2010

Ov Hell – The Underworld Regime Review

Ov Hell – The Underworld Regime Review

The Gorgoroth debacle over the last couple of years has definitely left me very confused. See, I thought it was King (ov Hell) who was doing the majority of the writing on the later Gorgoroth stuff, which was some of the best, most extreme and interesting black metal that was going on over the last few years (that wasn’t deep, deep underground). Since Twilight of the Idols, Gorgoroth had a total monopoly on black metal extremity and just plain fucking evil. When QPAST was released, it was clear that it was not that modern Gorgoroth anymore and so I assumed that God Seed, and then after that fell apart, Ov Hell would be the thing that continued on the path that Gorgoroth had taken. The left hand path, if you will allow me such blatant silliness.

Through the Eyes of the Dead – Skepsis Review

Through the Eyes of the Dead – Skepsis Review

I have been admittedly absent when it comes to much of the deathcore & metalcore trend that has moved into metal in the last decade. Honestly, it’s just been a style that I never really understood and that oftentimes felt like it wasn’t as straight-up metal as I wanted from my extreme metal. I had some major issues with it partially just because labels started flooding their rosters with it, despite it not being that interesting. Also, there are some production styles that were brought into the genre by “core” bands, particularly the drum sounds, that I really don’t like. And partially this is due to my deep distaste for the breakdown as an institution in metal. I don’t listen to hardcore for several reasons and one of them is the breakdown. I don’t think breakdowns are interesting or heavy and their usage in metal has long been of serious frustration to me. So let me say in all honesty, I wasn’t expecting much of the record Skepsis, the third album from deathcore pioneers Through the Eyes of the Dead.

Arsis – Starve for the Devil Review

Arsis – Starve for the Devil Review

In the new wave of technical, fast, melodic death metal bands that have been coming out in the last few years Arsis has stood alone with its professional blending of melodic death, technical death and thrash. Basically an instant success story from their first CD A Celebration of Guilt, the band has gone through a lot of line-up changes and has been out there pretty much consistently since their break in 2004. Starve for the Devil follows on the heals of 2008’s We Are the Nightmare and there are a lot of expectations to be met and surpassed with this new album.

Rage – Strings to a Web Review

Rage – Strings to a Web Review

When I was in my big power metal phase, which I guess would’ve probably been around 2000/2001, I stumbled upon a Rage CD in a great used CD store that I used to go into all the time (those were the days). I thought for sure it was going to be great just from looking at it. Turns out… not so much. I don’t recall hating a record more than that one. I thought it was a major pile of shit. I’m pretty sure it was the record XIII, but I can’t be sure as it was sold away a long time ago. Needless to say I wasn’t even a little bit excited when I received this record. I was fully expecting this record to be totally crap.

Finntroll – Nifelvind Review

Finntroll – Nifelvind Review

I remember the first time I ever got to hear Finntroll. It was shortly after Jaktens Tid had been released and it absolutely blew my mind. It was like the most ridiculous thing I’d ever heard: oompah and metal, all tied up in one over-the-top packaging, complete with joik! Many have approached Finntroll as though they’re a joke band, but honestly since Nattfödd, they have been a very serious band in my mind. They took it to the next level with Ur Jordens Djup, which was as dark as anything the band had produced up until this point. And honestly, I don’t think a lot of fans were sure of what to expect next from these Swedish speaking Finns. The answer to that question is Nifelvind… which may be Finntroll’s finest record yet.

Blaze Bayley – Promise and Terror Review

Blaze Bayley – Promise and Terror Review

I must say that, if you don’t already know this, I have been anticipating this record since I heard of its release. Sure, things have been busy around here, but I even managed to slip in a few listens to the record in spite of the heavy schedule of listening that I’m forced to adhere. Written and recorded in the aftermath of one of the most terrible tragedies in Blaze’s life, and really in the life of a neophyte band trying to break its way into the music scene on the strength of independent promotion and raw, hard work, and non-fashionable music, Promise and Terror has the chance to show the medal of this band and to testify to the absolute spine of one Blaze Bayley. While The Man Who Would Not Die was a record that was written in the face of the adversity from the outside world and sounded, frankly, like a big aural “fuck you” to all uninterested parties, Promise and Terror has a different role to fill.

Sigh – Scenes From Hell Review

Sigh – Scenes From Hell Review

Let me start with the a territory that isn’t very comfortable for many in heavy metal: orchestrations. Heavy metal has seen many variations on the classical orchestration in many different subgenres. Neo-classical metal, like the wanky stuff with Yngwe or Symphony X, has long bragged about the influence of baroque and classical music. Bands like Rhapsody of Fire and Epica do things that sound like they should be straight out of a movie score and black metal even has a symphonic sub-genre, most notably filled by Dimmu Borgir, whose symphonics have gone over the top in the last few years with the addition of Mustis (though we’ll see what happens now that he’s gone). Never before in my tenure of heavy metal listening have I heard orchestrations used in a black metal record to such effect as they have been used on Sigh’s new record Scenes from Hell.

The Kandidate – Until We Are Outnumbered Review

The Kandidate – Until We Are Outnumbered Review

The Kandidate wasn’t what I was expecting. Like a mix of thrash metal and Agnostic Front, these Danish metallers have produced an album to which I am utterly blase. As Angry Metal Guy, it is my job to have really strong opinions about things one way or another, but instead I listen to this album and I just.. don’t hear much that I want to come back to. On the other hand there’s not much to dis. It’s just an all-in-all mediocre record by a band I’ve never heard before.

Overkill – Ironbound Review

Overkill – Ironbound Review

“Overkill is still around?” That was my first thought when I received this promo. See, this band is definitely a part of my childhood, being a huge a fan of the record I Hear Black when I was at the tender age of 11, but they were never a band that I ever followed with any religiosity. No, Overkill never managed to make it into my early thrash pantheon, despite the fact that I remember loving that album. So it was with great interest that I put on this album, not really know what to expect at all given everything. I mean, it’s been a lot of years and bands, in general, do not age well. And, after asking around, I’d heard that Overkill hadn’t aged very well, either.