2022

Grave Infestation – Persecution of the Living Review

Grave Infestation – Persecution of the Living Review

“There’s a very particular set of sounds one expects to hear when spinning an album by a band called Grave Infestation. You certainly don’t go in looking for polish or subtle compositional finesse. With all that fully known, I was still surprised by just how raw, nasty, and grisly the music was that hit me upon diving into Persecution of the Living. As the band’s debut offering, it’s quite the ferocious death statement, stitching together the rotting carcasses of Autopsy, Obituary, Consuming Impulse-era Pestilence, and Hellhammer. Upon this wretched rock they build their evil church, layering eerie atmospheres and coating it all in noxious, scabby murk, and the result is sub-basement tier old school death loathsome enough to curdle fresh moonshine.” Grave yourself.

Interview with Project: Roenwolfe’s Alicia Cordisco

Interview with Project: Roenwolfe’s Alicia Cordisco

“On a video call from Tucson, with her playful dog Kansas and a huge Visigoth poster in the background, Alicia Cordisco filled me in on what she’s been up to. A prolific metal guitarist and occasionally, singer, with plenty to say, she’s a joy to interview, speaking extemporaneously on her community within the metal scene, the joys of Manilla Road (“they’re the greatest band ever and I will accept no other option”), and the challenges of coming out and of living as a trans woman.”

Sadistic Ritual – The Enigma, Boundless Review

Sadistic Ritual – The Enigma, Boundless Review

“Thrash that brings something new? So much has happened in this year of 2022 that I’ll believe about anything. Alas, my hopes remain high despite our resident shusher, Dr. A.N. Grier, willfully relinquishing the right to this curiously spiked morsel of raucous riffs. Though neither a fan of hugs nor happiness, D.A.N.G. found himself mildly enthused with the last output from these Atlanta-based thrashers, even if they sounded a lot like Kreator. Well, I’m here to say that these guys still sound like Kreator, but blackened a degree further and doused graciously with echo-inducing, signal-tripping pedal-work—psychedelic thrash.” Coma of bowls.

Alex Nunziati – Il Mangiatore di Peccati Review

Alex Nunziati – Il Mangiatore di Peccati Review

“After forming and performing with Italy’s Theatres des Vampires for many years, Nunziati left to pursue other avenues. The most famous of these was his gothic, symphonic black metal spin-off, Lord Vampyr. With a gnarly rasp that brings to mind the mighty Cadaveria from her stint with Opera IX, Nunziati carved a name for himself alongside compatriots of his defunct Shadowsreign. But Nunziati hasn’t stopped there—preferring to keep himself busy with other creations and contributions, like Cain, Hermeticum, Iamthemonster, and Malamorte. And now, as if Nunziati can’t help but continue creating new ventures to quench his creative thirst, he brings us a debut record under his own name.” Circus of freakshows.

Artificial Brain – Artificial Brain Review

Artificial Brain – Artificial Brain Review

Artificial Brain, with or without intending it, has become the gold standard for modern death metal. Seamlessly blending earth-rumbling death metal with the raw edges and tines of black metal and adding a dissonant edge that embarks on voyages across dimensions, I knew I had bitten off more than I could chew. I feel as if I’ve intruded upon something holy.” Artifice and art.

Sensory Amusia – Breed Death Review

Sensory Amusia – Breed Death Review

Sensory Amusia are an interesting and, I’d contend, somewhat enigmatic band. They released their debut album in 2013 and then basically went dark. They popped up again six years later with an EP, quickly followed by another the following year. Now, two years after that last sojourn, Sensory Amusia have resurfaced again, this time with their first full-length in almost a decade. In many ways, Breed Death marks a departure from their 2013 debut, but even the most Vogonesque bands among us tend to evolve and grow. Whether that growth pulled the band in a more positive direction musically is another question.” Selective breeding.

Heaving Earth – Darkness of God Review

Heaving Earth – Darkness of God Review

“While I usually avoid harming animals, I had to chase a certain Abbathian cat up a tree to get my hands on this promo. My feline colleague gushed about Czechia’s Heaving Earth in 2015, calling Denouncing the Holy Throne a shamelessly uncreative but satisfying slab of vintage death metal. The band is back with its third record Darkness of God, but the seven intervening years have seen its sound evolve. Much like the latest Golgothan Remains, Heaving Earth’s newest offering adorns old-school death metal with speckles of dissonance and malice, and influences from across the death metal universe.” Darkness before divinity.

IATT – Magnum Opus Review

IATT – Magnum Opus Review

“The title of IATT’s third LP is not as ballsy as you might think. “Magnum opus” is one of those phrases that tends to be carelessly tossed around in art criticism without really meaning anything, so let’s break it down: literally, the phrase means “The great work,” specifically referring to the alchemical process of creating the immortality-granting philosopher’s stone. While some use the phrase as a placeholder for “masterpiece,” IATT is here wielding it with its proper connotation, as evidenced by much of the record’s subject matter. Taken this way, the title also serves as a metaphor in the context of IATT’s career.” Magnum force.