – Burn Review

Havok – Burn Review

How could Havok be anything but thrash? One doesn’t even have to listen to the band to get an idea of what they sound like when one looks at the coloration and logo of the band’s debut album: Burn. And Havok truly lives up to their predecessors, need I name them? Kill ‘Em All era Metallica, Testament, and so forth.. actually, these guys sound like a re-birth of America’s most famous metal scene of all time: the bay area thrash scene.

Threat Signal – Vigilance

Threat Signal – Vigilance

Three years after their initial release, after being a true Internet success story, Threat Signal is back with a new album called Vigilance. I never got to review the first album, and I must admit that this style is a little bit too sugary sweet for my tastes, but I was pleasantly surprised with what I heard contained within the borders of Vigilance: a band comfortable in their own shell, producing music that skates the fine line between pop metal, metalcore and thrash. This record is sure to bring delight to those among us who aren’t fans of the more heavy hitting, brutal or technical things that are flooding the market these days.

Guilt Machine – On This Perfect Day

Guilt Machine – On This Perfect Day

The modern hero of the progressive rock concept album (that’d be Arjen Lucassen for those not aware) is back with a new project called Guilt Machine and this time, it doesn’t take place in space! I think he’s making steps forward, frankly, because I’ve had some previous experience with Arjen Lucassen. I was never a fan of Star One or Ayreon, despite the fact that many fans of both seem to have objected to many of my critiques. I’m a fan of concept albums, but I’m also a fan of consistent vocals, good melodies and non-embarrassing lyrics: things that do not describe Mr. Lucassen’s past work, in my opinion. Fortunately for the progressive rock/metal world, he’s made up for this with the highly excellent Guilt Machine.

Hackneyed – Burn After Reaping Review

Hackneyed – Burn After Reaping Review

Hackneyed is a bunch of kids. That, apparently, is the selling point for this band. Do not be fooled, you should not buy an album because it’s 16 year-olds who made that record. That’s retarded and should be avoided. That said, Hackneyed should probably be checked out by you for another reason: while the record starts out slowly, Burn After Reaping turns out to be a very good.

Ravage – The End of Tomorrow Review

Ravage – The End of Tomorrow Review

Certain styles are, and should remain, dead. There was a breed of melodic thrash metal, primarily propagated by Germans (a la Helloween) that should now be left to die. Now, I want to be fair, much of that music has transformed into Europower, which has some great bands in it. The style isn’t entire lost or dead, but one thing should be made clear: the bands that kept it alive are bands that did something new with it, that made it their own and that could be distinguished from the masses. None of these things actually describe Ravage or their new album The End of Tomorrow.

Shroud of Despondency

Shroud of Despondency

Frankly, I’m surprised that I hadn’t heard much more of this stuff earlier. Back in the day when I was in my old band, we played a show up in the UP (a link, for those who don’t know) where we came in contact with a really great band (whose name I cannot remember for the life of me) which contained a very great guitarist (whose name I can remember, Rory Heikkila). Long story short, said band doesn’t exist anymore, but that guitar player has relocated from the boonies to Milwaukee, Wisconsin, where he currently is producing some pretty fucking amazing black metal. If you’re into depressive black metal, you should definitely check out the first full length from this project For Eternity Brings No Hope (be prepared for some pretty low-fi recording, but there’s some seriously good shit on this album, the album was sold out, but is now available via mp3 here).