“Just one look at the cover of Cut Up’s Forensic Nightmares will tell you pretty much everything there is to know about the music hidden beneath it. What else could a cool depiction of a disassembled human body represent other than some cool, old school death metal?” Cover o’ the Year? Maybe.
“Here’s a fun fact for you stat geeks: the average score gaily awarded to full Rhapsody releases by the resident Turilli fangirl (our great leader himself) is 4.83/5.0. Check ’em here. Clearly a much more objective party needed to intervene to prevent further such madness, offering a view impervious to Turilli’s rugged Italian charms.” Stop the madness. Lightning bolt!
“It’s exciting when you discover that a member of one of your favorite bands has a side project. It gets weird though when you realise the project’s been around and producing for going on twenty years. Between considering the merits of becoming an Agalloch roadie/fangirl back when Steel Druhm reviewed Marrow of the Spirit and later writing up my own reviews of Agalloch’s The Serpent and the Sphere and Nothing’s Guilty of Everything, I can’t help thinking I should have come across some utterance of Agalloch bassist, Jason W. Walton’s side-project, also branded Nothing.” Prepare for nightmares made audible.
“Do a quick Google (or should I say YouTube) search of vocalist PelleK. If you are not familiar with this name, you will discover that he loves selfies, modeled shots, filming himself singing other people’s shit, and acting in Norwegian TV shows. Though his solo work in Pellek is enough to make me wanna set myself on fire (which includes sixteen cover albums of EVERYTHING from Pokemon and Power Rangers themes to ’90s sitcom themes), his four-octave range is simply incredible. So, were Damnation Angels damnable fools for snatching him up for 2013’s Bringer of Light and 2015’s The Valiant Fire?” You know you want to hear those Pokémon themes.
“There are certain things in life you just come to depend on and expect. Hollywood will try to recreate your favorite movies, and they will all suck. People will place themselves above the proletariat to assume a level of faux superiority. We will all die, some more gloriously than others. And, without fail, California’s High on Fire will pummel the bejeebus out of you with every record they release.” Get your bejeebus in order.
If sitting alone in a darkened room, lighting a few candles, uncorking a good claret, and settling in for an uninterrupted hour of beauteous funeral doom sounds like your idea of a fun night in, you’re probably already a fan of Shape of Despair. Discovering that they were finally releasing a new LP after eleven years of waiting left me pert with anticipation.” Slow and low, that is the tempo.
“I’m going to get this out of the way regarding Vattnet Viskar’s second album, Settler right now: that is the saddest album cover I’ve seen in my almost-two years of writing for Angry Metal Guy, and I’m not talking “OMG THEY WENT FULL DEAFHEAVEN!,” either.” But it would be very sad if they did go full Deafheaven, just to be clear.
“Speed metal wasn’t around long as a separate genre before it got absorbed into the more popular thrash bubble following the Bay Area explosion. Over the years the differences between the styles blurred, and while they’re slight, speed metal was always closer to classic metal in attitude with a greater emphasis on memorability and hooks. And that’s where Denmark’s Encyrcle come in.” Nobody saw this dose of old timey fury coming.
“Watching Gorgoroth grow up is like watching your dipshit nephew grow up. Getting busted for stealing Bazooka bubblegum as a child, knocking up his high-school girlfriend, marrying her, divorcing her, running out on his kid, and then fighting his ex for full custody of a child he hates. The biggest difference between the trials and tribulations faced by Gorgoroth and your asshole nephew is that Gorgoroth’s are worse.” Those wacky Satanists….
“Being of the ‘80s thrash generation, I was born a few years too late to experience the actual birth of metal first hand. As a result, I have had to seek out that old-school sound and those pioneers of what we now know as “metal.”” And seek out he did.
