“Just because you wore yourself down to the stubs doesn’t mean you produced anything worth a damn. It’s about what you achieve, not how much of it. Halcyon Way would seem to disagree. Having built their reputation on grit and gumption, they stand proud of their latest album, Bloody But Unbowed, a declaration to dogged persistence if there ever was one. But, does effort guarantee success?” Prog-thrash is a dangerous game.
“The best metal is not purely contemplative music, but the music of action that’s worth attention. The kinetic element of metal is present in the energetic rhythms and soaring harmonies, through the murk and the ice, in the slam and the breakdown; it’s baked into the idea of heaviness itself. This music makes those who get it move; we mosh, we furiously bang our heads, throw up the horns, or play an air instrument. The gut feeling that good metal gives me makes me need to do something: have a lively night with friends, furiously scribble a review draft, play an instrument, work out, or even just pace about and enjoy the music.” Chopping spree!
“Anyone who’s seen The Wire knows Baltimore can be a rough place, but on Memorial Day weekend every year, things get especially brutal. Hundreds of rabid metal fans from all over the world descend on ‘Charm City’ to participate in Maryland Deathfest, and the result is four days of moshing, headbanging, and partying like it’s 1989.” Death to all.
“There’re are few bands in the world that you can look at, or listen to, and say, ‘yeah, those dudes fucking know the road.’ And, while there aren’t many that would trump the almighty Motörhead, there’re those that share the punkish gonads, the old-school blues, and the electrifying energy of Lemmy & Co. Against the Grain know the road and dominate the Midwest.” The road is a grainy place.
“Formed in 1990 by prolific bass-slinging band whore Dan Lilker (Anthrax, Nuclear Assault, Blurring, Venomous Concept, S.O.D. & many others), New York’s Brutal Truth threw their hats into the grind ring and captured lightning in a bottle with their phenomenal 1992 debut, Extreme Conditions Demand Extreme Responses; a dead-set grind classic, now certified as an olde motherfucker. There’s something special about Brutal Truth’s underappreciated debut that sets it apart from pretty much any other grind album I’ve experienced.” The ugly truth.
“Last year in our EP edition of TYMHM, I waxed eloquent about a great little proto-thrash demo from some Wellington, NZ upstarts, Stälker. Their Satanic Panic cassette was such a nasty bit of early speed metal that it garnered the attention of Napalm Records, and this power trio was set to record their full-length debut this year. Enter Shadow of the Sword.” Only a big sword casts a shadow you can enter.
“Not many bands live to release a 16th album, but Annihilator is a testament to persistence through good times and bad (especially bad). Sure, some folks feel they should have closed shop after their well regarded sophomore outing, Never Neverland, but haters be damned. The band is the baby of founder/guitar wunderkind/sometimes singer Jeff Waters, and he seems disinclined to put it out to pasture anytime soon.” Never, never say…stop?
“With debut Collected Bones, Exoskelett produced a record that sounds like what would happen if some kids heard Morbid Tales coming from their older brother’s bedroom and then spent the next three weeks trying to recreate that feeling by jamming on busted pawn shop instruments and guzzling Mountain Dew in their parent’s basement.” Bones, Dew and disharmony.
“Take a look at this Donald Trump inspired t-shirt released in early 2016. That was the first time that I had heard of Virginia’s crossover-thrash outfit Municipal Waste since their 2012 solid, but uninspired album The Fatal Feast (Waste in Space). While they released a couple of splits and EPs during the four years in-between, it was that stunt—a year later apparently more relevant than ever—that brought the (metal) public’s spotlight back on them.” Under new waste management.
“Between pillaging, plundering, and getting insanely hammered, Mark Z. interview’s Revocation’s Dan Gargiulo.” The first of several plunder publications from this year’s 70,000 Tons of Metal excursion.
