2021

Arogya – Genesis Review

Arogya – Genesis Review

“Sometimes you see something so oddball in the promo sump, all you can do is roll the dice of fate and grab it. When I saw that Indian act Arogya billed themselves as 80s-centric “synth-rock” with metal influences, I simply couldn’t pass up what was sure to be a steaming dumpster fire of colliding genres and styles. Add to this the band’s image, which sits someplace between Crimson Glory and Slipknot and you have quite the promotional package waiting to hit the world like a frozen bratwurst.” You can’t spell Arogya without AOR.

Spectral Lore – Ετερόφωτος Review

Spectral Lore – Ετερόφωτος Review

“It’s no secret that I was a huge admirer of the 2020 Spectral Lore / Mare Cognitum split, Wanderers: Astrology of the Nine. Like an elaborate dance, the ethereal material from Spectral Lore waltzed perfectly with the more grounded, riff-driven focus of Mare Cognitum. I was fascinated to see how each band would follow this with their respective solo albums. Mare Cognitum clearly incorporated the introspective, mournful influence of Spectral Lore to great effect on Solar Paroxysm. The question was how Spectral Lore mastermind, the Greek Ayloss, would approach his latest collection, Ετερόφωτος.” Tales from the basement (sub-floor lore).

My Refuge – The Anger Is Never Over Review

My Refuge – The Anger Is Never Over Review

“Following a distinctly cheese-less 2021, I decided to cherry pick something smelly. A promo surfaced, bearing both the words “Italian” and “power.” Perfect. However, and disappointingly, a deeper dive into the one sheet showed that this is only four eighteenths of the story; although the founder and main man is indeed Italian, the core band comprises a Spaniard and a German, with a further 15 contributors from across the globe, covering Czech Republic, Turkey, Canada and Venezuela, among others. My Refuge and their second full-length release entitled The Anger Is Never Over takes international to the next level but is it good? Is it cheesy?” No sanctuary from the anger.

Malformity – Monumental Ruin Review

Malformity – Monumental Ruin Review

Malformity have been lurking around the American death metal scene since 1991, dropping their first demo in 95. It took them until now however to finally get their debut full-length out of the dark and into the light. Generally such a low wattage release schedule speaks to a band’s overall quality and a 30 year inability to produce is a big fat red flag. Though the band’s been prodigiously unproductive up until now, I noticed Glenn Sykes of General Surgery and Regurgitate fame was on board, so I took a risky flyer and grabbed the promo.” Cautionary titles.

Paysage d’Hiver – Geister Review

Paysage d’Hiver – Geister Review

Paysage d’Hiver is an act with no need for introduction, but I have a word count to meet, so here it is: Paysage d’Hiver is a black metal act from Schwarzenburg, Bern, Switzerland, consisting of sole member Wintherr (also of Darkspace). Technically, Geister is the act’s second full-length, but he’s been cranking out music for twenty-four years.” Right in the Geister!

Betrayal – Disorder Remains Review

Betrayal – Disorder Remains Review

“You might not necessarily think it based on how often I laud cheese-wielding power metal enthusiasts, but every once in a while, I enjoy diving into the catalogue of bands whose primary function seems to be inducing catastrophic rage into the listener, taking them down an inescapable path of unfathomable destruction. It was in hope of this particular catharsis that I began listening to Disorder Remains, the sophomore release from German death metal band Betrayal. Betray the remains.

Crypts of Despair – All Light Swallowed Review

Crypts of Despair – All Light Swallowed Review

“The album title, the artwork, the music—it all fits the image of a virulent black cloud looming over an entire world, extinguishing the sun and stars only to then extinguish the life of all that is flesh and bone. Catastrophic riffs swirl through murky depths spattered with trem-picked abrasions, retched guttural emanations gurgle alongside bloodcurdling shrieks, and the world around them disintegrates amongst the falling ash as is their will. Lithuania quartet Crypts of Despair deals in the kind of metal that is not to be survived.” Grave new world.

Endseeker – Mount Carcass Review

Endseeker – Mount Carcass Review

“When I pluck a festering slab of death metal from the fetid pit that is our promo sump – a rare enough occurrence for me – the last thing I expect to be presented with is a political message. No doubt those more learned in the ways of death, will point me in the direction of many a OSDM band that deals in heavy politics but my brain does not connect the genre with current affairs. Hamburg, Germany’s Endseeker, however, do just that on their third record, Mount Carcass.” Death in the news.

Bewitcher – Cursed Be Thy Kingdom Review

Bewitcher – Cursed Be Thy Kingdom Review

“I’ve given out a 4.0 or twenty-one in my time, but this is the first time that one of 4.0ldeneye‘s highly 4.0nored 4.0nies returns 4.0me for yet another s4.0t at glory. Just under two years ago, Portland, Oregon’s Bewitcher released Under the Witching Cross, their sinister sophomore platter of blackened speed metal tunes, and I still haven’t been able to locate my socks after the resulting off-blowing. That record was oozing with attitude, and every track was a killer. I was stoked to hear that the band had been picked up by Century Media for follow-up effort Cursed Be Thy Kingdom.” Cursed by great expectations.