“As much as I hate to admit it, my appreciation for doom has declined over the years. Back when I was first getting into metal, I remember scouring the doom metal Wikipedia page for info on the genre and purchasing all the My Dying Bride, Katatonia, and Swallow the Sun CDs my minimum-wage high school job could afford. But in recent years, I’ve become too impatient to sit and ponder dreary sadboy melodies or chords that reverberate for ten seconds at a time.” What’s the rush?!
“It’s been about 3,800 days since Tool pressed any fresh material, so I’m guessing we’re almost halfway to something new? Well, a trio of go-getters from Colorado up and said “fuck that” taking matters into their own hands. They formed a band called Source, wrote a bunch of Tool-y material and now they’re set to make their debut with Return to Nothing.” Out of the Toolshed and into the limelight.
“When Neurosis releases an album it is an event. These guys, more than thirty years into their influential and genre-creating careers, always come up with interesting goods, and the album teaser released earlier in the year was enticing. Will the full album hold up? We sure hope so!” This is not appropriate music for a Friday.
“If you look at the top of this page, you will find a reference to the old adage “less is more.” The phrase came from the minimalist art movement and is still a common saying in many areas of art and design. In music, it usually describes how an album can be improved by removing songs or song sections that don’t add anything to the album as a whole, leaving the bloat on the cutting room floor. Here at Angry Metal Guy Universal Enterprises, we’re big fans of the principle; we don’t have a 45 Minute Rule for nothing. Allegaeon, being top-class musicians, of course know all about such basic rules of composition. They just don’t give a fuck.” When is more actually more?
“Okay, so you burned every church out there. Every last forest has been utilized for frost-bitten photographs of corpse-painted minions wielding medieval weaponry, invisible oranges, or both. You sang every hymn there is for either Satan, Tolkien orcness, darkness, the wilderness, or anything even remotely related to the above. What’s left to cover? Why SPACE, of course!” Into the blackness (of space).
“I find black metal deeply polarizing. While helplessly captivated by the cold, desolate aura of much of the genre’s higher quality output, I also find myself mind-numbingly frustrated when magnificent records are in my view ruined by intentionally dreadful production, sounding as though they were recorded not in a studio but rather in a metal bin at the bottom of a distant lake (Transilvanian Hunger anyone?). Founded in Bergen in the early nineties by frontman Aphazel, the aptly-named Ancient have been diligently plying their trade for almost a quarter of a century now, establishing a back catalogue of uncharacteristically lush-sounding black metal and recruiting a small but loyal following along the way.” Old and cold, or old and bold?
![Cara Neir/Wildspeaker – Guilt and His Reflection [Split] Review](https://www.angrymetalguy.com/wp-content/uploads/2016/09/Cara-NeirWildspeaker-Guilt-and-His-Reflection-768x1166.jpg)
“Crack a beer and grab a seat. Today’s entertainment is a double feature from two Texas-based bands with a proclivity for taking black metal and turning it on its ugly, corpse-painted head. First up is Cara Neir, an idiosyncratic, punky duo whose hardcore-tinged blackness often lends itself to wild stylistic forays, as heard on 2013’s Portals to a Better, Dead World. On the flip side is Wildspeaker, a crustier, sludgier outfit who formed in 2013 and released debut Survey the Wreckage last year. They’re here to deliver Guilt and His Reflection, 13 tracks depicting ‘humanity crumbling into itself’ through ‘the story of post-civilization sins committed when desperation overwhelms.'” That certainly sounds cheery.
“Of the wavelengths split from heavy metal’s prism, doom is the color that can most clearly trace its path back to Black Sabbath. Down-tuned riffs, fuzzed-out solos and a bottom end that would make Sir Mix-a-lot dab the sweat from his brow, today’s doom acts unabashedly carry the flame first lit by Messrs Iommi, Ward, Butler and Osborne. The danger in this familiarity is that some bands struggle to escape their progenitor’s orbit and end up as pale imitators rather than carving out a space of their own.” Doom space is tough to come by these days.
“Metal is undeniably a multifaceted wonder. It has many moods and it incorporates many styles from a wide range of genres and mediums. But how much is too much? Is it too late in the evolution of this dark and dangerous genre for us to return to the simple days of booze, drugs, and rock ’n roll?” Yes, yes it is.
“As always, I’m dating myself with my taste in music, but so be it. Sumerlands is an unheralded act set to explode on the nostalgia-core scene with their self-titled release and let’s just say, I’m fully on board. Featuring Phil Swanson (Hour of 13, Briton Rites, et al) on vocals, Sumerlands plays exactly the kind of music I couldn’t get enough of in the late 80s/early 90s. It’s dark, brooding, traditional American metal with traces of prog and doom around the edges.” The boys of summer never sounded so olde!
