2023

Tariot – Drag Me to Hell Review

Tariot – Drag Me to Hell Review

“Look, I’m one of like three metalcore apologists at Angry Metal Guy HQ, and I’ve had it up to here. No more sticky noted car, printer wrapped in festive holiday paper, or the squirting flower trick, okay guys? Plus the rubber rat with “BREAKDOWNS” scrawled with Sharpie was going too far. I already get my seven daily lashes from the Most Holy Gorilla when the punishment of metalcore promos seemed insufficient. As we approach the holidays, the last thing I want to do at the office Christmas party is to open my bonus addressed to “sellout.” Don’t even fucking think about it. And Jesus, Tariot sure ain’t helping my reputation.” Apologists and collaborators up against the wall.

Genus Ordinis Dei – The Beginning Review

Genus Ordinis Dei – The Beginning Review

“One can’t credibly accuse Genus Ordinis Dei of a lack of ambition. Predecessor Glare of Deliverance used bombastic symphonic death metal to weave a tale of religious prosecution and witchcraft. The entire storyline was accompanied by a series of self-produced music videos. A big project, but the album itself was undercut by bloat and failed to impress me as much as 2017’s Great Olden Dynasty had done. Now, as the year draws to a close, the Biblical story-weavers bring us The Beginning, another religion-themed concept album accompanied by videos, but with only 4 videos and a pared-down running time, I felt hopeful the Italians would not be making the same mistake twice.” Big religion.

Revulsed – Cerebral Contamination Review

Revulsed – Cerebral Contamination Review

“Eight years ago, Australian brutal death duo Revulsed dropped one of the most overlooked slabs of quality murderizing, Infernal Atrocity. Dripping with grimy licks, slithering riffs, and enough pinch harmonics to pop your nipples right off your torso, Infernal Atrocity demanded the attention of all who would encounter it. The fact that it was the band’s debut outing makes it only that much more impressive. Now it’s 2023, going on 2024. Revulsed found their way into Everlasting Spew’s roster, and at long last sophomore follow-up Cerebral Contamination prepares for ultimate unleashment.” Irresistable revulsion.

Cryptworm – Oozing Radioactive Vomition Review

Cryptworm – Oozing Radioactive Vomition Review

Cryptworm’s 2022 Spewing Mephitic Putridity debut completely satisfied my shameful desires for a death metal album sounding like someone vomiting gut slime and mega-maggots for 33 minutes. It was repulsive, obnoxious, stupid, and fun. It was also really heavy, borrowing key chapters from Autopsy and early Carcass. I go back to it regularly, so the UK-based blokes did something right. Now hot on the heels of this grisly triumph, we get a brand new splatter platter called Ooozing Radioactive Vomition.” The Worm has (re)turned.

Antrisch – EXPEDITION II: Die Passage [Things You Might Have Missed 2023]

Antrisch – EXPEDITION II: Die Passage [Things You Might Have Missed 2023]

“Back in April—practically a lifetime ago—I interviewed Noise of Kanonenfieber, Leiþa and Non Est Deus fame. Ever the professional, I shamelessly used it as an opportunity to fish for album recommendations for my own enjoyment. In my defense, I did at least deign to share some of them with you ungrateful swine. Unsurprisingly, all of Noise’s recommendations were solid but there was one that really got its frozen claws into me, Würzburg, Germany’s Antrisch and their second record, EXPEDITION II: Die Passage.” In cold blood.

Jarhead Fertilizer – Carceral Warfare Review

Jarhead Fertilizer – Carceral Warfare Review

“There’s disgusting death metal, there’s brutal death metal, then there’s death metal that walks into a room and makes you wonder if anyone else in that room has a restraining order against it. Autopsy may have pioneered this brand of whiplash, burner phone grooves against parole-violating subject matter, but Jarhead Fertilizer—featuring mostly current or former members of grinders Full of Hell—has taken the campy idea of that putrid stance and added to it a real-world violence.” Feel the Fertilizer.

Grau – Abseits des Lichts Review

Grau – Abseits des Lichts Review

“I appreciate modern black metal. The original stuff is not for me at all, but there’s something about a well-polished flame of rage that just works for me. Stepping away from pure, often theatrical, hatred and into such things as emptiness, suffering, frustration—that stuff speaks to me. So when I read that Abseits des Lichts (“Outside of the Light”), the sophomore full-length from the German black metal Grau, lyrically focuses on “pain, emptiness, and the animalistic aspect of the human mind,” well, I was, to put it lightly, intrigued.” Suffering through the holidays.

Coven Japan – Earthlings Review

Coven Japan – Earthlings Review

“The past still lives around us—a phone booth dilapidated with its tethered telecommunications device extracted, an eerie, abandoned Sears parking lot, Def Leppard jammin’ for the 6:00 pm crowd at the grocery store. Even for new members of the heavy metal clan, the sounds of royalty—Maiden, Priest, Saxon—often line the path to whatever extreme they may later fall into. It’s no surprise, then, to read that new Japanese export Coven Japan declares themselves as a young band influenced by 70s bands like Angel Witch and 80s bands like Satan” Past as prolog.