4.0

Amorphis – Under the Red Cloud Review

By Angry Metal Guy on September 1, 2015 in 2015, Finnish Metal, Melodic Death Metal, Nuclear Blast, Reviews, 94 comments

“Under the Red Cloud marks the 12th studio album from Finland’s grandfathers of extreme metal, the band’s sixth LP with Tomi Joutsen as vocalist and his 10th year in the band. The string of Tomi’s six records started with 2006’s Eclipse and had an absolutely epic beginning. Eclipse, Silent Waters and Skyforger showed the band’s new found drive and energy, reclaiming some of their death metal heritage, while veering further into what Nuclear Blast has fittingly labeled ‘melancholy rock.’ Unfortunately, Angry Metal Guy’s Law of Diminishing Recordings™ is a fickle mistress, and The Beginning of Times and Circle were both records that were good, but lacked the urgency of that initial trilogy.” Angry Metal Guy is back reviewing Amorphis, and do you kids know what that means? It means he’s probably not doing his actual job! Now read the damned review!

Royal Hunt – XIII Devil’s Dozen Review

By Steel Druhm on August 29, 2015 in 2015, Danish Metal, Frontiers Records, Hard Rock, Progressive Metal, Reviews, Hard Rock, Progressive Metal, 21 comments

“Royal Hunt has been knocking around the prog-metal circuit forever, and though they’ve dropped a few killer releases, I’d describe their overall discography as a bit spotty. There are those classic albums where their melodic AOR/metal style really hit a sweet spot, and others were it feels like they’re stuck in a lower gear. Their golden age was in the mid 90s with vocalist extraordinaire, D.C. Cooper (Silent Force, Steel Seal) and most fans would likely point to 1997s Paradox as they crowning achievement.” The hunt resumes. Tally ho!

Pentagram – Curious Volume Review

By Steel Druhm on August 21, 2015 in 2015, American Metal, Doom Metal, Heavy Metal, Peaceville, Reviews, Doom Metal, 41 comments

“Apart from Black Sabbath, no doom band can claim the same progenitor status Pentagram can. Coming into existence in 1971, they were the first American doom band and along with their slightly older British brothers in arms, they wrote the book on the entire genre. They also penned another book over the years on how to become the ultimate obscure, underground and kvlt act and stay that way for four fucking decades without ever getting proper recognition.” Last days are not here!

Myrkur – M Review

By Saunders on August 18, 2015 in Black Metal, Danish Metal, Folk Metal, Relapse, Reviews, Black Metal, Folk Metal, Post-Metal, 66 comments

“Danish one woman black metal project Myrkur burst onto the scene in a shroud of mystery with her debut self-titled EP last year. When her identity was revealed to be New York based artist Amalie Bruun of indie-pop duo Ex-Cops, the fickle factions of the wider metal community were seemingly more concerned about her apparently dubious metal cred than the frigid blast of old school Norwegian black metal, post-metal atmospherics and melancholic folk the EP delivered.” Damn those fickle factions to Hell!

Ghost – Meliora Review

By Steel Druhm on August 17, 2015 in 2015, Heavy Metal, Loma Vista Recordings, Reviews, Swedish Metal, Heavy Metal, Occult Rock, 95 comments

“I made no secret of my throbbing love for theirOpus Eponymous debut, and made even fewer bones about my disappointment with follow-up Infestissumam. With the band tied one and one and the writing apparently now being handled by someone named Klaus Ahlund, I looked to Meliora to determine if Ghost was a flash in the pan or a serious act worthy of the buzz their enigmatic antics earned them.” Is this one friendly like Casper or a total mess like Slimer?

Krallice – Ygg huur Review

By Roquentin on August 12, 2015 in 2015, American Metal, Avante Garde, Black Metal, Reviews, 23 comments

“Krallice is a band that often gets misunderstood. Forcibly shoved into a conveniently labeled drawer of “black metal,” the New York group was an easy target of both the trve black metal kvltists, condemning them for “mocking and desecrating the genre,” and the mainstream public, that couldn’t stand such “noisy wankery.” They’ve been cynically called “controversial,” “divisive,” “hipsters,“ and “ostentatious,” often being mentioned in the same breath with the likes of Deafheaven and Liturgy, with whom they have little in common.” Notice how New York is becoming the Mecca of interesting black metal?

Deathwhite – Solitary Martyr EP Review

By Steel Druhm on August 11, 2015 in 2015, American Metal, Gothic Metal, Post-metal, Reviews, Gothic Metal, Post-Metal, 35 comments

“Ah, Deathwhite is back to antagonize music reviewers who expect to know things like: who’s in the band, what do they play, where are they from, who is their daddy and what does he do? Yes, Deathwhite scoffs at such outdated formalities, opting to exist in complete secrecy like goth-metal’s answer to those masked marauders in Ghost.” Straight from the Witness Protection Ensemble, more intrigue and confusion.

Kataklysm – Of Ghosts and Gods Review

By Diabolus in Muzaka on July 31, 2015 in 2015, Canadian Metal, Death Metal, Melodic Death Metal, Nuclear Blast, Reviews, Death Metal, Melodic Death Metal, 51 comments

“In Quebec, a delicious golden ale called La Fin Du Monde has been brewed for over twenty years. It’s potent by regular beer standards, sitting at about 9% alcohol. The first time I tasted it I was with numerous smart people in a pub, and as soon as I took one sip I knew this would be a beer I’d have a long and happy drinking relationship with. Quebec has also seen the production of Kataklysm material for over two decades now, and my first time hearing them via Serenity in Fire’s “As I Slither” yielded similar results.” Let the ale flow and the death play.

Symphony X – Underworld Review

By Angry Metal Guy on July 27, 2015 in 2015, American Metal, Heavy Metal, Nuclear Blast, Power Metal, Progressive Metal, Reviews, Power Metal, Progressive Metal, 81 comments

“Symphony X is New Jersey’s answer to Yngwie Malmsteen. That’s not just a funny blurb: the more I think about it the more I realize that that’s actually a surprisingly good description of the band. My relationship with the band started in 2000 with the release of the band’s absolutely perfect V: The New Mythology Suite. At the time, I described them to friends as being “Malmsteen—if he could write songs and had a good vocalist.” Since then the band has released some excellent records, but they’ve also taken a turn for the heavier, and edgier, moving further away from the traditional progressive/power wheelhouse and straight-up neocassical stylings. The orchestral approach on V never quite disappeared—they’re a ‘neoclassical’ progressive/power band ffs—but from Paradise Lost on the band’s heavier attitude has continued to develop; embodied by Allen’s full-throated Jersey rasp.” Angry Metal Guy weighs in on Symphony X’s newest release.

Locrian – Infinite Dissolution Review

By Roquentin on July 24, 2015 in 2015, American Metal, Avante Garde, Non-Metal Metal Things, Relapse, Reviews, Avante Garde, Non-metal Metal Things, 33 comments

““Black metal, noise, krautrock, post-rock and something else, but none of the above at the same time,” wrote Alex Franquelli about Locrian’s previous record Return to Annihilation. These words ring truer than ever on Infinite Dissolution, a record that eschews categorization and shows the Chicago/Baltimore trio carrying their sound into unexplored and inexplicable structures, bringing together disparate worlds, and moving even farther away from the slow ambient noise and drone that marked the first, hyper-productive part of their career.”